How rare it is to hear a community received with this kind of generosity and attention to detail. A wonder of aqueous precision.

listening to this track, starting when "Jonn Serrie - Starmoods [1984]" (on youtube), hits its 6m40s mark, was such a trip

Thanks for including my contribution! 💙 🫧

We invited yab - @yabzy - from the Brussels based music and sound art collective Fenêtre Ovale - @fenetre-ovale - to compile some of the released and unreleased compositions of its core members. Yab masterly weaves between their catalogue of poignantly digitally synthesized materials morphed with electro-acoustic features. Perfectly showcasing collectively what the group is all about, quoting their manifesto: ''... Through the hybridization of different esthetics, we end up with an common esthetic based around perception and mediation, without any pre-established etiquettes.'' 

artwork: @drgibby

Fenêtre Ovale - LYL Radio #001

Julia Mira Celebrating the last episode of Mothernism of 2022 with an hour of a great bunch of dreamlike tracks from her beloved labels and recent discoveries.

Art: Andrey Simonenko

Unknown Album

Mothernism (29/12/22) w/Julia Mira

Tocca il Futuro invites London-based experimental record label and music collective @sagomesagome.

Follow Sagome
sagome.bandcamp.com/
https://www.instagram.com/sagome.sagome/

Follow Tocca il Futuro
www.toccailfuturo.bandcamp.com
www.instagram.com/toccailfuturo/
www.facebook.com/toccailfuturo/

Art by Pallido Fango
https://www.instagram.com/pallido_fango/

More info and tracklist
https://lyl.live/episode/tocca-il-futuro-12

Tocca il Futuro w/ Sagome - LYL Radio - 27th April 2023

Tracklist:
Nick Storring – Khartum (2021)
Pentu - 100 Feet To Burn On The Ground (TBA)
Rob Winstone - postcards and loose tea (TBA)
Enchanted Lands - barrockstadt feathered symphony (TBA)
Cucina Povera - Kahleet (2021)
Infant - starlings gulls doves (TBA)
Atte Elias Kantonen - Had A Thought Once (2022)
Kensho Nakamura - dive woodz (TBA)
Slowfoam - Phantom Memories, Iambic Limbs (TBA)
Pentu - Under Achievers Anonymous (TBA)
Andrew Oda - song of seeking (2022)

The mix was originally created for the Dunkel Therapy series. 

Dunkel Therapy is a pilot project of Kunsthalle Bratislava in collaboration with the NEXT - Advanced music festival, which uses the exhibition space A Black Box for darkness and sound therapy. Gradually during the year, we will welcome eight Slovak music labels and their producers to the exhibition space - A Black Box. At the first session, on 18 May at 18:00, Adam Donoval from Warm Winters Ltd. and Jakub Juhás from the mappa label will present their musical dramaturgical selections.

Here be Dragons mix 𝓘 mappa upcoming releases

CS/DL : f-o-m.bandcamp.com/album/upstream-ensemble

@forms-of-minutiae and TBA21–Academy present "upstream ensemble", a communal happening and aqueous sound piece initiated and composed by field recordist, artist, and f–o–m co-founder Pablo Diserens (@pablodiserens)

During the 2022/23 digital residency hosted by TBA21–Academy’s Ocean-Archive.org, Pablo Diserens launched an open call inviting members of its online platform ocean comm/uni/ty (and external enthusiasts) to venture into the world and record aqueous sonic encounters. The aim of this collective liquid attuning was to gather sound recordings from various wet ecologies while stimulating listening and field recording gestures regardless of any previous experience.

Recordings from 35 contributors were woven into the long-form sound composition "upstream ensemble" which navigates between the multiplicity of the water cycle as a sounding body. The work moves upstream through oceans, rivers, pipe networks, ponds, and glaciers while investigating the continuous flow of water and the environments that surround it. Listeners encounter drifting habitats trickling with the songs of sea lions, dolphins, blue whales, humpback whales, Arctic terns, and algae photosynthesis – as well as with the invasive hums of submarines’ sonars, boats, and naval industries. With "upstream ensemble" some of the world’s aqueous fauna, flora, geologies, and technologies mingle into a synchronized motion that documents the sonic articulations of these wet zones.

In resonance with Pauline Oliveros’ Deep Listening practice and inspired by Rachel Carson’s exploration of the intertidal zone in her book "The Edge of the Sea", this project contributes to an ever-expanding list of works that propose a focus on listening as a way of engaging and existing with the planet’s waters. By stimulating shared listening and attuning practices, Pablo Diserens aims to develop a sense of interconnectedness by blurring the boundaries between species as well as environments. Experiencing aqueous biomes both individually and collectively acts as a way of rethinking our relationships with the world. Despite these being mostly solitary experiences, Pablo believes that field recording and listening are communal and environmental practices that form gateways for earthly synchronicity and world mapping in time and space. Thus listening in turn can become a political act that sparks emotional bonds with the world and its biotic communities.

