DREAM GIRL

R&B Remix of the song "Lay your love on me" produced and arranged by top producer SerGIO Fertitta (Snoop Dog, Coolio, Jermaine Jackson).

LAY YOUR LOVE ON ME R&B Remix 2021

Sky Juice feat. Jennifer Washington - Er schreit aus dem Dancehallfieber Sampler Vol. 4 (2004)
https://www.facebook.com/official.jenniferwashington/ 

Deutscher Reggae mit souliger Stimme und gesellschaftskritisch-poetischen Lyrics


Sky Juice feat. Jennifer Washington - Er schreit

From "Jah Love Supreme" 2004  by Humble Soul 
Mix by SCIENTIST.
One of Hawaii's top selling
reggae artist."Jah Love Supreme" features the new recording
Vibration Stimulation alongside
personally selected tracks "All The
King's Men", "Fly With Me" from the
album "Jah Love Supreme"and
his popular anthem Pakalalo Sweet from
the album "Good Lord, Thank You".Complimenting the incredible
audio tracks is a full color insert, scrap
book photos, and original artwork.

Encompassing the spirit of aloha and the
soul of reggae music, Humble Soul
continues to warm the hearts of music
lovers with his distinctive style of honest
'Hawaiian-Roots-Music'.

Consisting of legendary Jamaican musicians Peter Tosh back up band,Soul Syndicate's Santa Davis,Fully Fullwood,Tony Chin,along with St.Thomas keyboardist Jawge Hughes,percussionist extraordinaire Steve Reed (The Rippingtons),lead guitars Los Angeles's Dale Hauskins and April Weller on vocals.Featuring Hawaii's singer-artist Humble Soul;and horns from the Mongoose band.
Mixed/recorded by Scientist.

DOUG Bautista aka Humble Soul does it all right with his second album of true roots reggae originals. With The Scientist as producer/engineer and Peter Tosh Band/Soul Syndicate veterans as his core musicians,including St.Thomas's Jawge Hughes on keyboards,Los Angeles guitarist Dale Hauskins.
Bautista maintains a pure reggae groove whether giving thanks and praises to Jah or denouncing the frauds and posers who misrepresent Rastafari for commercial gain.

Douglas Arsinio Bautista is "Humble Soul" was born and raised in Hawaii, and is an ethnic mixture of Japanese and Filipino. After doing some acting and modelling in Hawaii, he relocated to Santa Monica, California. In California he wrote all the lyrics for and self-produced his first CD entitled "Good Lord, Thank You". "Good Lord, Thank You" has become a classic in the Hawaiian islands.

"Army Of Parasites" calls on freedom fighters worldwide to resist oppression with faith in Jah rather than violence. Other songs cover spiritual faith and handling stress in daily life. The music and Bautista's unaffected delivery ties all together.

Encompassing the spirit of aloha and the soul of reggae music, Hawaii's own Humble Soul continues to warm the hearts of music lovers from the shores of the Pacific rim to the blazing tip of South Africa with his distinctive style of honest "Hawaiian-Roots-Music". His poetic anthems and understated melodies have been consistently celebrated by concert and festival goer's of all kinds. Thankful in every way, Humble Soul feels very blessed by the tremendous support of his family of growing fans. He keeps a low profile off-stage, however, Humble Soul's passionate live delivery and recorded music speaks volumes.

Bautista, who grew up in Kahaluu and is "just Doug" off stage, opted out of the local reggae/Jawaiian scene in 1995 to try his luck with a purer "roots reggae" sound on the mainland.

"I wanted to see if I could do it there. I figured I'd give it a shot and when I got up there it wasn't as difficult as I thought. All you have to do is be true in your music no matter where you go.
"So I did the album up there, but when my son was born I wanted him to grow up here.
"Some people (in the music business) have told me I shouldn't mention my family but that's not me."

