Beef hurricane.

Funkypseli Cave presents "S950 Funk" by producer @ElJazzyChavo.

12" vinyl / Cassette / Digital @ https://fnkc.fanlink.to/950

This album is inspired by the retro sampler Akai S950 from the late 80’s, bringing skillfully together classic Hip-Hop, funk & jazz elements and improving it with selected vocal samples and scratches. With this, a remarkable sound is created!

Suggested for Golden Era lovers!

All tracks produced by Jazzy Chavo.
Recorded and mixed by Jazzy Chavo at Funkypseli Cave.
Photography by Nikolas Kokovlis.

© 2022・ FNKC Records
https://www.funkypselicave.com

S950 Funk

Buy / Stream

El Jazzy Chavo - S950 Funk (12" Vinyl Snippet)

BLOCK  RADIO  KEEP  IT  REEL

Let us present you with the debut instrumental album from two holders of the golden era hip-hop traditions - "BubbleWild" & "Jazzquarterz". Named "Spirit of the Roots" it consists of 20 boombap beats mixed with jazz, funk and soul samples, created in honor of the times long gone, stretching from the deepest roots to nowadays.

Follow @bubblewild @jazzquarterz

00:00 - 00:54 - bubblewild - hardcore
00:41 - 01:43 - bubblewild - waves
01:25 - 02:04 - bubblewild - check it out
02:04 - 02:47 - bubblewild - lifes a bitch
02:47 - 03:26 - jazzquarterz - da ruffneck
03:26 - 04:08 - jazzquarterz - astro travel
04:08 - 04:55 - jazzquarterz - daily routine
04:45 - 05:52 - jazzquarterz - fo ya mind
05:42 - 06:55 - jazzquarterz - flava
06:40 - 08:00 - bubblewild - woo
07:50 - 08:33 - bubblewild - with my crew
08:33 - 09:48 - bubblewild - streets
09:26 - 10:31 - jazzquarterz - back in the day
10:31 - 11:13 - bubblewild - moonwalker
11:13 - 12:10 - jazzquarterz - all i need
12:10 - 13:04 - jazzquarterz - organized crime
12:53 - 13:47 - bubblewild - time to wake up
13:47 - 14:34 - bubblewild - knock knock
14:28 - 15:31 - jazzquarterz - yesh yesh ya'll
15:31 - 16:18 - jazzquarterz - real proof

Mixed and mastered by IKSO

www.facebook.com/drtybeauty
www.drtybeauty.bandcamp.com

Bandcamp

BubbleWild & Jazzquarterz - Spirit Of The Roots (Cassette)

From the upcoming album VERTICAL IRIS
feat. Audessey, Black Josh, Sach (of The Nonce), Glad2Mecha, Venomous2000, Pseudo Slang, LayFullStop, Pete Flux
Release date: November, 17th
Preorder: https://acatcalledfritz.lnk.to/vi

Produced, arranged & mixed by aCatCalledFRITZ 
All Scratches by Dj Lyrik 
Flute by Reno Collet 
Artwork by aCatCalledFRITZ 
Mastered by NoSleep Nigel 
Produced executively by Cyril Merlin 
Manufactured & distributed by hhv.de

VERTICAL IRIS

Rock Outta Space

ALBUM

Rock Outta Space [VERTICAL IRIS]

How It Should Sound, Vol. 4

Snatching Wind (2003)

My Mood Exactly (2005)

How It Should Sound, Vol. 5

It's Hard to Leave You (2004)

Sounds How it Should (2005)

(Hip Hop Instrumental, Boom Bap)

