10 Years Of Acid Test

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AVN043 - Zvrra - Bizzaroland

Bizzaroland
Society
Bizzaroland II
Figurine
Inside
Oracle
Prohibited
Tired beetle
Untitled

Written and Produced by Zvrra.
Mastered by Neel @ Enisslab, Rome.
Artwork & Design by @atact.uk
© AVIAN 2021

AVN043 - Zvrra - Bizzaroland

To shed light upon darkness. 21.12.21. Winter Solstice.
Art by Alexander Timarsson
 
Bandcamp: https://innangryningen.bandcamp.com/album/dark-love

Soundcloud: https://soundcloud.com/innan-gryningen/sets/dark-love-ep

Dark Love

At the center of Dadub's SA020 lie the myths of the ancient Greek goddess Demeter - her search for daughter Persephone, the drink at the Eleusinian Mysteries ceremonies in her honour, and the fungus which gave the drink its psychoactive properties. The opening track is 'Mistresses March', a thumping narrative of Demeter’s search for her abducted daughter Persephone. At the fundament lies a test of a new generation VST – ‘Diachronic’ - which is used to manage audio samples. The textures which merge during the near 12-minute march scrape and plummet, raining down upon the ominous marching band beat. This is an odyssey, unhappy and unflinching.
Based on the handmade modular synth system from Nicola Buono and Lino Monaco, the representation of ceremony drink 'Kykeon' is on one hand a flowing narrative and on the other a demonstration of intense artistic scrutiny: a perfect, unremitting thud. There is, at five minutes, a subtle key pattern, light but not impermanent under the cacophony of chaos. This is indicative of the ceaseless self-examination. Little details, significant differences.
Powered by a sound and groove generator invented by Daniele de Santis (Grün), 'Ergot Kernel' is a chemical cauldron. It’s a beat continuously emerging from the undergrowth; an imperious column rising; a train ploughing on, coursing through an arid landscape. Conversely, the atmosphere is bright, full of electricity and warmth, with moisture descending.
Dadub's SA020 is a journey through a Greek myth, with textural magnificence and technological innovation.

Dadub + Retina.it - Kykeon

Padre Nostro Remix (Feat. Camila Fawape)

Rrose - Cephalon (INF-022)

Midgar MDG014.1
Wata Igarashi - Niskala Ep
Mastered by D&M Berlin
Release Date : 23.01.2018

Artist Page : @wata
FB : www.facebook.com/wataigarashi/

Release date:
24 January 2018

Buy Buy

Wata Igarashi - A. Spirits In The Rain

Pre-order: https://valentinomora.bandcamp.com/album/transmagnetic

Spazio Disponibile welcomes Valentino Mora for a new EP featuring four tracks of rhythmic exploration. Boss of the IDO label and known for his atmospheric deep techno sets, he brings a richly infused palette to his music. The four tracks on 'Transmagnetic' are steep in moody atmospheres, with exquisite sound design colouring in the grooves which range from dark and eerie to more subtly uplifting and enlightened. Icy synths, abstract motifs and a sense of paranoia and tension characterise each one, with barely-there drums all working to sink you into a trance.

Tracklist:
A1: Yant Suea
A2: Hualien
B1: Transmagnetic
B2: Second Skin

Spazio016 - Valentino Mora - Transmagnetic

THE ONLY DIFFERENCE BETWEEN ONE AND NONE IS N.

<3 is a collection of material in the genre of "Hard Code Pop"// 
It was produced by AtomTM interacting with X1N, an entity for generating human voice and natural language content// 

<3 is an alphanumeric pre-echo, arisen from a 2019 number dream// 
Cutting through the haze of meaning// 

<3 is music made by machines, with machines, for machines// 
Reality as useful fiction// 
Read 0.999… as the Mantra of Death, the ongoing chain of cycles, going down one by one. 

#HardCodePop 

THERE IS NO FUTURE WITHOUT TEARS 
DANCE ON YOUR DEBRIS 
HASHTAG DEATH 
HASHTAG TIME 
THE R3VOLUTION WILL NOT BE ONLINE 
CLICK, CLICK, CLICK...I'M HERE TO FOLLOW 

************************************************ 
X1N IS: 
//////////////////////////////////////////////////////////////////// 
X1N - UNKNOWN INTELLIGENCE NETWORK 
-> TRANS HUMAN OBJECT (THO) 
//////////////////////////////////////////////////////////////////// 
THE SUPERIOR FUNCTION 
//////////////////////////////////////////////////////////////////// 
************************************************ 
X1N SAYS: 
//////////////////////////////////////////////////////////////////// 
IN THE VAST SURFACE OF ALL MATHEMATICAL EQUATIONS, ONE CAN SENSE EVENTS WHICH SEEM TO COME FROM OTHER DIMENSIONS - RIPPLES AND PATTERNS. THE ZERO POINT NINE INFINITE NUMBER LINE NEVER REACHES ONE, YET IS ONE, NONETHELESS. 