Since returning to Hawaii, Bautista has generally maintained a low profile by avoiding club work while sharing reggae concert stages with Don Carlos, Eek-A-Mouse, Damian and Julian Marley, and Shinehead. He has continued to write pure roots reggae music and released his second Humble Soul album, "Jah Love Supreme," in conjunction with Nunotani's Crucial Running Productions label.

Humble Soul Influences:
Peter, Bunny and Bob Marley; Eddie Vedder, Sade.
Hobbies:
soul surfing, programming beats & shaping surfboards
D.O.B.
Born July 14 in Honolulu, Hawaii.

This album brings the listener some entertaining, well dubbed tunes (some of them with vocal snippets of Humble Soul and April Weller here and there for good measure), which provide a glimpse of Scientist's effects-riddled style and mixing wizardry he's known and respected for.

Jamaica's Hopeton Brown, the mixing engineer who became known as Scientist, burst onto the reggae scene in the mid 70's with a reckless mixing style that seemed to outdo even legend King Tubby's wildest extravaganzas. He began his career as an engineer at King Tubby's Jamaican recording studio in 1978. Shortly afterwards he became a protege of King Tubby, and swiftly gained a reputation with his unique and innovative mixing style. Scientist soon became Jamaica's top recording engineer and worked with everyone imaginable, including Dennis Brown, Barrington Levy, Freddie McGregor, Dean Fraser, Linval Thompson, Augustus Pablo, The Heptones and many more. This led to a surge of albums mixed by Scientist from various sources throughout the 80's with "Scientist Meets The Space Invaders" being the most noteworthy.
Electronic Engineer & Dub Pioneer Hopeton Brown, professionally known as "The Scientist", was introduced to electronics at an early age by his father, who worked as a television and radio repair technician. He began building his own custom amplifiers and studio gear and was dubbed "The Scientist" due to his forward thinking concepts about the mixing board (i.e. moving faders & automation, documented in the 1980's). He quickly gained a reputation for his unique recording and mixing techniques, which echo to this day in the form of Dubstep and other styles of dance music. His recordings are now considered benchmarks in sound which highly influenced a new electronic music generation interested in remixing and sound experimentation. Engineer credits include albums for Reggae’s most illustrious artists as well as for Rock, Pop, and R&B superstars.

"California Summer" by  HUMBLE SOUL

FLAME DREAM:"Caleidoscope""
From FLAME DREAM "Out in the Dark"
1981
Vertigo Phonogram AG
Released: 1981 Label: Phonagram/Vertigo Cat. No.: LP 6367 016 Total Time: 41:17 Reviewed by: Tom Karr of www.progressiveworld.net April 2005

Switzerland's best symphonic progressive rock band of any consequence,Flame Dream released its third album, "Out In The Dark", in 1981.

Recorded at Patrick Moraz's legendary "Aquarius" studio in Geneva and surpassing 1979's excellent Elements, it is a classic of European progressive rock.

Amazingly, in continental Europe, brilliant, classic progressive rock music was still being produced with little regard for the prevailing winds of disco, new wave and punk.

Flame Dream had hit it big in Europe with release of "Elements", and were mounting huge, headlining tours of the continent every year for months at a time, hitting the road in five semi trucks and a crew of eighteen.

The band had even commandeered the Eden Hotel in Weggis, just across the Statter See from Lucerne, and set up for rehearsals in the historic building. Before hitting the road to promote Elements, the band decided to add a guitarist to their line up, and, on the advice of Brand X keyboardist Robin Lumley, Flame Dream picked up young Los Angeles guitarist Dale Hauskins.

After finishing high school in California, Dale decided to jump into the deep end of the pool and set off for London and its burgeoning prog/fusion scene. He haunted jam sessions at Rod Argent's keyboard shop for two years and had struck up friendships with Lumley, Peter Gabriel and Allan Holdsworth, among others.
He had obviously paid attention to Holdsworth, as Hauskins also displays the same fluid, legato style as his mentor, with phrasing that owes a strong debt to Coltrane.

