The first of 12 Nocturnes. 
This wonderful recording was made by Anna Heller and first appeared on Moving Classics TV. 
https://www.youtube.com/watch?v=eXKL-i3cdL4

It is posted here with her kind permission. 
http://movingclassics.tv/about-us/  
https://anna-heller.com

Thoughts about the nocturne: "Nocturne No. 1, written in Luxembourg in June, 1989,
"The first of a set of twelve, this piece is a midnight lament in two parts, the first being relatively static and somewhat nostalgically Russian in style but nevertheless dissonant in places. 
The second part is a repetition, but with much more power and intensity. The very long melodic phrase becomes relentless. 
The music is tonal and clearly based in C minor but with much dissonance and implied bitonality."

Nocturne No. 1  -  Anna Heller

Eric Schultheiss stands at the vanguard of contemporary composition, forging a unique path that bridges the rhythmic drive of global percussion with the infinite possibilities of digital sound. As a composer, percussionist, and educator, Schultheiss is acclaimed for his hybrid electro-acoustic works—pieces that fuse the organic pulse of drums with orchestral richness and the sonic innovation of modern electronics.

Rooted in a Southern California upbringing steeped in progressive rock, classical discipline, and the improvisational freedom of jazz, Schultheiss draws on a vast tapestry of influences. His music channels the off-kilter accents of Stewart Copeland, the lyrical intensity of Neil Peart, the storytelling depth of Peter Gabriel and Sting, and the progressive artistry of Genesis, Dream Theater, and Spock’s Beard. This synthesis results in compositions that are as intellectually rigorous as they are emotionally evocative.

Currently, as Head of Percussion Studies and Electro-Acoustic Composition at the Middle Tennessee Conservatory of Music, Schultheiss is an outspoken advocate for the DAW as a true instrument. In his hands, digital workstations become canvases for sonic experimentation, allowing for real-time orchestration, microscopic precision, and the layering of polyrhythms and timbres that would be impossible with traditional notation alone. He champions technology not as a shortcut, but as an authentic extension of the composer’s voice.

Signature works such as Lights Twinkle—a Christmas percussion-ensemble piece blending Japanese Taiko, harp, and haiku-inspired vocal textures—showcase his ability to unite tradition with innovation. Airidea’s Journal explores the dialogue between structure and freedom through dance-driven percussion and atmospheric synths, while As You Sleep and Terminal Memory reveal Schultheiss’ penchant for ambient soundscapes, introspective melodies, and cross-media collaborations. His compositions have been commissioned for film, dance, and multimedia productions, performed by leading ensembles, and praised for their intricate interplay of rhythm and resonance.

As an educator, Schultheiss is dedicated to shaping musicians who are not only technically skilled but also creatively fluent in both acoustic and digital modalities. At the Middle Tennessee Conservatory, he mentors young composers in hybrid techniques, polyrhythmic structures, and DAW-based workflows, encouraging them to embrace technology as a creative partner. His influence extends beyond the classroom, as he helps students gain visibility in the digital era and equips them to thrive in an evolving musical landscape.

Through his relentless curiosity, innovative spirit, and commitment to artistic growth, Eric Schultheiss is redefining what it means to be a composer in the 21st century. His work is a testament to the power of bridging tradition and technology, and to the limitless frontiers that await those willing to explore them.

Dafydd Bullock was born in  Llanberis, Gwynedd, Cymru (Wales).

A composer, he graduated in Music (University of Manchester and the Royal Northern College of Music, 1971 - 1976) where he studied with George Hadjinikos, and took a Master's Degree in International Relations (University of Sussex, 1981 - 1983). In 1993 and 1994 he won first prizes at the National Eisteddfod of Wales, and in 1995 he was honoured in Wales by admission to the highest Order of the Gorsedd of Bards. He was made a Fellow of the Royal Society of Arts in 2005.

His compositions include 39 symphonies, 19 symphonic poems, 2 operas, 2 Requiems, 2 Mass settings, a Missa Brevis, an oratorio, 40 string quartets, 9 trios and other chamber music and many songs and pieces for piano. He has written scores for 2 films. 

Works have been published in the British Isles by Oriana Publications, Cwmni Gwynn, Curiad and Bardic Edition, in Belgium by Alain Van Kerckhoven Editeur, in the USA and in Luxembourg by Luxembourg Music Publishers, Music Enterprise and Double You. He has made 41 CDs to date, with SAIN (Wales), AVK (Belgium) and LakeSound. His music has been performed and listened to and broadcast in over 140 countries, including Japan, China, USA, Brazil and Colombia as well as widely within Europe.  

Dafydd Bullock has a particular relationship with Prague: his Second Symphony was given its world premiere by Musici de Praga during the 1996 Prague Spring Festival and the Third Symphony, again in Prague, on St. Valentine's Day, 1997. The third and fourth String Quartets were also recorded in Prague (Becher Quartet) as were the complete works for Cello and Piano (Jindrich Ptacek) and five Trios. More recently, Virtuosi di Basso, the twelve solo celli of the Czech Philharmonic Orchestra have recorded and performed music especially written for them. Recently he premiered his Requiem for Jan Palach in Luxembourg and in Prague.

Dafydd Bullock wurde in 1953 in Llanberis, Gwynedd, Cymru (Wales) geboren. Er studierte an der Universität Manchester und am Royal Northern College of Music (Professor George Hadjinikos) von 1971 bis 1976, wo er sein Examen in Musik ablegte. Weiterhin studierte er Politikwissenschaft mit dem Schwerpunkt ‘Internationale Beziehungen’ von 1981 bis 1983 an der Universität Sussex. Dieses Studium schloß er mit der Magister Prüfung ab. Er arbeitet als Komponist. 1993 und 1994 gewann er erste Preise im Fach Komposition an der National Eisteddfod of Wales. Im Jahre 1995 wurde er in Wales durch Verleihung des höchsten Grads der Gorsedd of Bards geehrt und in 2005 wurde er Fellow of the Royal Society of Arts. 

Zu seinen Kompositionen gehören 39 Sinfonien, 19 sinfonische Dichtungen, 2 Opern, 2 Messen, 2 Requiem, 40 Streichquartette, 9 Trios und weitere Kammermusik und viele Klavierwerke. Er hat 2 Filmmusiken komponiert.
Verschiedene Werke werden von Oriana Publications, Bardic Edition, Cwmni Gwynn und Curiad in Großbritannien, von Alain van Kerckhoven Editeur in Belgien, und von  Luxembourg Music Publishers, LakeSound, Music Enterprise und Double You in Luxemburg veröffentlicht. Bis jetzt hat er 41 CDs unter anderen bei den Firmen SAIN (Wales) und AVK (Belgien) und LakeSound gemacht.  Seine Musik wurde in mehr als 140 Ländern gehört, gesendet und aufgeführt einschließlich in Japan, China, USA, Brasilien und Columbien, sowie in Europa.