Beautiful work with wonderful orchestration

Sax, Drums, Bass, Gtr, Organ

"Scarab's Echo: Jazz-Infused Melodies in an Ambient Tapestry"
Indulge in the mesmerizing fusion of two worlds as the guitar and piano gracefully intertwine in a composition that bridges the realms of jazz and classical influences. This track, aptly named "Scarab's Echo," takes you on a contemplative journey through intricate layers of sound, where each note is a brushstroke on an ethereal canvas.
At its core, the guitar takes the lead, offering intricate melodies that dance like wisps of smoke in the night. Its strings resonate with both the nostalgia of jazz and the sophistication of classical, creating a tapestry that effortlessly connects the past with the present.
Beneath the guitar's eloquent expressions, the keysemerges as a steady companion, providing a harmonic foundation that carries the weight of emotions hidden within each chord. The chord progression weaves a complex tale of tension and release, reminiscent of both jazz's improvisational spirit and the grandeur of classical compositions.
As the track unfolds, the time signature gracefully shifts, weaving an intricate tapestry of rhythms that challenge conventional expectations. This nuanced complexity draws you in, inviting you to explore the hidden depths of the musical landscape.
Yet amidst the complexity, an ambient aura envelops the piece. The atmosphere is rich with contemplation, like a gentle mist settling over a tranquil landscape. The melodies, though intricate, remain inherently melodic, carrying you through the composition with a sense of purpose and coherence.
Throughout "Scarab's Echo," the guitar takes center stage, guiding the narrative with its nuanced melodies, at times delicately dancing atop the harmonies, and at others, soaring with expressive fervor. This track is a testament to the power of musical storytelling, where each instrument speaks in harmony, guiding you through a journey that spans genres and emotions.
So, close your eyes and let the music wash over you. "Scarab's Echo" beckons, inviting you to experience the crossroads of jazz and classical, intricate melodies, and ambient serenity—a masterful creation that captures the essence of musical diversity and depth.

Scarab's Echo

Image: pixabay.com (CC0 Creative Commons)

Wrong Paradise

a quick one in the morning............cheers for having a listen

I'll Be On My Way

Cast of Characters:
Llanpsych– @llanpsych –Tez–bass, guitar, composition, mix, and production
J.J. Terrell– @j-j-terrell –electric piano, synth
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –synth
Beats by YonkomoFlaction123 (Looperman) - many thanks!!
This is really a creation of Tez, who put it together from a mix of JJ's and Josh's parts on the high end. He was kind enough to share it with JJ and Josh, and have us be a part of this psychedelic whirlwind. Tez gave Josh and JJ a bass line attached to a house beat. They both came up with parts that were wildly different than what you hear. But that's Tez's one example of Tez's magic. He can bend sounds and parts to his will and create something totally different from the original, new and exciting. We all hope you enjoy listening to this as much as we enjoyed making it.

Replicant Boogie - The Eclectic Collective

Thank you to all who visited this track, April 7 is International Health Day.
We hope that safety and hygiene will be maintained and improved across borders all over the world.
 Kindness to our planet and to all life as well! 
I pray that small acts of kindness will spread throughout the world.

Not in Solitude  (World Health Day) 国際保健デー

Magical

29 - 6-2024

CEL- OBIECTIVE

Never Forget

BUCLE (Dylan Daniells)

Hanging out in the cloud forests of the Sierra Juárez mountains in Oaxaca, I’m tapping into the sounds of the universe like a mushroom-drunk nahual, reaching into the heart of nature to grasp at the mysteries of existence.

You’ll hear influences from deep time and across as many cultures as I can get my hands on. I get obsessed, man. Seriously, everything else melts away around me. I can spend days absorbed in an idea, like that stone statue guy—but with a stone guitar instead.

My approach to music? About as unpredictable as my ability to remember where I last saw my passport (pretty crucial when you live abroad all the time, right?). Some say I’ve got a “touch” of inattentive ADHD. Me? I call it an avant-garde approach to life. And yeah, maybe there’s been a mushroom-induced revelation or two along the way, but who’s counting? I don’t need a million-dollar studio—just a good instrument, a decent interface, a computer, and some monitors that hopefully survive my absent-minded chaos.

I’m a multi-instrumentalist who loves complexity, especially when it sneaks up on you through unexpected rhythms or harmonies from the far corners of the globe. From Carnatic ragas to garage rock grooves—why not just mix every cool sound and see what happens? Maybe I’ll start with a harmonic progression from Bach’s Goldberg Variations and slap it into a Hindustani 7/4 thaal (that’s rhythm, if you’re wondering). It’s a bit technical but, trust me, as cool as—well, let’s just say it’s the kind of vibe that might inspire a dream-like hallucination about nailing the perfect groove.

