What a great guitar sound! Excellent playing, Dave...goosebumps! Very beautiful overtones! A masterful tribute to Black Sabbath...

Wonderful track, tribute and outstanding performances! Great job!

This is a total blast. Some of the cleanest/crispest rock playing I've heard on the cloud in a while...'cleanest' as in chops/tight playing. Absolutely spotless mixing/production. Just a great pleasure to hear you making this tribute.

anthemic - brilliantly played and arranged

A fitting tribute fella....bang on with the sub-sonic power chords, driving bass, drums and the stinging solo work...quality stuff mate.

Mighty fine sound from that Fender Mustang, Dave...and mighty fine playing too!

A.I. EMISSARY HAD A MOUNTAIN EXPERIENCE

Synesthesia is main motif for this song, first because of original lyrics, then as I felt like adding it more flavor with female vocals*, & finally when I recently watched some paintings about this matter**.

*Great vocal performance by https://soundcloud.com/maraoldfield is most notorious matter in this piece, where riffing parts toggle with bass-guided proggy ones.

**Due credits to https://soundcloud.com/wouwouandthewormling for ad hoc painting of the song’s artwork.

Letra  /  Lyrics:

QUIERO SABER SI HACE CALOR  /  I WANT TO KNOW IF IT IS HOT

En verano, insoportable,  /  In summer, unbearable,
todo está lleno de ruido.  /  everything is full of noise.
El invierno, silencioso,  /  The winter, silent,
que congela los sonidos.  /  which freezes the sounds.

No quisiera quedarme sorda  /  I don’t want to get deaf
sin saber cuándo hace frío.  /  not  knowing when it’s cold. 
No quisiera quedarme sorda  /  I don’t want to get deaf
para saber si hace frío.  /  so as to know if it’s cold.

Los días soleados  /  Sunny days
acompañan al estío  /  go along with the summer
y cuando llega el invierno  /  and when the winter comes
el cielo está oscurecido.  /  the sky is darkened.

No quisiera quedarme ciega  /  I don’t want to get blind
sin saber cuándo hace frío.  /  not  knowing when it’s cold.
No quisiera quedarme ciega  /  I don’t want to get blind
para saber si hace frío.  /  so as to know if it’s cold.

ER24CH04 ©1995 ®2015

Quiero saber si hace calor (Vocals by Mara​Oldfield)

This one was lots of fun.  Terry and I exploring some new sounds as always.  We had the idea of merging some blues into his psychedelic soundscape and it went from there. The result is a fusion of Terry's synth driven stylings with some bluesy twang giving us something special.  If you enjoy this one, check out the full Texas Tea playlist.  We're kicking around the idea of an EP soon with 6-8 of our favorite tracks together as well, so watch for that if you dare.

Guitar - TexMex Shaman
Synths, beats, mix -  Tea R Sea

Texas Tea Playlist - https://soundcloud.com/texmex-shaman/sets/texas-tea-sea

Texas Tea Industrial Bluegrass Experience

Texas Tea Industrial Bluegrass Experience - A Texas Tea Production

Cannot Change My Mind

100% human created with music hardware on a 24 track Digital recorder , like all my music here 😁🎧🎶(the picture is AI created)
Lyrics:-
Draw me a picture for my latest song
Show me my options say it can't go wrong
Give me some answers to my worries now
Give me some answers now

It will feel oh so nice
Friend for life
It will be there by your side
A.I.
It can do the things you don't
Good advice
It can be the things you won't
A.I.

Create a playlist of forgotten songs
Surprise my ears and keep 'em coming strong
Write me a classic I can call my own
But secretly don't own

It's our intension that can use these tools
For good or bad it's us that make the rules
With healthy reasons for the pure of heart
C'mon let's make a start

winkandwoo/2025

A.I.

A tribute to Black Sabbath, pioneers of their genre. They recently announced a farewell gig with all four original members of the band to perform in their home town Birmingham, England on 5th July 2025 at Villa Park, the home of Aston Villa football club.

© 2025 Dairv Dubbleyew

One Last Time

(Written by Terry Reeves)
Gary Reeves: Lead Vocal
Terry Reeves: Spoken Vocal
Hans-Michael Albers: All instruments, Arrangement & Production

Video: youtu.be/4t-H-HHpQ20?si=_reTvkVVmF73vkRi

I was walking down Mare Street, Hackney
Climbing boots and back pack on
Looking for a song of mountains
I had climbed them many times before
Challenge may help to find another door

I’ve climbed arduous N.H.S mountains
Planted flags a'top of wedlock peaks
Hung upside down on magical fountains
With my muscles springing major leaks
My heart is growing smaller by the week

Stood and pointed at hours of darkness
Winds of silence a challenge of their own
Worn out boots a testament to distance
But the misery of counting my toes alone
Sixty three feet behind me as it goes

I have loved being a man of mountains
I hope many will profit from my deeds
I will try to climb just one more mountain
Slide down the other side to save my feet
At the bottom I'll need brand new cleats

This was written over 10 years ago as a George Formby style (Google the name if you’ve never heard of him) ukulele song - a mildly amusing message to Gal to let him know that I was fully aware of the mental health difficulties he was having and that I would always be there if he needed me.

