Behind Us

Behind Us (Peter Invasion & Gregor Habicht Remix)

worldwide bookings : alex@neptunemusic.net
France bookings : cedreference@gmail.com
all others inquiries : damonjee64@gmail.com

others projects : NOZZ, Holographic Planes
bio :

We are all the product of our influences and there is no substitute for experience. Damon Jee is the embodiment of that statement. Over the last 20 years he has carved a career in a very unassuming way, unintentionally writing an exciting new chapter for the global electronic music scene. He is the journeyman who managed to shine brighter by staying true to himself, a musical alchemist experimenting with different sounds to create a deadly new potion. Today, the producer is considered the main exponent of a fresh and exciting new scene many are calling Dark Disco. 

Getting his start in the studio alongside fellow Frenchman Olivier Giacomotto, the duo became main players on the then booming electro house scene with an impressive run of productions on labels like Definitive and CR2. As he started producing more solo works, Jee naturally veered towards his rebellious heritage growing up on nineties rock and industrial bands like Nine Inch Nails, The Pixies, Nirvana and more. The organic appeal of live rock seeped into his productions: distorted guitars gliding atop fat, off-beat and two-fingered picked bass, all framed within a foundation of percussion and drums that carries Damon Jee’s immaculately engineered and distinct sound. The music he released under his NOZZ moniker is especially steeped in this unique and heavy-duty sound: powerful productions which doubles up as heat seeking missiles aimed straight at the heart of any dancefloor.

It was his remix of Pardon Moi’s ‘Power to the People’ that really pushed the affable Frenchman to  a wider audience. It has it all: trance melodies and cosmic chords, a confidant rock stomp coiled with electronic euphoria, and robotic vocals gleefully riding a wave of energetic drums. It received support from the world’s best tastemakers including Solomun, Job Jobse and HAAi, introducing Damon Jee to a brand new audience. 

Today his singular sound can be heard on the underground’s most sought-after labels including Roam, Hafendisko, Suara and Sincopat to name a few. Huge support came in the form of Jennifer Cardini who signed his massive three track Chamaniac EP to her Correspondant Records. Its appeal reaching wide, the EP received support from various corners of the electronic music sphere with a diverse group of DJs from Andrew Weatherall to Chris Liebing to Joris Voorn all getting around it.

The natural evolution of Damon Jee has lead to the recent launch of his label, Critical Monday. The new imprint will explore Damon Jee’s idiosyncratic sound even further. The first release under his Holographic Planes moniker, alongside producer Alvaro Cabana, is a three track dance floor bomb featuring an equally effective remix from Jennifer Cardini. With upcoming releases from Curses, Autarkic, Fairmont, and, of course, Damon Jee, the label is set to become a go-to for those looking to ignite any dancefloor.

Today Damon Jee is slotting perfectly into his role as a bona fide headliner. Years of experience ensures each set is delivered with a confidant ease and professionalism that sets him apart from the rest. Headlining clubs and events from Spain to Australia to Mexico, Damon Jee is set to spearhead a new generation of electronic music lovers who isn’t afraid to cross-pollinate their music for a thrilling new sound. If you need an antidote for a flailing dancefloor, Damon Jee has the tonic to revive your night. 

written by : Walter Juan van Wyk

https://www.mixcloud.com/LOU_PIE/
https://www.youtube.com/watch?v=1hEJKVgijbs
https://instagram.com/krachgarten.ev?igshid=YmMyMTA2M2Y=

During a nostalgic moment I listend to some of my old recordings and thought.. why not put them online for everyone to 'enjoy'!

New Beat, EBM and Industrial Music
𝐎𝐧𝐝𝐚 side project
Tbilisi / Paris
booking : steinblum.contact@gmail.com

RottingHead es un proyecto que nace en 2009, es creado no con la intención de estar en el gusto auditivo de las personas sino exponer géneros musicales no convencionales como Techno, HiTech, HardTechno, Dark Disco, Euro Disco llegando hasta el tribal y el trap; logrando mezclas totalmente radicales en un concepto auditivo de una hermosa pesadilla.