Yeah, I am a Ph.D. trained evolutionary biologist, and...   that sounds impressive until you find out I bailed on it the second I landed a good job. I was bored out of my mind. People look at me like a guy who won the lottery and then spent it all on the greatest collection of rare video games (I mean, I’m not that bad, right?). But switching from science back to music wasn’t just quitting—it was finally tuning into something deeper. Music and science might seem like distant cousins, but to me, they’re intertwined—both ways to unlock the secrets of the universe.

Now, I live in Capulálpam De Méndez, a mystical town in the Oaxacan mountains. The ancient Zapotec culture runs deep here, and creativity flows as freely as the mezcal at the fiestas (and trust me, there are plenty of fiestas).

Art is for everyone, and I’m always pushing to create something that connects—whether it’s a complex harmonic structure or just the right amount of groove to make you forget your troubles (or your keys, in my case).

So if you’re into music that teeters on the edge of chaos but mostly lands right where it needs to be—well, welcome. Just don’t expect me to remember how I got here, or where I left my bag. Seriously, my passport might’ve been in there… Was it the tuk-tuk? (sounds like a joke right...  Err..  its not....)



°°°°°°°°°°°°°°°°°°°°°°°°°°español°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°


Relajándome en los bosques nublados de las montañas de la Sierra Juárez en Oaxaca, estoy sintonizando los sonidos del universo como un nahual borracho de hongos, llegando al corazón de la naturaleza para intentar comprender los misterios de la existencia.

Escucharás influencias de tiempos profundos y de tantas culturas como pueda explorar. Me obsesiono, hermano. En serio, todo lo demás desaparece a mi alrededor. Puedo pasar días absorbido en una idea, como ese tipo de las estatuas de piedra—pero con una guitarra de piedra en su lugar.

¿Mi enfoque hacia la música? Tan impredecible como mi habilidad para recordar dónde dejé mi pasaporte (bastante crucial cuando vives en el extranjero todo el tiempo, ¿verdad?). Algunos dicen que tengo un "toque" de TDAH inatento. ¿Yo? Lo llamo un enfoque vanguardista de la vida. Y sí, tal vez haya habido una o dos revelaciones inducidas por hongos en el camino, pero ¿quién está contando? No necesito un estudio de millones de dólares—solo un buen instrumento, una interfaz decente, una computadora y unos monitores que, con suerte, sobrevivan a mi caos despistado.

Soy un multiinstrumentista que ama la complejidad, especialmente cuando te sorprende con ritmos o armonías inesperadas de los rincones más lejanos del mundo. Desde ragas carnáticas hasta los grooves del garage rock—¿por qué no mezclar todos los sonidos geniales y ver qué pasa? Quizás empiece con una progresión armónica de las Variaciones Goldberg de Bach y la meta en un thaal hindú de 7/4 (es decir, un ritmo, por si te lo preguntas). Es un poco técnico, pero créeme, es tan genial como—bueno, digamos que es del tipo de vibras que podrían inspirar una alucinación soñadora sobre encontrar el groove perfecto.

Sí, tengo un doctorado en biología evolutiva, y eso suena impresionante hasta que descubres que lo dejé en cuanto conseguí un buen trabajo. Estaba aburrido como una ostra. La gente me mira como a un tipo que ganó la lotería y luego lo gastó todo en Beanie Babies (no soy tan malo, ¿verdad?). Pero pasar de la ciencia de nuevo a la música no fue simplemente abandonar—fue finalmente sintonizar con algo más profundo. La música y la ciencia pueden parecer primos lejanos, pero para mí, están entrelazados—ambas son formas de desentrañar los secretos del universo.

Ahora vivo en Capulálpam De Méndez, un pueblo místico en las montañas de Oaxaca. La antigua cultura zapoteca corre profundo aquí, y la creatividad fluye tan libremente como el mezcal en las fiestas (y créeme, hay muchas fiestas).

El arte es para todos, y siempre busco crear algo que conecte—ya sea una estructura armónica compleja o solo la cantidad justa de groove para hacerte olvidar tus problemas (o tus llaves, en mi caso).

Así que si te gusta la música que oscila en el borde del caos pero que la mayoría de las veces aterriza justo donde debe estar—bienvenido. Solo no esperes que recuerde cómo llegué aquí, o dónde dejé mi bolsa. En serio, creo que mi pasaporte estaba allí... ¿Fue en el tuk-tuk? (suena como una broma, pero... ehh, no lo es...).

Scarab's Echo

Damon Peterson

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