My impressions of when long ago I visited a frozen lake in which I found skaters, a pine forest, the snowy path, a flock of birds and a lot of peace.

The frozen lake. (Landscape - Skaters 1 - The path - Skaters 2 - The Pine Forest - Farewell.)

To the beauty of simple things, like that of this beautiful Spanish Sparrow

SPARROW

Shamans Boogie

My wife was listening all day to me working on this song. When I added a banjo, her interest piqued, and she wrote lyrics for a country feel.

The Prescription Blues
Lyrics Veronica Krath
Music Mike Krath
Performed and Produced Mike Krath

In the morning when I rise
Gotta take these pills to feel alive
They help me get through another day

Through all my aches and all my ills
My salvation lies in a tiny pill
And my life lies on a prescription pad

Why did the Lord put me on this earth
Just to take all these pills to feel my worth
Wish I could take my body back

Oh Lord, I wish there was another way,
To make it through another day,
Then taking all these pills.

Chorus:
And in the end when I die
My hope is that I’ll find myself in paradise
With no pills and no more pain
Cause to live is Christ and to die is gain.

The Prescription Blues

Accidental interest

The last track made for the album Time Enough At Last, released in 2O22
Grab it here: https://zuunzug.bandcamp.com/album/time-enough-at-last
Le dernier morceau réalisé pour l'album Time Enough At Last, sorti en 2O22

Time Enough At Last

Kali

Album

Forever

Synapse

MY WEBSITE: https://ramoninc.xyz
LISTEN ON STREAMING PLATFORMS: https://push.fm/fl/the-golden-point

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"The Golden Point (From Soulless Point Game)" is an EP released on March 7, 2023, conceived as the soundtrack for the early stages of the psychological game Soulless Point, currently in development by Per Triangle Productions. The game, set in an abandoned asylum with a PSX aesthetic and inspired by titles like Half-Life 1 and Portal 2, proposes the player a solitary and claustrophobic escape—and the EP embraces this atmosphere.

The opening track, "The Golden Point," delves into IDM (Intelligent Dance Music) territory, punctuated by sound effects (SFX) that suggest footsteps echoing in empty corridors, creaking doors, and flashing electric monitors. The rhythm is fragmented and unpredictable, evoking tension and uncertainty—perfect for a game where the goal is to escape a place that feels alive.

The remaining tracks transition into a universe of acoustic pop and ambient pop, serving as a counterpoint: soft acoustic guitar melodies, subtle piano, ethereal synths, and diffuse pads. These themes function as emotional reflections, possibly tied to the main character's narrative—moments of pause amidst the chaos, sensory memories, sounds from the past, or glimmers of hope, designed to humanize the player's experience.

"The Golden Point" functions as a balance point between extremes: the electronic chaos of IDM and the spiritual calm of ambient pop, as does the game's transition between imminent threat and reflective interludes. The EP showcases Ramon Inc. exploring the boundaries between gameplay music and authorial identity, creating a soundtrack that serves both gameplay and solo listening.

The Golden Point's epilogue is sonorously and emotionally strategic—where each escape process becomes music.
It's the sound of doors closing and memories turning on—mission and melody intertwined. 

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THANK U ALL ♡

The Golden Point

The Golden Point  Pt. 3

The Golden Point, Pt. 3

Mellowy Introspection

Do you mind if I smoke?

Hanging out in the cloud forests of the Sierra Juárez mountains in Oaxaca, I’m tapping into the sounds of the universe like a mushroom-drunk nahual, reaching into the heart of nature to grasp at the mysteries of existence.

You’ll hear influences from deep time and across as many cultures as I can get my hands on. I get obsessed, man. Seriously, everything else melts away around me. I can spend days absorbed in an idea, like that stone statue guy—but with a stone guitar instead.

My approach to music? About as unpredictable as my ability to remember where I last saw my passport (pretty crucial when you live abroad all the time, right?). My unique way of processing the world often leads to an avant-garde approach to life. And yeah, maybe there’s been a mushroom-induced revelation or two along the way, but who’s counting? I don’t need a million-dollar studio—just a good instrument, a decent interface, a computer, and some monitors that hopefully survive my absent-minded chaos.

I’m a multi-instrumentalist who loves complexity, especially when it sneaks up on you through unexpected rhythms or harmonies from the far corners of the globe. From Carnatic ragas to garage rock grooves—why not just mix every cool sound and see what happens? Maybe I’ll start with a harmonic progression from Bach’s Goldberg Variations and slap it into a Hindustani 7/4 thaal (that’s rhythm, if you’re wondering). It’s a bit technical but, trust me, as cool as—well, let’s just say it’s the kind of vibe that might inspire a dream-like hallucination about nailing the perfect groove. (Music available for film, TV, and media licensing.)

