@user-18379744: Thanks for the kind words!

Beautiful and smooth work. Lovely smooth listening.

Very creative track, with brilliant sound design and soundscaping. Good mix and production.

Great atmosphere. Like the synth sounds and the piano!

epic sensation for an end of an era :] really soothing

Cool Ambient 8

Follow Ὄκνος
@0knus
Listen\Download : lewdfam.fanlink.to/galdurka

Somewhere far away, where life in these parts was itself hard and dangerous,
as the sun rose, seventeen children from different families played a game called Galdur'ka.
Even though it was called a children's game, it didn't make it any less dangerous.
The game was something like hide-and-seek, but there were some features.
In the game could participate children of both sexes.
The children were divided into two groups of 8 and one princess. Some presented themselves as galdurs and others as warriors with swords. The galdurs used their dark magic to hide the princess and take away her voice. There were ten hiding locations and everyone knew about them. The galdurs could hide the princess in 5 locations and also move the princess (1 location per day).

The princess in turn had to give a total of 10 clues to the warriors (2 clues per location), and predict
where she would be taken the next day. Galdurs also came up with the other 5 clues leading to false paths (1 false clue to 1 location).
And if the warriors could not decipher the princess clues, and went on a false path, then they either lost a warrior (during the battle), or one of the warriors went to the side of the magicians because of the dark magic.

In addition to real fights among mages and warriors, a princess could be injured to varying degrees, or just get sick. This is how the children of one of the Scandinavian peoples tested the strength of each participant in this game.

Galdur'ka

you've made it

Emotive

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https://play.anghami.com/artist/11844096                                                                                          
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Fading Memories

Marked by an encountered crystal spire, at the crossroads of intersecting paths leading into an unfamiliar terrain, the only common feature of either is equally unknown uncertainty . . .

At The Crossroads

LØUI3 BVG

LOVE OF YOUTH

You know I don't speak English, 
but I want to hit you who are listening. 

Share a thought Remember this, 
and if it gives you an emotion follow it. 

He talks about the love of youth,
 
everything passes quickly
 
and you don't find him anymore. 

Maybe it's out of a desire for adrenaline. 

That you like the most.. 

Drinking and smoking to find something more... 

That you don't find again...
 
Love of my youth, 
I don't find you anymore.

And I follow a sound to love myself more!
   
On my hill in the blue..
 
Love, I don't find you anymore, love. 

Sleepless evenings to find a melody 
to describe an emotion that I can no longer find. 

Be that's how emotions fly 
and sometimes to find them you push yourself more and more!
 
Love of youth

LOVE OF YOUTH

Equation 001

Shooting Star

Freaks

You You You (slow ambient mix)

Six Three
1: Six Three, 02:32
2: Six Three Touch, 03:00
3: Six Three Orbits, 03:39
4: Six Three Particles, 02:13

Dates:
05-Dec-2025 (inception), 06-Dec-2025 (finalised), 07-Dec-2025 (released)

Artists:
Music composed, performed, produced by Norman Freund
Artwork by Norman Freund

BandCamp Purchase:
https://normanfreund.bandcamp.com/album/six-three

SHORTEN VERSION, excludes Table 1 tuning, see my BandCamp site or my social media page for full details (https://www.facebook.com/norman.freund.545/)

Description:

Marcelo Leal Ref. [1] posts an article on FaceBook group, "Microtonal Music and Tuning Theory" and tags me, I looked on with interest. A tuning scale developed using at most harmonics one through to and include sixty three, octave reduced (i.e. divided by powers of 2 to ensure the frequency ratios remained within the 1. to 2. range. 32 Notes were used in this scale with adjacent note intervals starting from 53 cent, gradually reducing to 27 cent for the last interval to the first octave. So loosely speaking a quarter tone tuning with some stretching. I have tried quarter tone equal divisions of the octave tunings (24EDO) in the past and could not really get warm with them. Still, I was intrigued. 

