Sadly no video of the 2.3 second shot of shadenfreudian elation from George Takei in the audience..

Shaka

A Brief History of Saad 
http://www.untiredwithloving.org/saad.html 

 
Carnal nature of our mammalian birth causes irreparable amnesia. Saad 
is the phoneme of the language of the Arab, representing the frequency 
ranges for clanging sounds of the unbaked pottery, indeed a Harf 
(Divine Alphabet) immixed with the human genesis, inexorably linked to 
his being to serve as an acoustic reverberation, echos from infinite 
past, reflecting off the Harf Ka as in Rabbi-Ka, a mirror like 
acoustic memory system. 

The Prophet has passed on, his family has been killed and dispersed, 
weird violent men and women propagating odious ideologies under the 
name of Islam and its spiritual core of Sufism. The Arab has lost all 
sense of their language, barbers and tailors are made the gatekeepers 
of Eden.
 
In such time an 'Abd (Servant) finds no sanctuary but within the 
phonemes of the language of the Dhikr, for him there is no where else 
to seek certitude, for him the hum of Saad is everywhere guiding him 
to his grave, to reach the final and absolute form of certitude: The 
all encompassing cessation. 

A Brief History of Saad

Rocket Man - William Shatner 1978 from television special "The Science Fiction Film Awards"

Thunder is a massive multi-cellular organism, hundred of kilometres long and wide, many kilometres high stretching into outer-space, comprised of massive number of micro-organisms, particles anti-particles and audible acoustics as well as audible VLF electromagnetic waves:


http://www.untiredwithloving.org/thunder.html



00:22-01:10 The thunder acoustics slowed down and odd mumbles of conversations can be heard.



01:10-End 13:13 chant is slowed down from 3 secs to 7 minutes with microsecond long granules. Clearly hisses of Siin ('s' sound) and Haa ('h' sound) can be heard.



03:39-04:13 VLF audible electromagnetic waves are compared to the sound of the phoneme 'Ain (20th letter of the Arabic)



Production: Granular Synthesis by Density: http://www.densitygs.com/, the tracks arranged by Garage Band, the chant is by Sheikh AbdulRazaq bin Abtan Al-Dulaimi:http://www.mediafire.com/file/n7wcxk7z5czda3x/thunder_dulaimi_short.wav


All the other sounds e.g. rain and thunder are all naturally recorded sounds.


Dara O Shayda


Thunder's Discourse

To Sufi belongs nothing and s/he belongs to no one and nothing. His or her only possession this few beautiful sketches of Divine Alphabets, his or her voyage through the acoustics of the letters. 

Now that my eyes see nothing, let them then hear the light.



Production Notes:

The original Arabic text of Basmala without Tashkil (dots and inflections) was scanned and pasteurized from top to bottom and bottom to top and one was played into the right channel and the other in the left stereo channel.

Software:
http://www.densitygs.com/  by Petrolati. 
http://photosounder.com/ by Rouzic. 

Sufi Research:
http://www.untiredwithloving.org/tafasir_basmala.html  


Eyes Hearing the Light

Experimental technique for sound generation from images using Wavelet Theory.

Production notes:
http://www.mediafire.com/file/bg37w15o2zdnsw2/fall_berries.pdf

Meta Synth files
http://www.mediafire.com/file/pf32j1eymodki3e/wavelet_branch_berries1%20f.zip 

Fall Berries

Theme Song
Written, Composed and Produced by College and Electric Youth

DEBUT ALBUM 'INNERWORLD' OUT NOW:

CD, Vinyl & Deluxe Bundle: smarturl.it/electricyouth?iQid=hero.fb
CD + Ltd Ed. Pink Vinyl (Canada, Aus+NZ): lastgang.myshopify.com/products/innerworld

iTunes: smarturl.it/electricyouth_itunes?iQid=hero.fb
Amazon: smarturl.it/electricyouth_amazon?iQid=hero.fb
Indies: smarturl.it/electricyouth_indies?iQid=hero.fb

Electric Youth North American Fall Tour:
11/03 - Los Angeles, CA @ The Roxy
11/04 - San Francisco, CA @ Great American Music Hall
11/06 - Seattle, WA @ The Crocodile
11/07 - Victoria, BC @ Victoria Event Centre
11/08 - Vancouver, BC @ Imperial
11/12 - New York, NY @ Music Hall of Williamsburg
11/13 - Washington D.C. @ Black Cat
11/14 - Philadelphia, PA @ District N9NE
11/15 - Boston, MA @ Brighton Music Hall
11/18 - Toronto, ON @ Hoxton

www.electricyouthmusic.com
www.facebook.com/electricyouthmusic
www.twitter.com/_electricyouth

www.valeriecollective.com
www.soundcloud.com/college



Innerworld

College & Electric Youth - A Real Hero [Music From the Motion Picture Drive]

Music generated from the volumetric data of an actual human skull:

http://www.mediafire.com/i/?65ob3qowv680fk1

'trill' generated from the wavelet decomposition of a particular scan slice:

http://www.mediafire.com/i/?poo61rzo4yurubl 

NOTE: All the sounds are generated from the catscan sliced images. There are no extras.