The music on Out In The Dark continues in the same vein as on their preceding albums, with rich, keyboard heavy compositions by vocalist/wind instrument player Peter Wolf (son of the noted Swiss classical pianist and brother of classical/avant-garde composer and pianist John Wolf-Brennan) and keyboardist Roland Rockstuhl.

The album is divided into the first, the "Sun Side," and the second, the "Dark Side," and, although lyrically the "Sun Side" does deal with warmer, more upbeat sentiments, the music that accompanies the lighter side of the album is, with the exception of the opening tune, "Full Moon," overall the darker of the two sides. Side two, the "Dark Side" overflows with up tempo meter and bright themes.

The music begins with "Full Moon," a cross between UK and Supertramp, and the most poppy sounding track the band will give us this time. It is followed by one of my favorite cuts, "Nocturnal Flight," five and a half minutes of absolute symphonic joy.

The tune favors the late 70's style of Genesis, with keyboard work reminiscent of Tony Banks, and features a wonderful guitar solo by Hauskins. Side one ends with the brilliant title track, "Out In The Dark."

Beginning with a melancholy theme, we segue into a lovely melody on Peter Wolf's flute that sounds much like the intro to Hackett's guitar solo in "Firth Of Fifth."
 This turns onto some of the most nimble piano lines ever recorded and the piece develops an almost Italian flair before returning to it's opening motif.

Side two begins with "Wintertime Nights," which boasts some more great Tony Banks-like keyboard work. "Strange Meeting (Part One)" is another Genesis influenced tune, moving moodily across its stark landscape and exploding into brisk lines from Ruckstuhl's synthesizer. It is chased by "Caleidoscope," a herky-jerky instrumental that bursts with syncopated keyboard and sax lines, and at times comes across as Gentle Giant-lite. The album's final track, "Strange Meeting (Part Two)," is not a separate track at all, but a continuation of "Caleidoscope" with the imposition of the two main themes from "Strange Meeting (Part One)."

This is a great album, with high caliber musicianship constantly grabbing your attention, very well conceived and developed themes and wonderful production by John Acock, who handled most of Steve Hackett's solo albums. The similarities to Genesis are, with the exception of a couple of synth solos, entirely compositional, and no one is trying to emulate the "sound" of Genesis, as many other bands have certainly done.

Coming late to the game as they did, Flame Dream were, perhaps, not the most innovative band that ever was, but they carried on with true symphonic progressive rock long after many of the genres innovators had turned to pure pop sounds.

Bassist Urs Hochuli, who also produced all the album artwork for Flame Dream.

About Out In The Dark: Track Listing: Full Moon / Nocturnal Flight / Out In The Dark / Wintertime Nights / Strange Meeting (Part One) / Caleidoscope / Strange Meeting (Part Two) Musicians: Peter Furrer - Drums, Percussion, Tapes Urs Hochuli - Bass, Bass Pedals, Voice Dale Hauskins - Guitars Roland Ruckstuhl - Keyboards, Sequencer, Vocoder Peter Wolf - Voice, Wind Instruments

Discography:

"Calatea"(1978 Philips Phonogram AG)

"Elements"(1979 Vertigo Phonogram AG)

"Out Of The Dark"(1981 Vertigo Phonogram)

"Supervision"(1982 Vertigo Phonogram) "Travaganza"(1982 Vertigo/Phonogram)

"8 On 6"(1986 Vertigo/Phonogram)

"Rock Made In Switzerland"(1981 Ariola compilation)

SINGLES

"No Where To Go"(45 1980 Ariola) Flexi disc Extract from "Out in the Dark"(Germany,no label,1981,flexidisc without picture sleeve from the german POP Magazine.)

"Race My Car"(45 1983)

"In The Heat Of Night"(Vertigo 1986)

"Out Of Control"(Vertigo 1986).

