Name: Anything Over by Damian Pace
Duration: 3 min 19 s
Description: Written as part of the Point Blank Composition in Depth online course

Skins Fire Mix

In 2022, I traveled to Brazil at the time of the national elections. I went with the intention to record sounds and stories of resistance and resilience, in times of collapse and crisis. I created this sound journey to bring you on the road with me...

I will guide you through some of the country's most iconic landscapes, from the Coast of Bahia to the heart of the Amazon, sharing songs and prayers from the Pataxó people, bringing you the entrancing chant of the Yoruba ocean goddess Yemanja, and even get you involved into Brasilian politics.

This sound journey was originally created for a performance at the event 'Sing for Earth Day', April 22nd 2023 in Stroud, UK.

It features songs from the Pataxó communities of Barra Velha and Porto do Boi (in Bahia) and a displaced community in Paraty. The song 'Yemanja' was recorded in Salvador, as part of the Balé Folclórico da Bahia. 

Recordings, script and composition: Louise Romain
Sound editing: Rory Thomas Lawton

Immersive sound journey through Brasil

Written as part of the Point Blank Composition in Depth online course

Anything Over

CS/DL : f-o-m.bandcamp.com/album/upstream-ensemble

@forms-of-minutiae and TBA21–Academy present "upstream ensemble", a communal happening and aqueous sound piece initiated and composed by field recordist, artist, and f–o–m co-founder Pablo Diserens (@pablodiserens)

During the 2022/23 digital residency hosted by TBA21–Academy’s Ocean-Archive.org, Pablo Diserens launched an open call inviting members of its online platform ocean comm/uni/ty (and external enthusiasts) to venture into the world and record aqueous sonic encounters. The aim of this collective liquid attuning was to gather sound recordings from various wet ecologies while stimulating listening and field recording gestures regardless of any previous experience.

Recordings from 35 contributors were woven into the long-form sound composition "upstream ensemble" which navigates between the multiplicity of the water cycle as a sounding body. The work moves upstream through oceans, rivers, pipe networks, ponds, and glaciers while investigating the continuous flow of water and the environments that surround it. Listeners encounter drifting habitats trickling with the songs of sea lions, dolphins, blue whales, humpback whales, Arctic terns, and algae photosynthesis – as well as with the invasive hums of submarines’ sonars, boats, and naval industries. With "upstream ensemble" some of the world’s aqueous fauna, flora, geologies, and technologies mingle into a synchronized motion that documents the sonic articulations of these wet zones.

In resonance with Pauline Oliveros’ Deep Listening practice and inspired by Rachel Carson’s exploration of the intertidal zone in her book "The Edge of the Sea", this project contributes to an ever-expanding list of works that propose a focus on listening as a way of engaging and existing with the planet’s waters. By stimulating shared listening and attuning practices, Pablo Diserens aims to develop a sense of interconnectedness by blurring the boundaries between species as well as environments. Experiencing aqueous biomes both individually and collectively acts as a way of rethinking our relationships with the world. Despite these being mostly solitary experiences, Pablo believes that field recording and listening are communal and environmental practices that form gateways for earthly synchronicity and world mapping in time and space. Thus listening in turn can become a political act that sparks emotional bonds with the world and its biotic communities.

˜

concept: Pablo Diserens and Fiona Middleton (TBA21–Academy)

composition and mixing: Pablo Diserens

with sound contributions by: Alëna Korolëva, Alexandros Maragkoudakis, Bence Kovács-Vajda, Christopher Dean, Cyane Findji, Damian Pace, Elise Rigot, Eliza Collin, Fiona Middleton, Francesco Previtali, Ilù Seydoux, Irene Mansoldo, Isabel Val, Jakob Köchert, Jean-Baptiste Geoffroy, Joana Moher, Katy Lewis Hood, Kosmas Phan Dinh, Kseniya Lushnikova, Leo Maassen, Ludwig Berger, Mat Eric Hart, Mathias Arrignon, Matty Yeomans, Mélia Roger, Moritz Zeisner, Nikos Sotirelis, Nina Blume, Ocean Networks Canada, Pablo Diserens, Sem Zeeman, Slavek Kwi, Surrealich, Thibault Noirot, Varoujan Cheterian.

all profit of the release will be donated to the Blue Marine Foundation.

listening with good speakers or headphones is recommended as the piece features a large range of frequencies (notably blue whales' subsonic calls).

cassette mastering by Mathieu Bonnafous

graphic design by Cecilia Murgia

cassettes pictures by Camille Blake

duration: 30’29’’ — C60
piece repeats on both sides — limited edition of 100
published by forms of minutiae & TBA21–Academy — fom09 — 2023

special thanks to all the contributors, Fiona Middleton, Markus Reymann, Michal Kucerak, Petra Linhartova, TBA21, Madelyn Byrd, Diane Barbé, Lou Croff Blake, Thom Lucero, and Mélia Roger.

cassette & digital

pablo diserens & the ocean comm/uni/ty — upstream ensemble [fom09]

Night Listening means sitting, through the night, in a chosen location, as still and quiet as possible, often for many hours, absorbed in purely listening, while recording. This is an excerpt from a recent Night Listening. It involves three Brushtail Possums, and one Red Fox. The responses of the Possums to the barking of the Fox are very interesting. (Don't start with the volume raised to more than 50 to 60 per cent: some of the fox barks are quite close and loud.)

Recorded on the land of the Kaurna people.

2023.12.28 Night Listening. Night Forest. Red Fox and Brushtail Possums. Early Summer.

John Mayer - Gravity (Cover ft. Ed Staal)

Recording task for my A2 Music Tech coursework.

Jamiroquai - Canned Heat (Cover ft. Niamh McNally)

Composition task for my A2 Music Tech coursework.

Across the Galaxy

I spent a night in a bed of moss, listening to the sounds of Springtime Alaskan boreal taiga in the twilight. Nearby swam a pair of loons. A beaver circled, territorially slapping the water with its tail.
I smiled and listened.

Location: Long Lake, Talkeetna, AK

Weather: variable over the course of the night, 49-61°F, light to no wind, humidity rose from 31-52%

Geophony: Clear lake in a hilly boreal taiga, dominated by White Spruce, Bird, and thick beds of diverse mosses

Anthrophony: myself @90 feet, distant ambient generators (most of which I’ve edited out)

Biophony: Common Loon (Gavia Immer), Swainson’s Thrush (Catharus Ustulatus), American Robin (Turdus migratorius), other birds I don’t recognize, Beaver, insects (mostly white flies & mosquitos), river otter (visible, but silent)

For the gear curious:
stereo downmix from double mid-side
mid channels: MKH8040x2
side channel: MKH30
recorder: Zaxcom MAXX

Anything Over

Damian Pace

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