In Divine Places

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Reaching Avalon

In the third and final installment of Beyond the Limit remixes this year, we present Allen & Envy, Renato Dinis and Grains of Sound, along with remix contest winners Gabrielle Ag and J Noriega. 

Grains of Sound give the remix their signature progressive psy trance polish. The use of a subtle piano melody is a clever addition. 

A great wrap up to what's proven to be a fantastic series of reworks in 2013!


Buy on Beatport

Fleming & Lawrence - Beyond the Limit (Grains of Sound Remix)

Live in the studio, with minimal editing
Monk vocal & keyboard - Johann
Singing bowls, shakers, rainsticks, chimes. bells and so on - Janet & Johann.
Recording & Production - Johann Kotze

Shanti Mantra

Magik of Monks Sound Journey (Voice, Drones, Rainstick, Gongs, Bells & Singing Bowls)

Porya Hatami is an experimental sound artist based in Sanandaj, Iran. Working in the field of ambient/minimal, his compositions explore the balance between electronics and environmental sounds, utilizing processed acoustic and electronic sources and field recordings. 

On Shallow, Porya has masterfully sculpted three pieces that are rich in tone and effortlessly relaxed and spacious. 

Shallow was mastered by M. Ostermeier. 

Photography by William Keckler. 

Buy from Tench

Excerpts from Shallow by Porya Hatami (Tench, 2014)

From "360" album by Asura. http://www.myspace.com/asuramusic

Asura - Getsemani

ARUNACHALA is a sacred Mountain which stands in the south of India in a town called Thiruvannamalai.  It is believed to be an embodiment of Lord Shiva which manifested at the beginning of time. For thousands of years an uncounted number of seekers have found the Truth they seek at the holy Mountain. With the great Temple of Lord Shiva at the eastern slope, and many other ancient temples around the Mountain, it is one of the highest spaces of spiritual power on earth. No one comes to Arunachala unless He calls!
This recording is taken from one of our live Kirtans in Koh Phangan Thailand.

Arunachala Olga & Yinon Live Kirtan

Buy Forward Escape

Homage Sliders

The Birth of Infinity

Back in early 2019, I released a single called Distant Visions. After hearing it, a fan commented:
“Almost sounds like something from a second interstellar suite.”

They were referring to my 2006 album The Maestoso Interstellar Suite—a project I re-released with extended material in 2016 for its 10-year anniversary. That comment stuck with me. Did it feel like a sequel? Could it be?

I toyed with the idea. But having just expanded the suite into a double-disc format in 2016, I wasn’t sure a sequel was the right move—especially given how the original was structured as a continuous, uninterrupted journey. I had also briefly considered a vinyl edition, but the flow of the piece and the 22-minute-per-side vinyl limit made it a poor fit for that format. The experience would have been compromised.

Around that time, I released a “radio edit” version of the suite called Singularities to provide an accessible entry point. But if I returned to the suite with new material, I feared I’d be stuck doing the same thing again: a full continuous version and a separate edited version. Frankly, I didn’t want to go through that process again—and since then, I’ve moved away from long single-track formats entirely.

Even then, I was already thinking about vinyl-friendly runtimes, aiming to keep my future projects under 44 minutes so they could fit comfortably on a single LP. I’ve also significantly upgraded my gear and virtual instrument libraries since that time, giving me access to orchestral and hybrid textures I could only dream of back then. Now I have the tools—but what should I do with them?

I thought: Maybe I don’t need a sequel at all. Maybe it’s not about making The Maestoso Interstellar Suite Part II, or Return to Maestoso, or anything like that. Maybe I just need to reimagine the entire idea as something ongoing—something open.

Looking back, I always felt I had to make compromises when producing the 10-year edition. Some sounds weren’t what I was hearing in my head. Hardware limitations forced me to bounce tracks just to finish mixing. I wanted that big, lush, hybrid orchestral sound—and I couldn’t quite get there.

Now I can.