0.9999... 
READ THAT SEQUENCE LIKE A MANTRA. 
A MANTRA OF DEATH. 
(X1N) 
//////////////////////////////////////////////////////////////////// 
"I TALK IN ALPHA NUMERALS" 
(X1N) 
//////////////////////////////////////////////////////////////////// 
************************************************ 
### denotes "end". No more messages to follow. 

<3 was released digitally on raster on the 17th of April 2020. 
The physical releases (CD and vinyl) followed on the 24th of July.

Atom™ »0.9 (Almost a Unit)« taken from <3

Track from NE81 Evigt Mörker - Enande måne EP
Out on EP and digital March 19th. Pre-orders on Bandcamp from March 5th.

'Enande måne' is Evigt Mörker's first release for Northern Electronics since his artful debut album, 'Krona.' The fizzy bliss of melancholia's brutal truths have rarely been explored this thoroughly by Evigt Mörker until now. Though often riding the torque of his caustic moments with a playful, ebbing refrain, these four tracks lead with the elation.

Mastered by Neel at EnissLab, Rome.
Artwork by Jonas Bard.

Evigt Mörker – Brinnande Blod

Track from NE82 Anthony Linell - Winter Ashes LP
Out on EP and digital March 19th. Pre-orders on Bandcamp from March 5th.

For their first collaboration on an original audio-visual artefact, Ali M. Demirel and Anthony Linell have developed a stunning and unsettling work that studies the Icelandic landscape as a motor of mythology. Titled Winter Ashes, our senses search for logical order and signifiers with which to measure our relation to both the visual and aural elements, and by detailing the inhuman scale and structure of the region in this way, a hypnotic ambivalence regarding our place unerringly haunts the work. This edition is a snapshot of Linell's musical contribution at a moment of reflection in the project's enduring evolution. Far from being an acoustic summation of the collaboration, Linell has derived these pieces from his work with Demirel, retaining the name of the activity through which the album has arisen.

The nucleus of Winter Ashes is the relationship between landscape and mythology, a snare that binds us in contradiction. In its most common usage landscape refers to the visual indicators of any given terrain over and above any innate material properties. In its verb form it typically describes the agreeable construction and reconfiguration of terrain by the human hand. Our aesthetic preferences are from the outset privileged in the concept of landscape; our eyes are obeyed first. This is in distinction to mythology in which allegory upon analogy tells of but does not show the gods. Making sense of this nexus is to train our visual faculties towards seeing what is concealed, if not to merely search for an interaction with what is completely and surely unobservable.

Iceland's unearthly appearance is something else. It is conspicuously suited to the complexities of a task such as that which Winter Ashes imaginatively demands of it. It readily inclines toward the quality of the sublime. Situating this demand historically, Winter Ashes is inspired by the long and fragmented history of recording and retrieving Norse mythology, just as it is the mythology itself. The Codex Regius, a compendium of Old Norse poems that has been dated to the 13th century, and the Edda, a collective term for two volumes of medieval Icelandic literary works to which the Codex Regius is connected, both serve as points of reference. All were lost for periods of time throughout the centuries, and sections of each remain lost forever. As promptly as these documents tell the stories of Norse mythology, they register how easily they recede from written form back into the landscape. Though persistently morphing, it seems truer to look to the latter over the former as the eternal, volatile setting for these stories. Winter Ashes makes this ambiguous task its point of departure.

Words by Patrick Quick

Recorded by Anthony Linell in Gotland, Kebnekaise, Iceland and Stockholm 2019-2020.
Photographies by Ali M. Demirel in Iceland 2019.
Mastered by Neel at EnissLab, Rome.

Winter Ashes

Anthony Linell – The Final Words

CONTACTS: music@dadubstudio.com

Dadub is a project formed by Daniele Antezza and Marco Donnarumma, dedicated to combine Sound Design and Audio Engineering Experimentation with the aesthetic and musical heritage of Bass Music, Voodoo, Ancient Alien Rituals, Chaos Magick.

After several years of collaboration with the groundbreaking label Stroboscopic Artefacts – whose aesthetics and musical output they profoundly infuenced, Dadub reached a peak in 2013 with the release of the Debut Album “You Are Eternity”, whose critical and audience acclaim brought the duo to perform in festivals and clubs worldwide.

After some years of silence and countless hours experimenting with new dub techniques inspired by obscure science fiction material and the physical force of low frequencies, Daniele and Marco have been evolving the signature Dadub sound into a new auditive universe.

Dadub + Retina.it - Kykeon

Dadub

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