˜

concept: Pablo Diserens and Fiona Middleton (TBA21–Academy)

composition and mixing: Pablo Diserens

with sound contributions by: Alëna Korolëva, Alexandros Maragkoudakis, Bence Kovács-Vajda, Christopher Dean, Cyane Findji, Damian Pace, Elise Rigot, Eliza Collin, Fiona Middleton, Francesco Previtali, Ilù Seydoux, Irene Mansoldo, Isabel Val, Jakob Köchert, Jean-Baptiste Geoffroy, Joana Moher, Katy Lewis Hood, Kosmas Phan Dinh, Kseniya Lushnikova, Leo Maassen, Ludwig Berger, Mat Eric Hart, Mathias Arrignon, Matty Yeomans, Mélia Roger, Moritz Zeisner, Nikos Sotirelis, Nina Blume, Ocean Networks Canada, Pablo Diserens, Sem Zeeman, Slavek Kwi, Surrealich, Thibault Noirot, Varoujan Cheterian.

all profit of the release will be donated to the Blue Marine Foundation.

listening with good speakers or headphones is recommended as the piece features a large range of frequencies (notably blue whales' subsonic calls).

cassette mastering by Mathieu Bonnafous

graphic design by Cecilia Murgia

cassettes pictures by Camille Blake

duration: 30’29’’ — C60
piece repeats on both sides — limited edition of 100
published by forms of minutiae & TBA21–Academy — fom09 — 2023

special thanks to all the contributors, Fiona Middleton, Markus Reymann, Michal Kucerak, Petra Linhartova, TBA21, Madelyn Byrd, Diane Barbé, Lou Croff Blake, Thom Lucero, and Mélia Roger.

cassette & digital

pablo diserens & the ocean comm/uni/ty — upstream ensemble [fom09]

Anasisana delivers a live set that winds together graceful gradients, lingering melodies and contrasting textures within blending elements and cohesive sounds. Allowing varied patterns to bring a sense of soothing rhythm and a multilayered musical experience in its transitional, boundless slumber, where vague dreaminess flourishes in open spaces.

Amulet of Tears 038: Anasisana LIVE @ B7L9

Music: @anasisana

Artwork: @anasisana

Amulet 038: Anasisana LIVE @ B7L9

"waterlilies in fontiform" [framework editions, 2023] 🪷

Such an honor to be part of framework radio’s seasonal issues with a new piece of fontiform music! 

> listen/download: frameworkeditions.bandcamp.com/album/framework-seasonal-issue-14-summer-2023

Thought as a continuation of the work "for scarpa's fountains” [forms of minutiae, 2020], the composition "waterlilies in fontiform" weaves field recordings made in, on, and around the Tomba Brion in San Vito d'Altivole. Designed by the Venetian architect Carlo Scarpa in the 70s, this burial ground materializes as a garden guided by a multitude of lines made of concrete, metal, marble, and glass. Yet as one wanders in this peculiar landscape, one soon realizes that concrete isn’t the tomb’s primary material, water is. As if submerged, the graves are encircled by basins interconnected by a network of fountains, rivulets, and pipes. Water striders, sporadic frogs, vibrant fish and tapestries of waterlilies glide over sunken pyramidal stepped edges, echoing ruins of bygone architectures. An aqueous rhizome at the heart of the garden which steers us through the whole sanctuary. The composition brings listeners into the various materialities of the space and the underwater hums of the fontiform network's machinery. Moreover, subtle algae photosynthesis, muffled voices of human visitors, and the garden's avian inhabitants infuse with life the architect's carefully organized matter. Ambiguous feelings arise as if perched in equilibrium on the crests of the tomb's multifarious structures. The piece ends with openings (both geographical and temporal) as the uncanny murmurs of the flowing waters are joined by the drones of another (temporary) Venetian fountain, Claire Tabouret's sculpture "Deux Baigneuses'', before fading into the vespertine soundscape of a small Portuguese village. A midwife toad calls in the darkness, bells resound in a valley, as Brion Tomb’s architectonic specter lingers in the flowing waters.

> Note: Tomba Brion is also the resting place of Scarpa himself, who shared that "the place for the dead is a garden".

> Recorded in the Tomba Brion in Altivole (april 2022), Palazzo Cavanis in Venice (april 2022), and in Peneda-Gerês National Park (may 2023).
Recorded with Aquarian H2a-XLR hydrophone, LOM Uši Pro, LOM Geofón, SoundDevices MixPre-6 II, Sony PCM-D100.

download

waterlilies in fontiform [framework editions]

Atte Elias Kantonen live at Norbergfestival 2023. 

Written & performed by Atte Elias Kantonen.
Live sound engineered by Otso Aho.
Recorded by Otso Aho.
Mixed and mastered by Vivi Säiläkivi.
Cover art by Vivi Säiläkivi. 
Picture by Sara K. Trier (capture from a video). 
Performed on 6 July 2023 at Norbergfestival in Mimerlaven ore facility, Norberg, Sweden.

Subscribe to Extracted Sounds: itunes.apple.com/se/podcast/extra…nds/id1094727506

Extracted Sounds 9: Atte Elias Kantonen live at Norbergfestival 2023

info: https://radio.syg.ma/episodes/guests-185-leo-abrahams-oleg-salkov-nikita-bondarenko-30000-celestial-bodies

GUESTS

GUESTS 185 – Leo Abrahams, Oleg Salkov & Nikita Bondarenko: 30000 Celestial Bodies

purelink - blue {peak oil}
serwed - glare {west mineral ltd.}
coldcut - autumn leaves (irresistible force remix) {dmc}
pigbaby - tá mé ar muin na muice {plz make it ruins}
mu tate - ∞∞ (ft. space afrika)
polypores - foam {din}
felicity mangan - wings {muscut}
stone - calf {3xl}
skee mask - mdp93 [ilian tape}
minor science - summer diary {balmat}
ned milligan - sky smokes & electronics {laaps}
m. sage - paradise {rvng intl.}
florian t m zeisig - v {enmossed}
ys - autumn's ost {pace yourself}
mark gomes - alphane mood {soda gong}
gonçalo f. cardoso - kinabulu free {discrepant}

dripped wax ambience, vol. 7

Detox № 38 - Evie Kidd

tuned to various biomes and phonographies 𓆏
> www.pablodiserens.studio
> co-founder @forms-of-minutiae

Pablo Diserens (they/she) is a field recordist, musician and artist devoted to non-human realities, attentive listening, and possible forms of interspecies coexistence.

pablo diserens & the ocean comm/uni/ty — upstream ensemble [fom09]

Pablo Diserens

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