from the album, vol. 3. available 10/08
order now: https://peakoil.bandcamp.com/album/vol-3

Vol. 3

Topdown Dialectic - A4

Artist:Ｊ
Title: "my seat and weep"
Cat: deis, 8 (LP), deis, 8.1 (CD)
Format: LP, CD, Digital
Artwork by Angelina Nonaj, Hanne Boulanger
Mastered by Shy (3XL)

Preorder:
https://daisart.bandcamp.com/album/my-seat-and-weep
https://rubadub.co.uk/products/my-seat-and-weep
https://boomkat.com/products/my-seat-and-weep

Distribution by Rubadub

my seat and weep

Bandcamp link

'my seat and weep' by J (preview)

Recorded in close proximity to the critically acclaimed ‘Delusive Tongue Shifts…’. TIBSLC distills their sferic debut into a crystal clear, hypersensitive semblance, gliding amorphously just above the dappled phosphorescent landscape of its sibling LP. 

Occasionally dipping a translucent limb into temporal realms, eight homonymous tracks slip seamlessly into each other's liminal space with simultaneously anaesthetising and stimulating effect.



Clear vinyl LP housed in embossed, gloss laminate sleeve & digital - OUT NOW

@tibslc

Mastered by Stephan Mathieu at Schwebung.
3D Render by @frktl 
Photography by @perila.
Custom typography by Benoît Ferran. 

© sferic 2022

TIBSLC - Hypertranslucent(sferic009.5)[Preview]

'For Wind Poetry' releases October, 2022.

Wind Poetry

VAK 62 | yolabmi - Circulation

Enmossed and Psychic Liberation are pleased to present the first vinyl album in their ongoing collaborative series 𝑬𝑵𝒙𝑷𝑳, focusing on new music spanning the globe, utilizing high-end and recycled materials. Transatlantic duo Unt gifts us with 𝑪𝒍𝒊𝒑𝒔 𝒐𝒇 𝑷𝒆𝒓𝒔𝒑𝒆𝒄𝒕𝒊𝒗𝒆, synthesizing a multiplicity of genres - ranging from dub techno to screwed hiphop instrumentals, with hints of jazz, avant-garde composition, and new age music - into a personal conversation.

Unt is a collaboration between Chicago-based drummer and improviser John Daniel (FKA Forest Management) and artist, producer, and musician Florian T M Zeisig.

The pair began working together in early 2020, just before lockdowns, during Daniel’s last European tour performing as Forest Management. Starting as a jam session in Zeisig’s bedroom, 𝑪𝒍𝒊𝒑𝒔 𝒐𝒇 𝑷𝒆𝒓𝒔𝒑𝒆𝒄𝒕𝒊𝒗𝒆 is their debut effort, combining both artists’ engagement with free-form electronic music. The album is the result of a growing friendship and sharing of each other's perspectives. Daniel and Zeisig recorded the tracks in an iterative manner - constantly adding and replacing ideas both metaphorically and literally - in conversation as well as separately.

As an expression of exploring the meaning of collaboration from different perspectives - in terms of listening to each other and musical language - 𝑪𝒍𝒊𝒑𝒔 𝒐𝒇 𝑷𝒆𝒓𝒔𝒑𝒆𝒄𝒕𝒊𝒗𝒆 ultimately reflects on exchange in its many forms.

𝑪𝒍𝒊𝒑𝒔 𝒐𝒇 𝑷𝒆𝒓𝒔𝒑𝒆𝒄𝒕𝒊𝒗𝒆 also results from an ongoing process of personal development - breaking negative cyclical patterns, and realizing the depth and beauty of self by uncovering and unfolding one’s mind and personality beyond our current societal cues. 

releases November 8, 2022

audio finalized by Glyn Maier
artwork by Jason Graf
design by RJM Vanderheyden 

pre-order: https://enmossed.bandcamp.com/album/clips-of-perspective

Clips of Perspective

Unt - 55 Insomnia (ENXPL20)

broken aelita improv

Artist: Groupshow
Title: Greatest Hits
Cat#: faitiche 29
Release: Jan 27th 2023 (digital single: Nov 25th 2022)
Format: LP/DL

Faitiche presents Groupshow’s Greatest Hits: The ten tracks on this first vinyl album by Groupshow (Hanno Leichtmann, Andrew Pekler, Jan Jelinek), recorded between 2005 and 2018, document concert recordings and studio improvisations by the trio.
-
In improvisation there are no mistakes, only missed opportunities. Groupshow found their first opportunity in the routines of live performance and they used this opportunity to break with these routines. The trio consisting of Jan Jelinek, Hanno Leichtmann and Andrew Pekler came together in the context of Kosmischer Pitch, playing live versions of the music from Jelinek’s 2005 studio album of that name. During this project, the musical interaction between the three participants quickly emancipated itself from the original programme, departing from fixed roles and finding a distinct form in constant change.
Groupshow sessions – rehearsal, concert or recording – are always improvised. The interplay of the various sound sources, converging from the directions of “electronics”, “percussion” and “guitar”, does not follow the Krautrock wave logic of crescendo and morendo. Jelinek, Leichtmann and Pekler have established a method of transparent density in which links and breaks are not concealed but remain audible. The music works through attraction and repulsion, with a loosely organized structure that always leaves enough room for the next intervention.
The principle here, repeated even in the smallest units, is that of duration. Groupshow think of their music in terms of an installation: no starting point, no dramaturgy, and ideally no end. Concerts take place not raised up on a podium, but in the middle of the room on a level with the audience, who only enter the space with the musicians and instruments once their interaction is already underway. In 2008, Groupshow used this approach to create a live soundtrack for Andy Warhol’s film Empire, over the full length of eight hours and five minutes.
Recordings in general and the “Greatest Hits” format in particular are another key aspect of this ongoing work on a collectively modulated continuum. The ten tracks on this first vinyl album by Groupshow, recorded between 2005 and 2018, document the ephemeral capturing of opportunities that were not missed. Extracts and essences of an endless movement of searching. The sprawling form of the whole, suspended in succinct, separate units.
To paraphrase Lao Tzu and Roland Barthes, one might say: Once their work is done, they are no longer attached to it. And because they’re not attached to it, it will remain. (Arno Raffeiner, 2022)

Groupshow: Music For A Plank Press

(  ;   𝓁   𝒾   𝓋   𝑒   ;  )   
¹   ²   .   ⁰   ⁴   .   ²   ⁰   ²  ²
≋s≋t≋e≋e≋p≋ ≋c≋h≋i≋c≋a≋g≋o≋

f a l l s t e e p

4U&4ME - https://nexcyia.bandcamp.com/track/4u-4me
4U&4ME - https://nexcyia.bandcamp.com/track/4u-4me
4U&4ME - https://nexcyia.bandcamp.com/track/4u-4me
4U&4ME - https://nexcyia.bandcamp.com/track/4u-4me

'my seat and weep' by J (preview)

Daisart

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