Ka of Ti-L-Ka i.e. Ka (You) is the obstacle that causes the echos

Khaliq-un i.e. a doer in perpetual state of doing (creating and engineering and innovating)

Inni's nasalized eeeeeee sound continues for perpetuity 

Saad is the sound heard during the human-ness voyage from non-being to being and sounds like ding-dong on baked hollow pottery

Biological birth cause amnesia, which the Iz Qaala Rabbuka is a form of spiritual memory to remember what happened during the genesis of Adam 

Again Saad can be used as  voyager to voyage to go back were we originated from 

Doppler effect was added to highlight the concept of journey away/towards the source of the sound

love this , can you make more like this?  I wish it did not end as it does...

A Brief History of Saad 
http://www.untiredwithloving.org/saad.html 

 
Carnal nature of our mammalian birth causes irreparable amnesia. Saad 
is the phoneme of the language of the Arab, representing the frequency 
ranges for clanging sounds of the unbaked pottery, indeed a Harf 
(Divine Alphabet) immixed with the human genesis, inexorably linked to 
his being to serve as an acoustic reverberation, echos from infinite 
past, reflecting off the Harf Ka as in Rabbi-Ka, a mirror like 
acoustic memory system. 

The Prophet has passed on, his family has been killed and dispersed, 
weird violent men and women propagating odious ideologies under the 
name of Islam and its spiritual core of Sufism. The Arab has lost all 
sense of their language, barbers and tailors are made the gatekeepers 
of Eden.
 
In such time an 'Abd (Servant) finds no sanctuary but within the 
phonemes of the language of the Dhikr, for him there is no where else 
to seek certitude, for him the hum of Saad is everywhere guiding him 
to his grave, to reach the final and absolute form of certitude: The 
all encompassing cessation. 

A Brief History of Saad

SMACK YO (DJ FREE & STRIKZ REMIX)

Crunchy, synth-y instrumental, hope you like it!

Cover art by NeuralBlender.

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Smack Yo' - Beltran (Mariano Santos Edit)

© Michael Calabris Music (ASCAP), 2024. All rights reserved.

"Dreaming in Magna Graecia" is essentially a concerto for female voice and electronics, in that the voice is treated as a true soloist; the voice is never sampled and recreated to sound as a different instrument. The effects I’ve used in this recording are not dissimilar from the kinds of effects that could be achieved in a live performance of an electroacoustic work that features a vocal soloist. 

Carlotta Ferrari (b. 1975) is an Italian composer. She served as chair of music composition at Hebei Normal University in Shijiazhuang, China, and was an adjunct professor of music composition at the Department of Arts and Music of ESE, Firenze, Italy. She holds degrees from the Conservatories of Milano and Firenze. Carlotta Ferrari has composed in many genres, developing a personal language that is concerned with the blend of past and present. Her compositions have been performed in venues such as Westminster Choir College, New York University, Melbourne Cathedral, Steinway Haus in Hamburg and München, National Center for Performing Arts in Beijing, Universidad de Castilla-La Mancha, St. Gallen Cathedral, Basilica della Salute in Venezia, St.George’s Hanover Square in London, Manhattan Central Synagogue in NYC, Oliwa Cathedral in Gdansk. A lecture-recital on her music happened in May 2017 at Harvard University, organised by the Boston Chapter of the American Guild of Organists during WIMfest (Women in Music Festival). In 2018, she was commissioned by Harvard University to write a new carol for the 109th edition of the annual Christmas Carol Service. In 2020, a paper on her symphonic poem for organ "Edith Stein" as a modern example of the genre appeared in the Scientific Herald of Tchaikovsky National Music Academy of Ukraine. Carlotta Ferrari won the 2nd award at the 2013 edition of Sisì-Frezza competition for women composers held by the International Federation of Business and Professional Women, and the 2nd award at the 2018 edition of Opus Ignotum Choral Composition Competition, supported by the Ministry of Culture of the Czech Republic. In 2022, she won the shared 1st award at ISCM-Musika Bulegoa Choral Composition Competition (Spain). Ferrari’s music appears on several CD recordings, such as the monographic "Women of History: Music for Organ by Carlotta Ferrari", Carson Cooman, organ (Divine Arts Recordings 2018), and has been broadcast on radios such as WPRB Princeton, USA, and the Spanish public radio channel RTVE Radio Clásica.
Active as an electroacoustic and multimedia composer as well, Carlotta Ferrari has taken part in festivals such as Vu Symposium (USA 2017), Diffrazioni Multimedia Festival (Italy 2019), Tehran International Electronic Music Festival (Iran 2021), and Vigevano Soundscapes (Italy 2022), where her composition Madrigale del Mezzodì has been broadcast through Eraldo Bocca and Dante Tanzi's AUDIOR Acusmonium. She is part of the collective of electroacoustic female composers Domina Acusmatica. She has lectured at universities such as La Sorbonne Paris, France, Bangor University and Newcastle University, UK. Her compositions are available on her Imslp page.

For more information about my collaborative work with Carlotta Ferrari, please check out her website: https://carlottaferrari.altervista.org/calabris-ferrari-collaborations.html

Dreaming in Magna Graecia (for Female Voice & Electronics)

Dreaming In Magna Graecia (for Female Voice & Electronics) (Carlotta Ferrari, vocals)

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Beltran,JERIDE,B.A.S.E - Smack Yo' x Fxxking Banger

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Beltran - Smack Yo (Faustix Remix) FREE DOWNLOAD

Outside Agitators

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Latest collaborative composition with Liam Hynes-Tawa, written with each of us writing one voice at a time for 20 measures, emailing the file back and forth to fill in all voices and then proceeding to the next 20 measures. 

Liam's profile: https://soundcloud.com/liam-hynes-tawa

Past collaborative compositions: https://soundcloud.com/liamhynestawawalkingears/

A Brief History of Saad

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