WEB SITE:
http://www.progressiveworld.net/html/modules.php?name=Reviews&rop=showcontent&id=1555
http://de.wikipedia.org/wiki/Flame_Dream

"Caleidoscope" (part 2) by Flame Dream

FLAME DREAM: "Strange Meeting".Part One "Caleidoscope"  "Strange Meeting". part two
From FLAME DREAM "Out in the Dark"
1981
Vertigo Phonogram AG
Released: 1981 Label: Phonagram/Vertigo Cat. No.: LP 6367 016 Total Time: 41:17 Reviewed by: Tom Karr of www.progressiveworld.net April 2005

Switzerland's best symphonic progressive rock band of any consequence,Flame Dream released its third album, "Out In The Dark", in 1981.

Recorded at Patrick Moraz's legendary "Aquarius" studio in Geneva and surpassing 1979's excellent Elements, it is a classic of European progressive rock.

Amazingly, in continental Europe, brilliant, classic progressive rock music was still being produced with little regard for the prevailing winds of disco, new wave and punk.

Flame Dream had hit it big in Europe with release of "Elements", and were mounting huge, headlining tours of the continent every year for months at a time, hitting the road in five semi trucks and a crew of eighteen.

The band had even commandeered the Eden Hotel in Weggis, just across the Statter See from Lucerne, and set up for rehearsals in the historic building. Before hitting the road to promote Elements, the band decided to add a guitarist to their line up, and, on the advice of Brand X keyboardist Robin Lumley, Flame Dream picked up young Los Angeles guitarist Dale Hauskins.

After finishing high school in California, Dale decided to jump into the deep end of the pool and set off for London and its burgeoning prog/fusion scene. He haunted jam sessions at Rod Argent's keyboard shop for two years and had struck up friendships with Lumley, Peter Gabriel and Allan Holdsworth, among others.
He had obviously paid attention to Holdsworth, as Hauskins also displays the same fluid, legato style as his mentor, with phrasing that owes a strong debt to Coltrane.

The music on Out In The Dark continues in the same vein as on their preceding albums, with rich, keyboard heavy compositions by vocalist/wind instrument player Peter Wolf (son of the noted Swiss classical pianist and brother of classical/avant-garde composer and pianist John Wolf-Brennan) and keyboardist Roland Rockstuhl.

The album is divided into the first, the "Sun Side," and the second, the "Dark Side," and, although lyrically the "Sun Side" does deal with warmer, more upbeat sentiments, the music that accompanies the lighter side of the album is, with the exception of the opening tune, "Full Moon," overall the darker of the two sides. Side two, the "Dark Side" overflows with up tempo meter and bright themes.

The music begins with "Full Moon," a cross between UK and Supertramp, and the most poppy sounding track the band will give us this time. It is followed by one of my favorite cuts, "Nocturnal Flight," five and a half minutes of absolute symphonic joy.

The tune favors the late 70's style of Genesis, with keyboard work reminiscent of Tony Banks, and features a wonderful guitar solo by Hauskins. Side one ends with the brilliant title track, "Out In The Dark."

Beginning with a melancholy theme, we segue into a lovely melody on Peter Wolf's flute that sounds much like the intro to Hackett's guitar solo in "Firth Of Fifth."
This turns onto some of the most nimble piano lines ever recorded and the piece develops an almost Italian flair before returning to it's opening motif.

Side two begins with "Wintertime Nights," which boasts some more great Tony Banks-like keyboard work. "Strange Meeting (Part One)" is another Genesis influenced tune, moving moodily across its stark landscape and exploding into brisk lines from Ruckstuhl's synthesizer. It is chased by "Caleidoscope," a herky-jerky instrumental that bursts with syncopated keyboard and sax lines, and at times comes across as Gentle Giant-lite. The album's final track, "Strange Meeting (Part Two)," is not a separate track at all, but a continuation of "Caleidoscope" with the imposition of the two main themes from "Strange Meeting (Part One)."