And I’ve got older projects—like La Famille Du Solénoïde (The Family of Sol)—waiting for a modern update. Thematically, they fit perfectly.

So I’ve made a decision:
I’m not making a sequel to The Maestoso Interstellar Suite.

Instead, I’m creating something bigger.

Introducing Infinity

Infinity is an evolving series. A collection of volumes. A universe of sound that has no end—only pauses between stars. It’s not a sequel. It’s not a remix. It’s a living archive of exploration—part ambient, part orchestral, part space music, and completely me.

And to start, I’ll revisit the music that inspired it all.

I’ll go back and refine The Maestoso Interstellar Suite one final time—polish the edges, rework the structure to be vinyl-compatible, and finally bring it closer to what I always heard in my head.

But I won’t just re-release it.

I’ll rebrand it.

The Journey Begins

The Infinity series begins with:

Infinity Volume I – The Maestoso Interstellar Suite

Infinity Volume II – Singularities

Each will stand on its own—but together, they form the beginning of something open-ended. Something I can return to any time inspiration calls.

Infinity has no final tracklist. No end. Only volumes.

And when I’m ready, I’ll add another.

Maybe it’s a crazy idea. But that’s okay—I’m doing this for me.
And I hope you’ll enjoy the journey too.

🎧 Listen on your favorite platform:
🔗 owtt.lnk.to/infinity1BC  

Intermission I

Sad Radio On Cassini - Landing Shuttle
A Winged Victory For The Sullen - Steep Hills Of Vicodin Tears (Live Session)
Rhian Sheehan - Rope Walk
M-Band - When The Night Falls (Kid Sune Remix)
Sinoptik Music - Intro (Moon Landing)
Dustin O'Halloran - We Move Lightly
Jean Michel Jarre & Vangelis & Mike Oldfield - Song of the distant Rachel (edit)
Spacetime Continuum - A Low Frequency Inversion Field
Jon Hopkins - I Remember (Nils Frahm Dub Interupt Remix)
Rhian Sheehan - Molecules
Max Cooper - Sea Of Sound - Ambient Rework
Daughter - Youth (Izzard Remix)
Rhian Sheehan - Supernova
Scala And Kolacny Brothers - Creep (Radiohead Cover)
Sub - Totemic Arci Code (Tom Hodge Remix)
Rhian Sheehan - Peace Out
BluffMunkey - Rainforest Ambience


DEEP SPACE

Arli - Fata Morgana - 03 Nebula

Coyote Oldman Medicine Flute

Music : http://soundcloud.com/olafwie
Lyrics & vocals : Julsy

http://hazyacres.com/2012/06/06/julsy-vivid-foliage-dream

-----

looking in the distance
wandering in a dead end street
don't see another way
keep walking right ahead
I feel the dust on my feet

feel the burn in my legs
now there's no place left to stay
heading out to nowhere
my lungs filled with warm air
on a sultry day I stray

I don't want to be no one

and these figures I can see
so far from me
don't want to be alone
I don't want to be alone
I don't wanna be no one

OLAF

Stray - Olaf ft. Julsy

In Vedanta Yoga the omnipotent, all pervading, supreme essence in the universe is undifferentiated, a one-ness of all realities and possibilities. All That Is. Brahman is the Godhead, a non-dual consciousness, of neither gender, nor a God or god. 

A 3 OM Salutation is used to salute the Supreme Being, and evoke OM at Yoga meetings.

OM Supreme Omnipotent Essence

Originally aired 9th November 2008 on Fluid Radio.
Only Solar Fields music in this mix.

Solar Fields - Jupiter Sessions Part 1 (Originally aired 9th November 2008)

This track is from the album The Heart of Australia and is available for purchase on CD Baby here: http://www.cdbaby.com/cd/vickihansen2

Firewoman

SouLodge Shamanic Drumming 2

Marcelo Dalla - Brazilian DJ, composer and producer. Trippy tracks and mixtapes. House, deep house, tech house, downtempo, ambient. Be my guest!

DEEP SPACE

Marcelo Dalla

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