Over the years, we spoke often about the song but nothing much came of it until Gal suggested slowing the tempo and giving it a kind of shuffle beat. As it was about him, I thought he should definitely sing the lead vocal, which I think works rather well. (*Vocalist’s note: It would help if I could still sing…)

You’ll find many personal references to Gal’s life in the lyrics. At the time it was written, he was 63, literally a fatal age for men in the extended Reeves family and he wasn’t having the best of times himself, still wrestling with the grief of a marriage break-up alongside the loss of his big brother and closest friend less than a year before. But even with all of this going on (and not always out of choice) he found there were plenty more mountains to climb.

The transition of the tune from Formby to Albers is a story in itself but suffice it to say that Hans somehow managed to transform it into this rather poignant opus.  He has also made a beautiful film to accompany the piece (see link above). All in all, it testifies perfectly to the reason why Gal’s cleats are somewhat care-worn...and he still has many mountains yet to climb.. (Terry Reeves)

MOUNTAIN MAN - CRIPPLE CLUB

Emisarios   

La noche me encima queriendo desanimar.
la lluvia decide trayendo un tesoro
Es agua del cielo, me dijo prestá atención.
Sos hijo del suelo, sos savia, sos bendición.
hablan sin hablar, cuando estamos solos.
y a su corazon recibo igual.


El tiempo me envuelve, sumando me arrastra,
Mi alma y el cielo, son fuego que basta.
Son flama que grita, son guerra sin rendición,
son  furia del trueno, caida y resurrección.
Hablan sin hablar, cuando estamos solos
y a su corazon recibo igual.

Hablan sin hablar, cuando estamos locos
y a su corazon recibo igual. 

Letra y Música: Pichy Sotomayor
Picture: Princess Mononoke by Hayao Miyazaki (1997)

Emisarios

This song corresponds to the bilingual world we live in (and the madness into which the world is slipping more and more):
Vérité Enterrée – Buried Truth
J'ai traversé les rues sous la lumière - artificial light that leads nowhere. 
Dans cette ville où tout le monde marche - after these lies so large.
Tout le monde - walks alone - Tout le monde - lives in silicone.
You and I we make noise this night, without voice, truth being noise.
Les ombres dansent sur les murs - show us what once was sure.
Chaque pas – could bring truth ahead -  quand ce sera jamais - truth is never said. 
Tout le monde - is alone. Tout le monde - lives in silicone.
Toi et moi on bruit dans cette nuit – but only we. 
Perdu dans la foule, mais trouvant du réconfort - dans notre monde à part, s'échapper d'un trésor
Tout le monde - flees from the treasure. - Tout le monde - leaves truth in seizure.
Toi et moi on bruit dans cette nuit - without voice, truth being nose.
Perdu dans la foule, mais trouvant du réconfort - dans notre monde à part, s'échapper d'un trésor
Tout le monde - flees from the treasure. - Tout le monde - leaves truth in seizure.
Toi et moi on bruit dans cette nuit - without voice, truth being nose.


Vérité Enterrée - Buried Truth

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick four string fretless bass, Sigma acoustic guitar, PRS SE semi hollow body guitar, composition
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussoin
J.J. Terrell-- @j-j-terrell—JJ-- organ 
Mistermark-- @user-432503709 -- Mark – VST horns - trumpet, bone, & sax, latin drum ensemble, and editing production 
TexMex Shaman– @texmex-shaman –Stephen– Production, mix, and mastering

This song began in the dead of winter on a cold night with Josh sitting in his studio with his acoustic guitar playing along to a looper beat. He loves bossa nova music and wanted to write a song in that style. Of course, he wrote it with the Eclectic Collecive in mind. 
  Josh also came up with the bass line to the looper, but changed it once Ken weighed in with his perfectly suited drum kit. He also added the funky main percussion you hear throughout. Then JJ got involved and laid down that wonderfully melodic organ part you hear in there. Josh, having not laid down a lead guitar part yet, used JJ melodic idea for the first verse, too, because it's so strong. Mark was last to the trough, but added several really stunning parts that added a lot of depth to the whole thing. He's responsible for the horn arrangement that accompanies JJ's organ solo, as well as the horn arrangement and entire break section at the end, which he not only drumed on, but edited and inserted seamlessly, as well. He also added percussion to Ken's percussion throughout the entire song, as well. He still gets paid the same as the rest of us, though 
  This is an example of us Josh introducing an unfamiliar type of music, and it being picked up on and carried through expertly as a group unit. We all love a challenge in the EC, and this fit the bill. We hope you enjoy listening to this song as much as we enjoyed creating it.