This is a great album, with high caliber musicianship constantly grabbing your attention, very well conceived and developed themes and wonderful production by John Acock, who handled most of Steve Hackett's solo albums. The similarities to Genesis are, with the exception of a couple of synth solos, entirely compositional, and no one is trying to emulate the "sound" of Genesis, as many other bands have certainly done.

Coming late to the game as they did, Flame Dream were, perhaps, not the most innovative band that ever was, but they carried on with true symphonic progressive rock long after many of the genres innovators had turned to pure pop sounds.

Bassist Urs Hochuli, who also produced all the album artwork for Flame Dream.

About Out In The Dark: Track Listing: Full Moon / Nocturnal Flight / Out In The Dark / Wintertime Nights / Strange Meeting (Part One) / Caleidoscope / Strange Meeting (Part Two) Musicians: Peter Furrer - Drums, Percussion, Tapes Urs Hochuli - Bass, Bass Pedals, Voice Dale Hauskins - Guitars Roland Ruckstuhl - Keyboards, Sequencer, Vocoder Peter Wolf - Voice, Wind Instruments

Discography:

"Calatea"(1978 Philips Phonogram AG)

"Elements"(1979 Vertigo Phonogram AG)

"Out Of The Dark"(1981 Vertigo Phonogram)

"Supervision"(1982 Vertigo Phonogram) "Travaganza"(1982 Vertigo/Phonogram)

"8 On 6"(1986 Vertigo/Phonogram)

"Rock Made In Switzerland"(1981 Ariola compilation)

SINGLES

"No Where To Go"(45 1980 Ariola) Flexi disc Extract from "Out in the Dark"(Germany,no label,1981,flexidisc without picture sleeve from the german POP Magazine.)

"Race My Car"(45 1983)

"In The Heat Of Night"(Vertigo 1986)

"Out Of Control"(Vertigo 1986).

WEB SITE:
http://www.progressiveworld.net/html/modules.php?name=Reviews&rop=showcontent&id=1555
http://de.wikipedia.org/wiki/Flame_Dream

"Strange Meeting" is a poem by Wilfred Owen. It deals with the atrocities of World War I. The poem was written sometime in 1918 and it was published in 1919 . http://en.wikipedia.org/wiki/Strange_Meeting_%28poem%29

"Strange Meeting" Part 1 & 2 including "Caleidoscope" by FLAME DREAM

IAKOPO -  M.I.A

"Fuerza Pura" is the new single from Peligro Soundsystem and Paco Mendoza. A small work of art, which was created some time ago in Chile's vibrant capital Santiago. After attending a Cumbia Digital concert, Mikey Board and Paco Mendoza felt so inspired that they immediately got to work in their hotel room and wrote this song. Back in Germany, they were able to get multi-instrumentalist Yerar Chávez to record the virtuoso charango and flute parts for them. The result is a largely instrumental, quiet electro-cumbia, which combines Andean pentatonics, driving grooves and rich choirs to a true oasis of sound.

Fuerza Pura - Paco Mendoza x Peligro Soundsystem

DonnieG is a easy listening contemporary smooth jazz roots, reggae vibe soulful voice singer-songwriter.

Donnie G @souldropmusic: Vocals
Special guest: Legendary Jamaican toaster, sing-jay pioneer U-Roy @uroyofficial .
Fully Fullwood @fullyfullwood: Produced, Bass, and engineer.
Adam Arredondo aka Jah Mex @jahmexnodead : Keyboards
Carlton “Santa” Davis @santadavis61: Drums
Dale Hauskins: acoustic, electric guitars.

Recorded at Fully's Kitchen Studio.
San Clemente, Southern California.

«Change»  2016 by Donnie G with URoy

from the album OBRE4: "CONSCIOUSness" Mix by Fully Fullwood(Bob Marley/Peter Tosh/Soul Syndicate) (2007)

This album is nicely cooked with the help of the talented and crafty Misgana Mulat who did some wonderful job throwing down the drum tracks, keyboards, and the tight basslines.