Catscan

Just for fun. My take on this 90s classic by The Orb.

The Orb - Little Fluffy Clouds (Less Fluff Mix)

Tree Cross Section is decomposed into two Wavelets decompositions:

http://creativebits.org/files/leopard-desktops/Rings.jpg

Instrumental synthesizers sonified the decompositions. 


Files:
svn://svn.devzing.com/lossofgenerality/TreeCrossSection	

'*' for anonymous access, no password 

Software:

http://www.uisoftware.com/MetaSynth/index.php 

Tree Cross Section

The plant structure and growth are like unto a dance to a chant. Some sample structures (Lsys or L-System) of these botanical structures were discovered by a botanist called Lindenmayer:

http://en.wikipedia.org/wiki/L-system 


Four Botanical Chants back to the back were composed and generated by the following rules or grammars up to 3 iterations:

{{"f" -> "f[+]f[<f][>f][-f]f"}, "f"}} 
http://www.mediafire.com/i/?c95dj9fq889uc35 

{{"f" -> "f[+f]f[-f[<f]][>f][f]"}, "f"}}  
http://www.mediafire.com/i/?3589j5bereit4f4 

{{"f" -> "f[+f]f"}, "f"}}
http://www.mediafire.com/i/?y87mobcbjlcqq2u

{{"f" -> "f[-f[<f]][>f][f]"}, "f"}}
http://www.mediafire.com/i/?0a630b4rpfzvcae



Files:
svn://svn.devzing.com/lossofgenerality/Lsys 


Software:

http://www.uisoftware.com/MetaSynth/index.php

Botanical Chants

http://cdsweb.cern.ch/record/39472

The Koan Decay image is scanned from left to right and at each pixel a Whale-call special effects synthesizer is called, in effect sounds like thousands of whales singing in chorus!

The real loud chorus sections are where the particles coil densely towards one point.

Software: 
MetaSynth 5.3 
http://www.uisoftware.com/MetaSynth/index.php

Composition Notes:

Whale Chorus
{

A1
X=1024, Y=512
Effects Grid = 8
MultiSampler = FZ Whales1.synm
MAP = Micro50
BPM=20
Stereo

// shorten and attack numbers produce variations
Shorten 2 times the Attack= 1 time

}

Kaon decay whale chorus

Kaon Decay image from CERN chamber:

http://cdsweb.cern.ch/record/39472 

was scanned from left to right and at each pixel a chant was synthesized i.e. Alif-Lam-Mim, the y-value controlled the pitch, the intensity the volume and the colour the R-L output. 


Alif: Impassable barrier, what we call universe is on one side of the barrier, F-sound  indicates all the nonwherediferentiable structures e.g. Brownian motion, background noise, vacuum fluctuations

Lam: L-sound in language of Arab indicating distance, far-ness, far-ness in time space and in also in design and engineering of entities:

http://www.untiredwithloving.org/harf_lam.html 


Mim: SpiritoGenomical circle of humanity, nasalized thus indicating self-entanglement self-interference, ultimately self-awareness, 'eeee' sound connecting the two M-sounds of Mim is same 'eeee' sound indicating 'I' as me myself:

http://www.untiredwithloving.org/sabbihi.html#kitab_mim



Chanter: Sheikh Saad Al-Ghamdi 


Software: 
MetaSynth 5.3 
http://www.uisoftware.com/MetaSynth/index.php

Composition Notes:

Alif-Lam-Mim Lament 
{

IMAGE: http://lossofgenerality.devzing.com/files/alm_ghamdi1.tif 
A1
X=1024, Y=512
Effects Grid = 64   /* for longer reverb since the sample is long */
Reverb 
MultiSampler = from sound file: 
http://lossofgenerality.devzing.com/files/alm2_short.wav


MAP = Micro50
BPM=10
Stereo

// shorten and attack numbers produce variations
Shorten 2 times the Attack = 1 time
Scale along y-axis to reduce the super tenors 

}



Kaon decay Lament

from the album "Sixteen F**king Years Of G-Stone Recordings"

Kruder&Dorfmeister-Aikon

3D structure of molecular bonds of Pax6 gene and its protein binding sonified into a stutter hum and background chorus. 

Ideology: All tunes and beats and melodies and ambient acoustics generated, pixel by pixel, from the same image of Pax6 gene, for more genomic information see:

mathematica.lossofgenerality.com/page/8/

To interact with the 3D molecular structures install the free plugin:
www.wolfram.com/cdf-player/

Software:

MataSynth 5.31
www.uisoftware.com/MetaSynth/index.php

Production Notes:

IMAGE = http://files.lossofgenerality.com/pax6bonds.jpg


pax6trumpt {

BPM=10
A0
Micro50
x=1024 y =1024
MULTISAMPLER=ALL aeio cycle
reverb=32
ATTACK MODE= GATED HARD 20

}





Rocket Man - William Shatner 1978 from television special "The Science Fiction Film Awards"

Damara Tawodi Arrowood

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Lynn Smith

Damara Tawodi Arrowood

Damara Tawodi Arrowood

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