Yeah, I am a Ph.D. trained evolutionary biologist, and... that sounds impressive until you find out I bailed on it the second I landed a good job. I was bored out of my mind. People look at me like a guy who won the lottery and then spent it all on the greatest collection of rare video games (I mean, I’m not that bad, right?). But switching from science back to music wasn’t just quitting—it was finally tuning into something deeper. Music and science might seem like distant cousins, but to me, they’re intertwined—both ways to unlock the secrets of the universe.

Now, I live in Capulálpam De Méndez, a mystical town in the Oaxacan mountains. The ancient Zapotec culture runs deep here, and creativity flows as freely as the mezcal at the fiestas (and trust me, there are plenty of fiestas).

Art is for everyone, and I’m always pushing to create something that connects—whether it’s a complex harmonic structure or just the right amount of groove to make you forget your troubles (or your keys, in my case).

So if you’re into music that teeters on the edge of chaos but mostly lands right where it needs to be—well, welcome. Just don’t expect me to remember how I got here, or where I left my bag. Seriously, my passport might’ve been in there… Was it the tuk-tuk? (sounds like a joke right... Err.. its not....)


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Relajándome en los bosques nublados de la Sierra Juárez en Oaxaca, estoy sintonizando los sonidos del universo como un nahual borracho de hongos, llegando al corazón de la naturaleza para intentar comprender los misterios de la existencia.

Escucharás influencias de tiempos profundos y de tantas culturas como pueda explorar. Me obsesiono, hermano. En serio, todo lo demás desaparece a mi alrededor. Puedo pasar días absorbido en una idea, como ese tipo de las estatuas de piedra—pero con una guitarra de piedra en su lugar.

¿Mi enfoque hacia la música? Tan impredecible como mi habilidad para recordar dónde dejé mi pasaporte (bastante crucial cuando vives en el extranjero todo el tiempo, ¿verdad?). Mi forma única de procesar el mundo a menudo me lleva a un enfoque vanguardista de la vida. Y sí, tal vez haya habido una o dos revelaciones inducidas por hongos en el camino, pero ¿quién está contando? No necesito un estudio de millones de dólares—solo un buen instrumento, una interfaz decente, una computadora y unos monitores que, con suerte, sobrevivan a mi caos despistado.

Soy un multiinstrumentista que ama la complejidad, especialmente cuando te sorprende con ritmos o armonías inesperadas de los rincones más lejanos del mundo. Desde ragas carnáticas hasta los grooves del garage rock—¿por qué no mezclar todos los sonidos geniales y ver qué pasa? Quizás empiece con una progresión armónica de las Variaciones Goldberg de Bach y la meta en un thaal hindú de 7/4 (es decir, un ritmo, por si te lo preguntas). Es un poco técnico, pero créeme, es tan genial como—bueno, digamos que es del tipo de vibras que podrían inspirar una alucinación soñadora sobre encontrar el groove perfecto. (Música disponible para licenciamiento en cine, TV y medios.)

Sí, tengo un doctorado en biología evolutiva, y eso suena impresionante hasta que descubres que lo dejé en cuanto conseguí un buen trabajo. Estaba aburrido como una ostra. La gente me mira como a un tipo que ganó la lotería y luego lo gastó todo en Beanie Babies (no soy tan malo, ¿verdad?). Pero pasar de la ciencia de nuevo a la música no fue simplemente abandonar—fue finalmente sintonizar con algo más profundo. La música y la ciencia pueden parecer primos lejanos, pero para mí, están entrelazados—ambas son formas de desentrañar los secretos del universo.

Ahora vivo en Capulálpam De Méndez, un pueblo místico en las montañas de Oaxaca. La antigua cultura zapoteca corre profundo aquí, y la creatividad fluye tan libremente como el mezcal en las fiestas (y créeme, hay muchas fiestas).

El arte es para todos, y siempre busco crear algo que conecte—ya sea una estructura armónica compleja o solo la cantidad justa de groove para hacerte olvidar tus problemas (o tus llaves, en mi caso).

Así que si te gusta la música que oscila en el borde del caos pero que la mayoría de las veces aterriza justo donde debe estar—bienvenido. Solo no esperes que recuerde cómo llegué aquí, o dónde dejé mi bolsa. En serio, creo que mi pasaporte estaba allí... ¿Fue en el tuk-tuk? (suena como una broma, pero... ehh, no lo es...).

Accidental interest

Damon Peterson