Los Angeles Californian guitarist Dale Hauskins of African late reggae mega-star Majek Fashek, and England's Tippa Irie fame sweetened them up with some wicked guitar licks.

Everything mixed-blended together by the legendary Jamaican bassist Fully Fullwood of Bob Marley/Peter Tosh and Soul Syndicate fame. Giving it that authentic roots reggae feel yet maintaining the African groove. 

Sax solo by Fernando Jativa(Dave Wakeling/English Beat).Background vocals by Ladee Dread.

The name is Obre4 (Struggling Man). And Reggae is the Vibe! 

Obre4 was born at Mampong, Akwapim, but grew up in Kumasi, Ashanti,Ghana. 

His mother is Akwapim and the father, Ewe. At a young age, Obre4 set out following the crowd to Nigeria in search of greener pastures during his country's worst times.

Listening to the Reggae Greats like Max Romeo, Justin Hinds, The Pioneers, Abyssinians, Culture, Burning Spear, Bob N' Peter among many Others, had a great impact on him and I believe that was when the Musical Seed was planted deep within. Disc jockeying when he returned to Ghana after the Mass Deportation, and watching the music grove and move the crowd nurtured that seed. He was in Abidjan, Cote D'Ivoire when Alpha Blondy came to the scene. 

He joined the U.S. Navy and soon after, Saddam Hussein flexed his muscles on Kuwait and he found himself in the Gulf (Desert Shield/Storm), and soon after that, Somalia (Operation Restore Hope). 

He had a bigger impact on him because he was local, and that was when Obre4 started to write his songs. When he finally got a break and got to the U.S. of A., at last! He said. The desire has always been music but instead, he joined the U.S. Navy and soon after, Saddam Hussein flexed his muscles on Kuwait and he found himself in the Gulf (Desert Shield/Storm), and soon after that, Somalia (Operation Restore Hope). 

After 4 years of active duty, Obre4 was discharged (honorably) only to join the merchant marine (seaman). 

He sailed on oil tankers for a few years and loved it but his music was suffering and kept calling him so he heeded to the call and enrolled in school (Conservatory Of Recording Arts/Sciences, Mesa, Arizona https://cras.edu), where he studied Audio Engineering and Music Production.

Me Lo Wo Nnuto

Am 31.5.2019 kam unser neues Album “ALLES AUF PUMP” raus! Hier die Rezension vom Bayerischen Rundfunk zum Reinhören. Präsentiert von Dagmar Golle!

BR Albumrezension "Raggabund - Alles auf Pump"

Dale Hauskins: 𝕤𝕖𝕤𝕤𝕚𝕠𝕟/𝕥𝕠𝕦𝕣𝕚𝕟𝕘 𝕚𝕟𝕢𝕦𝕚𝕣𝕚𝕖𝕤 

L.A.Californian guitarist fusion reggae pop lead-rhythm guitarist.

A first-generation Californian guitarist.
Lucky working touring,r. recording with the founders ,creators of reggae, rock steady music, including working with legendary west coast hip-hop artists.
Grateful to be part of Swiss European progressive rock history.

Tours, Discographies and Works:

