MUSIC FOR AN EPILOGUE.

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Composition started in July 2021.

Finished and edited in November 2022.

Last composition using KV331 and Synthmaster One, months before they deactivated the inter App function that I use on my ipad to use sounds.

It is fragmented into an intro, then a piano fragment to move on to another electronic symphonic section and end in an orchestral section.

It is one of my most complex music for which I have used:

30 tracks from Music Studio 2 with native and Xewton forum instruments.

2 tracks from Korg iM1

1 Prophet track (Arturia)

7 Synthmaster One Tracks

1 Track of Digital D1.

Made exclusively on ipad.

Mix in my car....perfectly parked.

Thanks for your comments and support. It is always a pleasure to read your messages and opinions.

Paco.

Music for an epilogue

Accidental interest

Fox vs Rabbit (Album)

Skydrifter

I composed this music last year and I have to thank my friend S.Gurunathan who has programmed in Logic Pro X and Kumar who has done mixing  at Vishnu Studio.Hope you all like this.Thank you

Classic Melodious

Hot Air Balloon / Paploviante
Paploviante: Bass, Composing, Arrangement, Mix, Picture and Mastering
Open Collaboration Offer
If you want the track different ...  contact me!
The track is downloadable as a mp3 file!
You can complete what you want!
If you publish it, you have to mention me in the description and title!

Hot Air Balloon - Paploviante

(Original song, mastering, vocals and lyrics by KidOfEarth)⚠️ © Copyright France)
"Tout pardonner" (forgive everything)
I walk alone in the street
I think of you that I lost
will i still be ready to love
and when can I give again?
In the arteries, I sneak
I find a bar where the wine is good
the landlady sees me as fragile
but it doesn't matter, I get drunk more than reason

the sky is clear, the stars twinkle
and I get lost in the slums of the city
through brothels and neon lights
I satisfy... my addictions

I walk alone, I'm lost
I think of everything that is no longer
can i forget everything tomorrow
Will I finally be able to forgive everything?

Donate ❤️️

Tout Pardonner© (Original) English lyrics in description... 👨‍👩‍👧‍👦

Here's a jazz original.  I'm joined by the wonderful Sam Mendez, Georg Boehme, and Al Schulman.   Such a great sound with both the flute and Bari ranges and timbers and Al's showing off on such fine rhythm guitar and soloing.  Sam is no longer with us and never got a chance to hear this.  This smile's for you Sam.

https://soundcloud.com/santi-caballero
https://soundcloud.com/georg-boehme

Your Smile - Sam Mendez / Georg Boehme / Al Schulman / Jamie Rhind

Morning Dew

A Hymn for the Places We Abandon

“Inner Light” is a gentle instrumental collection designed to bring calm, clarity, and warmth into any moment of your day. Like a soft beam of light entering a quiet cave, the music slowly fills the heart with peace—settling the mind and restoring the spirit.

These tracks are crafted for rest, relaxation, and deep focus, making them perfect for office work, study sessions, meditation, or a peaceful evening wind-down. With soft textures, spacious melodies, and a serene, glowing atmosphere, the album encourages slow breathing, inner stillness, and emotional grounding.

Whether you are working at your desk, reading quietly, or seeking a calming background for prayer or reflection, “Inner Light” creates a sanctuary of sound—gentle, warm, and beautifully peaceful. This is music that invites you to pause, breathe deeply, and let your inner world be illuminated with calm.

Prayer Stones

Story
Zegama's Witch. The Sorceress of the Threshold
On the misty slopes of Aizkorri, where the winds sing in Basque and the stones hold ancient secrets, lived Zegamako Sorgina, the Sorceress of Zegama. She was no witch of brooms or common potions: she wove melodies with moon threads and conjured visions in the forest pools.
They say she was born on the night of the eclipse, when the sun and moon silently crossed. Her mother, a mute shepherdess, wrapped her in a cloak embroidered with symbols no one could read. From a young age, Zegamako Sorgina spoke to the trees, translated the murmurs of caves, and composed songs that made wolves cry.
But her most feared power was to open the Threshold of Echoes: a rift between worlds that only she could summon with her stone drum and her three-tone chant. Forgotten memories, unlived dreams, and sometimes… the spirits of the ancient jentilak crossed that threshold.
One day, the villagers of Zegama, fearful of her magic, asked her to close the Threshold forever. She agreed, but on one condition: that each generation would send a singer, a dreamer, or a madman, to keep the memory of the unseen alive.
Since then, every seven years, when the mist covers the valley and the crows dance in circles, a song that does not belong to this world is heard. It is Zegamako Sorgina, playing her drum from the other side, reminding us that there are doors that should not be completely closed.

🎶 Listen 💫 Share 💬 Comment ➕📃🎧 Add to your playlists... Because this journey is meaningless without you... Thank you for being here... J. Bilbao

Sonic Universe II

Zegamako Sorgina V

Hanging out in the cloud forests of the Sierra Juárez mountains in Oaxaca, I’m tapping into the sounds of the universe like a mushroom-drunk nahual, reaching into the heart of nature to grasp at the mysteries of existence.

You’ll hear influences from deep time and across as many cultures as I can get my hands on. I get obsessed, man. Seriously, everything else melts away around me. I can spend days absorbed in an idea, like that stone statue guy—but with a stone guitar instead.