Thirty notes, a lot of intervals to imagine, so I thought some form of colour coding on my Ableton Push2 midi controller would help. My Digital synthesiser, PulseRectOsc has micro-tuning and a user definable colour table, so switched this on and began experimenting. Stepping back just a bit, some preparation work on a spread sheet was necessary to calculate the frequency ratios, figure out a colour system using nearest 12EDO notes as a frame work.

The colour coding was to start the root note out as RED (1), colour all the diatonic notes of the nearest 12EDO major scale notes (the white keys on a piano) in GREEN (10), colour the nearest 12EDO sharp accidentals (#) in BLUE (15) and what was left over (the ^ and \/'s) coloured in PURPLE (18). The note naming convention used here was intended as a performer guide.

The PulseRectOsc synthesiser is a drone with a pulse like wave shape, amplitude modulation, wave folder distortion, a delay+feedback net work and your choice of VST reverb (or other effect). I used the Native Instruments' Raum for reverb. PulseRecOsc has an eight track audio recorder, so I recorded some four note chords to improvise over on the Soma Lyra 8.

The Soma Lyra 8 tuning approach was to tune it by ear to eight notes from the Table 1 tuning for the first track prior to the performance, then improvise a melodic line. Subsequent tracks would use a different four note drone chord from the PulseRectOsc and the Lyra 8 would use the tuning from the previous track as a starting point but alter the tuning during the performance. Each performance would introduce additional entropy into the tuning as performed on the Lyra 8, all done live, by ear, during the performance.

Each track's duration was purposely kept short, I wanted to demonstrate the various flavours of the 63-Limit Otonality tuning and in Lyra 8 style interpret this tuning organically.

The signal chain for the Lyra 8: mono out to the Soma COSMOS (rhythmic firmware, adds reverb and stereo space) -> stereo to digital interface -> 8 track recorder of PulseRectOsc.

The tuning of the Lyra 8 is very organic, is influenced by adjacent oscillators and has a "MOD" dial to accept frequency modulations from what it calls a "Hyper LFO". The Hyper LFO comprises of two low frequency oscillators, I used them here in the OR mode not synchronised, each pulse of the LFO changes the oscillator voice frequency according to the MOD dial. You don't control it strictly, more like guiding it, you listen and decide to increase or decrease the amount of modulation. A very organic approach.

References:
[1] Marcelo Leal, 5-Dec-2025, 63-Limit Otonality by Pitch (tuning scale). FaceBook group "Microtonal Music and Tuning Theory" Link: https://www.facebook.com/share/p/1asmaHiK7G/

Six Three Touch

Inspired by themes of resurrection, this piano-driven piece drops dramatically into accompanying strings that swell into cascading crescendos. Like rising from ashes, the composition builds through waves of emotion toward an uplifting, fade-out climax.

Rebirth

Solo cello and ethereal drones for vast open spaces.

Acheter

Ice Plains

https://www.youtube.com/watch?v=1jiW-6iuhCE&ab_channel=AURE-LION

At Last (instrumental)

A therapeutic journey into a mix of jazz, classical, and a blend of types of electronica.  And a wry, gradual observation that promotion tends to only go as far as you push it.  At least I make my fellow musicians laugh a little.

“Music gives a soul to the universe, wings to the mind, flight to the imagination and life to everything.” ― Plato

dalaitom, is an enigmatic artist whose musical journey began at the tender age of 5 when he first laid hands on the piano keys. Hailing from a lineage of musicians, dalaitom's innate passion for music was nurtured from an early age. His formative years were marked by rigorous training and exploration, leading him to pursue formal studies in music at the college level. It was during this time that dalaitom's artistic identity began to crystallize, as he delved deep into the realms of composition and sonic experimentation. In a world inundated with noise, dalaitom's music serves as a beacon of clarity and beauty, reminding us of the transformative power of art in all its myriad forms.

Fading Memories

dalaitom

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