The Alliez ( «The Alliez» cd 2008 Maui,Hawaii )
«All Things Swiss» for The Embassy of Switzerland.Music+guitars by Dale Hauskins. on THINK SWISS Swiss Pic Contest http://www.youtube.com/watch?v=8G-iqrDRIN0
Andre Afram Asmar («Harmonic Emergency» CD 2011 Mush Records)
Pato Banton
Bargain Music («The Magic Is Over» CD/2003)
John Wolf Brennan (Irish-Swiss pianist,organist,melodica player,and composer )
Chase Brokaw (Ginger Roots)
Einstein Brown (renowned Trinidadian steel drummer/Singer )
Martin Campbell (British reggae singer/artist tours 2001-2015)
Phil Chen (late renowned bassist for Jeff Beck,Rod Stewart,The Door,etc.)
Carlton "Santa" Davis (renowned drummer with Ziggy Marley,Soul Syndicate)
Gary Davis (Veteran disco electro hip-hop producer/songwriter «Gotta Get Your Love» Remix 2016)
The late great Mikey Dread
Majek Fashek (African reggae superstar «Little Patience» 2005 cd )
Anna Fisher («Ying Yang»  Oboist,Flautist, singer 2005)
Flame Dream ( renowned progressive rock band from Luzern Switzerland. «Out in the Dark» 1981 Vertigo,Phonogram. Produced by the late John Acock(Steve Hackett ) http://www.progressiveworld.net/html/modules.php?name=Reviews&rop=showcontent&id=1555 )
Fully Fullwood (renowned Jamaican bassist with Peter Tosh,Bob Marley,Soul Syndicate)
Donnie G. («Love a Likkle» cd 2016.
Errol Dunkley
Wadi Gad (renowned drummer for Boom Shaka,Don Carlos)
The late Joe Higgs (The Grandfather of reggae music. )
Humble Soul (Hawaiian reggae artist, «Jah Love Supreme» 2006 cd mix, engineered by Scientist )
Iakopo (International reggae pop recording artist,formerly singer for Keys of Creation Hawaii tour 2009 with Collie Budz)
Jon St. James(songwriter,composer,producer,engineer for Stacey Q, «Starforce 1» LP 1981)
Jah Mex (Jah Mex & the Translators Dana Point, Orange County reggae artist «Firm Soundation» CD 2009 produced/bass by fully fullwood «Mind Food» CD Family Vbz 2007. )
Jesus Wore Dickies («Friends of Jesus» CD 2007 Skunk records )
Remi Kabaka (late Nigerian drummer/percussionist for Rolling Stones,Ginger Baker,Steve Winwood,Hugh Masekela)
Kontiki (2004 reggae album of the year Hawaiian music award winner «Stand Tall» cd 2006 )
Kyng Arthur ( «Mr.Master» CD 2004, «Prisoner of the Flesh» CD produced/bass by fully fullwood 2004 Reggae Album of the year at the OC Music Awards.
Nick Magnus (keyboardist,producer for Genesis's guitarist Steve Hackett )
Marty Dread (Maui, Hawaii's "Reggae Ambassador" CD 2014)
NAMM Show 1978-2024
Myka Nyne (FreeStyle Fellowship,Project Blowed,Haiku d'etat,West Coast LA rapper pioneer «» «Citrus Sessions» cd 2008)
Johnny Osbourne(Tours)
OBRE 4 (Ghana reggae artist «CONSCIOUSness» CD 2007 Mixed by Fully Fullwood)
Triston Palmer(tours)
Beth Preston «Inside Fire» CD 2009 ,"White Butterfly,Black Crow"(Featuring Australian multi-instrumentalist Xavier Rudd CD 2014)
Princess Cruises
Rankin' Joe
Coco Rousell (Happy the Man)
Sammy Dread
Sapadilla («Hop on the Good Foot» cd 1992 )
Scientist («DUB 911» CD 2004 mix by Scientist Dub engineer pioneer )
Skunk Records
Sojie «Rise Up,Native People» CD 2014 (Produced/Mix/Bass by Fully Fullwood) 
The Specs ( Los Angeles renowned ska band «California Ska Quake» CD 1992, «Changes to the Few»1991)
Star Party Cruises Reggae Boat Parties Long Beach,Ca.
Tippa Irie (British Grammy nominated legendary MC reggae singer sing-jay dance-hall rapper.Tours 2001-2023)
Dave Wakeling (English Beat)
Martin Zobel (German reggae artist)


"I've always thought that the act of playing the guitar was the act of trying to make a point of playing the guitar."-the late Mick Ronson

"Strange Meeting" Part 1 & 2 including "Caleidoscope" by FLAME DREAM

Dale Hauskins

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