Jonny Design

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hiphop beats

HipHop Instrumentals

How It Should Sound, Vol. 1 & 2 – Damu The Fudgemunk

Damu Beats

Quantic - Life In The Rain

Pound Cake Instrumental(Official)

Damu the fudgemunk - Another Introduction

HeartBreak Kid

04 Y R U Single?

24 - Clap From Your Soul- Damu the Fudgemunk

Rinsin' Lyrics

Freedom Train

HISS Fragments

Start Here - Instrumental Sans Cuts

Hundred Eight Stars

Kuma

Tara

Adhara

Naos

Chara

How It Should Sound, Foundations, Vol. 1 & 2

Tea Thyme

Figment

Gestation

LEGENDS AND LIGHT

Bakker
Järvlepp
Muncaster
Mier

PARMA Recordings presents LEGENDS & LIGHT, a compilation album featuring works by Hans Bakker, Jan Järvlepp, Clive Muncaster, and Shirley Mier. Each has a different, unique story to tell, and the narratives are brought to life by the orchestra and string ensemble.

Hans Bakker showcases his Canzona III: Hidden in Her Light in ternary form. Described by the composer as a “hymn to the sun,” this tone poem is reminiscent of the symphonic storytellings of Tchaikovsky and Rimsky-Korsakov — with a heritage of folk melodies and rhythms to boot. The extraordinary balance between strings, woodwinds, brass, and percussion is expressed so fluidly, yet individually, the listener is immediately enveloped into the epic saga Bakker is telling.

Jan Järvlepp expresses his unique composition style in Suite for Strings. In this celebration of lively rhythms, melodic phrases are repeated and altered in a way that the work becomes a meditation in several movements. The vibrant first movement focuses on echoing melodic fragments and dynamic contrast. The second movement is an exploration of the differences in chromatic tension when a singular phrase is echoed at varying octaves. In the darker third movement; heaviness ensues in this dies irae of sorts. Closing is a dance movement in which the string ensemble becomes the foreground of a down-home celebration in middle-America. The violins become fiddles and there is foot stomping to fit the mood. In this pedagogical work, Järvlepp brings the listener through a gamut of emotions.

Clive Muncaster’s Redcliffe Gardens Suite for Strings follows suit perfectly with a romantic “Petronella,” enormously expressive in every way. “Pastorella” takes it down a notch, toeing the line between major and minor, somewhat demonstrating the complexity of romantic love. But, obviously, love wins. “Stella” is the heroic ballad to profess it. “Fuga Romantica” layers the sweetness together using one of composition’s most complex forms. It is loaded with tone painting — butterflies in the stomach are aflutter in the ensemble, but finally come to rest. “Girandole” opens with a romantic, Americana section followed by a section with exquisite suspensions. The return of the first section and themes ties it together.

Shirley Mier’s Of Lakes and Legends, a programmatic work written for the Century Chamber Orchestra, closes the album. Each movement is set at White Bear Lake in Minnesota, the city where the Century College and ensemble are located. It opens with “Legend of the White Bear (Manitou Island),” a love story between a Sioux maiden and a Chippewa brave whose tribes are at odds with each other. The affection, tension, and strife within the story is brought to life through the power of the orchestra, culminating in the brave defending his lover from a white bear - a battle in which both the warrior and the bear are mortally wounded. In their deaths, both are transformed into the subjects of legends. “Ride on the Rails (Lake Superior & Mississippi Railroad Depot)” is the symphonic representation of a new train engine’s journey from St. Paul to White Bear Lake in September of 1868. The storyline of the train’s trip tells of the excitement of the passengers as they pass through the beauteous natural landscape and arrive at a gala celebration at the Depot. “Parlor Recital (Fillebrown House)” is set to “capture the sounds and moods of [the] intimate concerts” a town piano teacher held in her home. This celebration of music is tinged with nostalgia, as it both recalls these concerts and reflects on the fact that they now exist only in time past. The piece concludes with “Regatta (White Bear Yacht Club),” an energetic homage to the influential boatmakers of White Bear Lake and the thrilling races that still occur on the Lake today.

LEGENDS AND LIGHT Trailer

Victorious Visions

Marching In

Back In The Trenches

Proceed in Progress

Victorious

Tracks 1-13 are all original performances on guitar and vocals from The Mobius Dungeons and Dragon game, made by Sam Henderson, written to narrate the events that occurred through playing the game in various styles and sang in the point of view of a selfish and drunken bard. There is much unintended banter in the beginning of the tracks which provide an authentic feel of one being in the tavern drinking with friends. These songs are played out in chronological order of the time they were written.
Tracks 14-20 are independent original songs and instrumental demos by me about various subjects.
Tracks 21 & 22 are simply a spontaneous collaboration and a cover with Sam Henderson on Dulcimer on both tracks, and varying people playing guitar/drums as well.

Unitled Instrumental

Teamed up with Harleighblu for „Queeen Dem“, the third track
from our collaborative album „She“ due for release october 2019

Release Date: 04.09.2019
Title: Queeen Dem
Artists: Harleighblu, Bluestaeb (P) & (C) / Label: Harleighblu & Bluestaeb
Lyrics: Harleighblu, Janne Robinson
Composer: Bluestaeb

Featuring excerpts of the work “This is For The Women Who Don’t Give a Fuck”By Janne Robinson

Exccutive Production by Bluestaeb & S. Fidelity
Mastering by Zino Mikorey
Creative Direction by Leon Giseke
Photography by Svenja Trierscheid

Harleighblu & Bluestaeb - Queeen Dem

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Jupiter's Call (Instrumental)

Moment of Change

The Changing Moment