Coming from a musical background DJ Supa D started djing at the age of 13. He has evolved from genres such as Jungle, Garage and House music where he has been engrossed since 2003 to present day.


At 16, DJ Supa D started a weekend job in his local record shop, Wired 4 sound in Hackney, which kept him up to date with the latest sounds. By 2004/5 DJ Supa D started making a name for himself in the underground scene and began djing in clubs nationally. In 2006 Supa D was approached to compile his first major CD for Jet Star Records called, ‘Timeless Anthems, (The Soulful House Experience)’. He then went on to bring out compilations with Rinse FM in 2007 and 2010, then with Ministry of Sound in 2009.



DJ Supa D has captivated a wide range of followers throughout his career and continues to do so as he travels the world DJing in places such as Miami, Jamaica, Amsterdam, Denmark, Paris, Ibiza, Cyprus, Malia, Crete, Antigua and Dubai with many more locations scheduled.

DJ Supa D is also joint owner of a record label called ‘SOTU’, (Sounds of The Underground), which was set up by a close friend, DJ Pioneer in 2012. The future is looking bright for the label with a few releases circulating the underground House scene and forthcoming releases which are set to cause a storm.

DJ Supa D has rebuilt his studio and is currently focusing on his production skills with future releases scheduled to hit the scene very soon, so watch this space because DJ Supa D is back with a vengeance.

 Check out @djsupad for his mixes and live recordings old and new.

Owner of Audiowhore, Siesta, Zulu Nation, Proximity and Throwback

Using his unique and rare talents as a composer, singer songwriter and lyricist, Ishod is a multi-faceted creative and a new breed of Artist.

For bookings & management please contact:
teamishodb@gmail.com
--------------------
Twitter: @ishod_b
Instagram:  @ishod.b
Facebook: ishodbthecreative

Brasstooth has been in the music industry for a good few years. He started off playing bass for a band called 'Kuro' which was made up of a group of school friends. The band was approached by Colin Barlow, of Polygram Music, who offered them a publishing deal.  At the same time 'Kuro' were also demoing records at Island Records with the A&R scout Darcus Bees, who invited Brasstooth and his band into the studio.
Around this time Brasstooth was dumped by his band.  Polygram Music was only interested in the rest of the band and the singer, and this is where Brasstooth's solo career began.
At this point in Brasstooth's career, hearing that the prince’s trust could give you a grant of £500 if you met the criteria, Brasstooth applied. He was over the moon when Croydon Council / The Princes Trust accepted his application and gave him a grant. This enabled him to buy an Atari computer, which at the time was the industry standard computer to make music at the time.
Brasstooth met, and started working with, Darius Keeler (Now of 'Archive') of 'Generside 2', who is credited for making the first ever jungle record, 'Narra-Minds', on which Brasstooth played keyboard. This led to Brasstooth releasing a record on HUMM records with Darius.
Interest was being shown by Benny Medina at Warner Music US.  Advances were paid for an album, but due to financial disputes, Benny refused to deal with HUM Records. After parting company with HUM Records, Brasstooth met Steve Mac, of Passion Music, and recorded lead vocals (rap) for Steve Mac’s group 'Gem for Gem'. This was also around the time that warehouse parties were springing up all over the country.  After going to a lot of these types of parties/ raves, Brasstooth found himself exposed to American underground house and garage music.
The year is now 1995 and Brasstooth is going to the Sunday scene, morning house breakfast clubs like 'The Frog and Nightgown', which subsequently had a major influence on his musical creativity. 
He went back to college and studied a BTEC in 'Popular Music', which was passed with Distinction. It was here that the name 'Brasstooth' was born, and the first 'Brasstooth' production created. 
The track was called 'I Cant Quite Understand'. Every record label he approached turned down 'I Cant Quite Understand'. With no other option, Brasstooth set up Well Built Records, and in a short space of time had learned how to master, manufacture and distribute his own records. 
The record went on to become a garage classic, and sold in excess of 18,000 copies. 

Brasstooth continued to release his own records, whilst studying at Westminster University on their fledgling Commercial Music Degree. It was at university that Brasstooth met the singer of his most successful track to date, 'Celebrate Life'.
The song was originally recorded as a project for an assignment. After pressing the record and selling it via an underground network of shops, Andy Ward at Choice FM in Birmingham started supporting the record. 
It was here in Birmingham that the record gained massive support, leading to the 'Dreem Team' seeing the appeal and supporting the track, which was to become a massive UK Garage Anthem, selling in excess of 30,000. 
The majority of records were sold by Brasstooth himself from the back of his car, direct to shops in Greater London, Birmingham, Manchester, Brighton, and the south coast. While 'Celebrate Life' was becoming a massive anthem, Brasstooth recorded his first version of 'Pleasure'. 
Pleasure' blew up straight away with sales of 25,000 units. This led to a deal being signed with Warner Music. Just as the first release for Warner Music was being arranged, a change of senior management led to a review whereby all urban artists (Brasstooth included) were released from their contracts.
At this point Brasstooth started dj-ing at First Leisure, Brannigan’s, and Laminar's mainstream nights.  He did this for about 5 years, with residencies up and down the country.  During this period Brasstooth noticed that music was changing, and that his taste in music was also changing.  Being exposed to the big main room sound had a massive influence again on his sound.  
It was at this point that Brasstooth took a back seat from music, trying to create and perfect his new sound. After years of refining, the passion he once had has returned with a vengeance.  He has started to throw himself into music productions again after finding the unique sound he was looking for. This has led him to revisiting his record 'Pleasure'.
For Brasstooth’s new sound to work, he has Re-vocalized Pleasure with a new singer.
Pushing the boundaries once again, Brasstooth has found the balance that is uniquely Brasstooth.  
His sound is very familiar; something like you have heard before, but at the same time, very unique.
There are a plethora of music productions that will be released in the very near future.
The passion is back, the love has returned and the music will speak for itself.
Pleasure 2014 (Original)



Official BoyBetterKnow Dj
For Booking Enquiries Email - maximumbbk@gmail.com

Welcome to my official Soundcloud page, I have been DJ'n for over 20 years and have had the pleasure of playing in some of the best night clubs all over the world.

This page lets you listen to my mixes from all the genres that I have played over the years and hopefully you will enjoy and share the mixes with friends.

You will get to listen to the best HOUSE, UK FUNKY, GARAGE, AFRO BEATS, HIP HOP, BASHMENT, SOCA plus lots more.

So get ready to turn up your speakers loud and start streaming !!!!

Welcome To The Official Soundcloud Of....

@DJ Miss MLA

PLZ RE-SHARE WITH FRIENDS!

Multi-Genre DJ. Specialising In Soca and Dancehall. Available For A Variety Of Occasions.

For Bookings/Info Please Contact.

Instagram: @dj_missmla
Email: Dj.missmla1@gmail.com
Soundcloud: https://soundcloud.com/djmissmla
YouTube: https://www.youtube.com/@djmissmla

Use Hashtag #15Yearolddj 

#DJMissMLA
#femaleDJ
#yougestandbaddest 


Enjoy!

If it slaps it slaps! I play what I like in the hopes that you like it too..... Enjoy the mixes 😜

dj_d_wick Instagram
djdwick112@gmail.com for enquiries

D.Saunders is following