My approach to music? About as unpredictable as my ability to remember where I last saw my passport (pretty crucial when you live abroad all the time, right?). My unique way of processing the world often leads to an avant-garde approach to life. And yeah, maybe there’s been a mushroom-induced revelation or two along the way, but who’s counting? I don’t need a million-dollar studio—just a good instrument, a decent interface, a computer, and some monitors that hopefully survive my absent-minded chaos.

I’m a multi-instrumentalist who loves complexity, especially when it sneaks up on you through unexpected rhythms or harmonies from the far corners of the globe. From Carnatic ragas to garage rock grooves—why not just mix every cool sound and see what happens? Maybe I’ll start with a harmonic progression from Bach’s Goldberg Variations and slap it into a Hindustani 7/4 thaal (that’s rhythm, if you’re wondering). It’s a bit technical but, trust me, as cool as—well, let’s just say it’s the kind of vibe that might inspire a dream-like hallucination about nailing the perfect groove. (Music available for film, TV, and media licensing.)

Yeah, I am a Ph.D. trained evolutionary biologist, and... that sounds impressive until you find out I bailed on it the second I landed a good job. I was bored out of my mind. People look at me like a guy who won the lottery and then spent it all on the greatest collection of rare video games (I mean, I’m not that bad, right?). But switching from science back to music wasn’t just quitting—it was finally tuning into something deeper. Music and science might seem like distant cousins, but to me, they’re intertwined—both ways to unlock the secrets of the universe.

Now, I live in Capulálpam De Méndez, a mystical town in the Oaxacan mountains. The ancient Zapotec culture runs deep here, and creativity flows as freely as the mezcal at the fiestas (and trust me, there are plenty of fiestas).

Art is for everyone, and I’m always pushing to create something that connects—whether it’s a complex harmonic structure or just the right amount of groove to make you forget your troubles (or your keys, in my case).

So if you’re into music that teeters on the edge of chaos but mostly lands right where it needs to be—well, welcome. Just don’t expect me to remember how I got here, or where I left my bag. Seriously, my passport might’ve been in there… Was it the tuk-tuk? (sounds like a joke right... Err.. its not....)


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Relajándome en los bosques nublados de la Sierra Juárez en Oaxaca, estoy sintonizando los sonidos del universo como un nahual borracho de hongos, llegando al corazón de la naturaleza para intentar comprender los misterios de la existencia.

Escucharás influencias de tiempos profundos y de tantas culturas como pueda explorar. Me obsesiono, hermano. En serio, todo lo demás desaparece a mi alrededor. Puedo pasar días absorbido en una idea, como ese tipo de las estatuas de piedra—pero con una guitarra de piedra en su lugar.

¿Mi enfoque hacia la música? Tan impredecible como mi habilidad para recordar dónde dejé mi pasaporte (bastante crucial cuando vives en el extranjero todo el tiempo, ¿verdad?). Mi forma única de procesar el mundo a menudo me lleva a un enfoque vanguardista de la vida. Y sí, tal vez haya habido una o dos revelaciones inducidas por hongos en el camino, pero ¿quién está contando? No necesito un estudio de millones de dólares—solo un buen instrumento, una interfaz decente, una computadora y unos monitores que, con suerte, sobrevivan a mi caos despistado.

Soy un multiinstrumentista que ama la complejidad, especialmente cuando te sorprende con ritmos o armonías inesperadas de los rincones más lejanos del mundo. Desde ragas carnáticas hasta los grooves del garage rock—¿por qué no mezclar todos los sonidos geniales y ver qué pasa? Quizás empiece con una progresión armónica de las Variaciones Goldberg de Bach y la meta en un thaal hindú de 7/4 (es decir, un ritmo, por si te lo preguntas). Es un poco técnico, pero créeme, es tan genial como—bueno, digamos que es del tipo de vibras que podrían inspirar una alucinación soñadora sobre encontrar el groove perfecto. (Música disponible para licenciamiento en cine, TV y medios.)

Sí, tengo un doctorado en biología evolutiva, y eso suena impresionante hasta que descubres que lo dejé en cuanto conseguí un buen trabajo. Estaba aburrido como una ostra. La gente me mira como a un tipo que ganó la lotería y luego lo gastó todo en Beanie Babies (no soy tan malo, ¿verdad?). Pero pasar de la ciencia de nuevo a la música no fue simplemente abandonar—fue finalmente sintonizar con algo más profundo. La música y la ciencia pueden parecer primos lejanos, pero para mí, están entrelazados—ambas son formas de desentrañar los secretos del universo.

Ahora vivo en Capulálpam De Méndez, un pueblo místico en las montañas de Oaxaca. La antigua cultura zapoteca corre profundo aquí, y la creatividad fluye tan libremente como el mezcal en las fiestas (y créeme, hay muchas fiestas).

El arte es para todos, y siempre busco crear algo que conecte—ya sea una estructura armónica compleja o solo la cantidad justa de groove para hacerte olvidar tus problemas (o tus llaves, en mi caso).

Así que si te gusta la música que oscila en el borde del caos pero que la mayoría de las veces aterriza justo donde debe estar—bienvenido. Solo no esperes que recuerde cómo llegué aquí, o dónde dejé mi bolsa. En serio, creo que mi pasaporte estaba allí... ¿Fue en el tuk-tuk? (suena como una broma, pero... ehh, no lo es...).

Accidental interest

Damon Peterson