Meet the New Bossa... - Eclectic Collective

lost in the morning light
safe from the madness that binds the night
I'll be the good man enlightened, abated, anodyne

I travel naked with a mind left to the wind
you won't believe that this is all that is needed to begin
caught inside the wasted life you never know that you're bleeding

I hear the voice  of higher mind
all the rusted wires untied
I'll be the good man invited, elated, held in line

I leave a message to myself just to remind
there is no reason to be learning how to be unsatisfied
or be lonely

why does it seem so hard to find
why can't it last forever

I'm watching the birds go by my window
my heart is believing fire
and all will reveal in time

Play on Spotify

Begin

l'art pour l'art - Tenebreus
April 2025
Duration: 3:10
Listen to the Playlist, l'art pour l'art: https://soundcloud.com/bruce-klepper-1/sets/lart-pour-lart
Cover art painting: Carol Klepper
Cover art lettering: John-Marc Ventimiglia
For harpsichord, bansuri, shakuhachi, duduk, bass moceno, skiddaw stones, virtual instruments and percussion

l'art pour l'art - Tenebreus

Writer : Gerry Goffin \ Composer : Michael Masser \ ISWC : T-802.082.764-0 
Publisher : Prince Street Music - Lauren Wesey Music - Universal Music Publishing
Released : August 13 1985
__________________________________________________________________

While waiting for my next cover... I found this cover from 30 years ago at the bottom of my drawers... I had the voice and the breath!...😊 But that was before! 😄 Now you have to lower it at least a tone or even two.
__________________________________________________________________

I love this song (I'm a Whitney Houston fan); it's thanks to this song that made her famous worldwide. She had a unique tone, a crystal clear voice.
--------------------------------------------------------------------------------------------------------------

Arrangement : Phong
Vocal : Anh
Album : 1995
__________________________________________________________________

Saving All My Love For You - Cover (Whitney Houston)

Orbital

Sun Rise

Vidéo : youtu.be/z-aae0BK5p8

Brande (Translated after the French text )

Texte : Sanzen
Chant : Desdanova ( @denis-rousseau-182743563 )
Musique : Alain Illos

Sans un bruit, ce matin,
une rose est éclose.
Perdue en ce jardin
où mon coeur agonise.
Au milieu de hautes herbes,
c'est elle survivante.
Soudain dans l'air vibrant,
mes souvenirs voltigent.
Dans la chaude lumière,
de cette beauté naissante;
perdues dans ma mémoire,
de sinistres images...
Sans un bruit ce matin,
mon coeur s'est lavé.
Perdu en ce jardin,
dans la chaude lumière.
Au milieu de mes souvenirs
qui voltigent.
Des hautes herbes
et d'un été naissant.
C'est ma joie survivante,
sur la brande, ce matin.
Aux vies agonisantes,
à la beauté naissante.
Aux images oubliées,
soudain, dans l'air vibrant.

Brande
Without a sound, this morning,
a rose bloomed.
Lost in this garden
where my heart agonizes.
In the midst of tall grasses,
is the surviving rose.
Suddenly, in the vibrant air,
my memories flutter.
In the warm light,
of this emerging beauty;
lost in my memory,
of sinister images...
Without a sound this morning,
my heart washed.
Lost in this garden,
in the warm light.
In the midst of my fluttering memories
.
Tall grasses
and a budding summer.
This is my surviving joy,
on the heather this morning.
To dying lives,
to emerging beauty.
To forgotten images,
suddenly, in the vibrant air.


Brande avec Desdanova

BRO tells stories of failure, loss, and pressure – but never gives in.
„No Surrender“ is a song about rising again and again, even when no one expects it. Exams, heartbreak, broken deals – life throws punches, but the voice behind this song keeps dancing through the storm. Clear, honest, and quietly defiant.

BRO erzählt von Niederlagen, Abschieden und Druck – aber gibt nie auf.
„No Surrender“ ist ein Song über das Aufstehen, wenn keiner mehr damit rechnet. Versiebte Prüfungen, verlorene Liebe, geplatzte Pläne – das Leben haut rein, doch die Stimme in diesem Song tanzt weiter durch den Sturm. Klar, direkt und leise trotzig.

No surrender

I blew my chances on a test or two
Watched the grades slip, they thought I was through
But one red mark don’t write my name
I learned to lose and play the game
Here I am, still walking the line
Missed a few shots, but I’m doing fine

I’m not going down with the storm
Still dancing, no surrender
Through the night until the dawn
I rise up and I remember
Still dancing, no surrender

She closed the door without a sound
The silence shook, it shook the ground
But heartbreak don’t define my way
I took the hit and faced the day
Now I’m still standing on my feet
Lost her love, but kept the beat

I’m not going down with the storm
Still dancing, no surrender
Turn the dark into a song
I’m alive, I remember
Still dancing, no surrender

Some deals went south, some plans went bust
The paper burned, the steel turned rust
But numbers never wrote my song
I keep on rolling, I stay strong
The ground can shake, but I won’t back down
Lost a fight, but I kept my ground

The radio crackled, wires half-dead
A voice came through the static and said…
Even broken mornings carry me
Still dancing, still free

I’m not going down with the storm
Still dancing, no surrender
I rise, I fight, I’m reborn
Still dancing, no surrender


No Surrender

(Don't follow me here, best on my main page ;)

I’m a self taught hobbyist composer / guitarist with a wide range of musical influences.
There’s a wealth of talent here on SoundCloud, so thank you for taking time to visit my page.
Thanks also to all the talented artists here on the Cloud I’ve had the privilege of collaborating with.

One Last Time

Dairv

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