Video : https://www.youtube.com/watch?v=ZHRx-Mi0Yc0&t=12s

►Tracklist
0:00 : MAFFYN - 1nce Again (MAFFYN Remix)
4:17 : Pablo Beter - ACID SAX JAM
7:06 : Parental - A Cat Called Fritz feat. Audessey & Pete Flux - Mind Power (Parental Remix)
10:22 : kap10 - Memory Full
12:15 : Beatmaschine - M R Funkular
15:43 : AK420 - Suburbia
18:03 : El Jazzy Chavo - Fantasía
20:27 : J Hitta - back to the streets
22:26 : NitreX - One For Nela
24:54 : 刀尺工れ - Dimensions
26:15 : flux cynic - time spent
29:40 : Rare Dog'z - JARAZTA
33:03 : Sloop Tha Loop - Hardness
36:02 : Chief Rugged - Tribute To Lost Souls
38:42 : Beatmaschine x Luk The Dude - Can't Wait
42:00 : Mike Flips - Pinch Of Flava 
43:44 : Beatmaschine - Flavour
47:11 : Innotic Beats - beatbattle3
49:58 : Eto Paranoia & Petrovich - World
51:39 : Negroove - Comin' Down The Block
54:29 : Parental - Takin' It Back
58:46 : Beatmaschine - Nightlife
1:02:04 : Bee Why - The Boros (Philanthrope Remix)

Return of the Boom Bap 🌆 (Vol.6)

Instrumental: https://soundcloud.com/tapeheadloops/lifetime-impression-instrumental

Beat, scratches, cuts, mixing and mastering by Tapehead
Visuals: https://youtu.be/zPoxbmlxVGA
Free Instrumental Download: https://tapehead.bandcamp.com/track/lifetime-impression-instrumental

All We Got Iz Us is probably my favourite Onyx album, it doesn’t have a single weak track imo, the album is just mad motivating. I think its mad underrated too, obviously its fairly well known, but cause it came out in ’94 it’s definitely been a bit overshadowed by the insane amount of classic albums that came out that year. To me this album is a classic, one of my favourites from ’94 for sure. The singles are decently known for sure, Last Dayz being the most recognizable, but the whole album doesn’t seem to get as much love as the singles, and the whole project is a must listen to me. Putting the Evil Streets acapella over this beat was one of the best decisions I’ve ever made. I fully can’t believe how well the Onyx acapella fits, its truly nuts to me, and pretty rare that something comes together this well. I’m pretty sure the hook is ‘sung’ in the same key as the sample I flipped, and all the verses fit ridiculously well, but not just the flows, the voices sound right over the beat too. 

I had to go all out when I mixed this beat. The drums are all layered so thick, there’s about 4 hi hats, 6 kicks, and 6 snares which are all mixed together to give the drums a punch which definitely matches Onyx’s style. The way I chopped this sample left some vocals in for split seconds, which sounded like scratches because of them being right at the end of a chop and cut off, like how a fader cuts out a scratch when the DJ spins a record back. I thought this sounded cool but it only happened once in each 2 bar loop of the sample, so I decided to add some of my own scratches from a few break records I have. I used ‘Super Seal’, and recorded some scratches of snares and the famous ‘yo’ sample at the BPM of the beat. Layered with the drums this sounded crazy to me, it gave the beat a different vibe, I’ve definitely said before how much I love how scratching sounds, and it was cool to incorporate it into this beat in a more permanent, less obvious way, not just something for the hook. Normally I don’t like how censored acapellas sound over beats, but I think with this one it works, because of all of the scratches and cuts that play in the beat, it sort of makes the gaps in the verses make more sense as if the record was being cut up, and then sometimes the scratch/break fills up a gap left by a word being censored, it was definitely a part of what made this acapella work so well over the beat. I also layered the sample 3 times, 2 filters, one high one low, and a standard mix, which I layered, soloed etc throughout the track. This was unbelievably long to do without quantization (which is how I flipped the sample originally), so all 3 had to perfectly match each other, which took hours to sequence. I fully kept giving up but knew the beat needed the layers on the sample to really do it justice (especially the groove that’s added by filtering the lows), so I just stuck by it, and sequenced each chop individually, so I was hitting the pad at the exact right time, which ended up with the beat sequence being 30 tracks on the MPC (they’re usually 15 or so). It was definitely necessary to do this, because the contrast of the smooth flows of the low end to the scratches and samples really gives the track variation, and gives it a lot more presence throughout, definitely was worth the time and effort.

This is by far the happiest I’ve been with a remix in time, and it’s all positive, because making this has given me an unbelievable boost in energy music wise, and I’m mad excited to make the next beat, and now for the first time I’m equally as excited about mixing and mastering, because of what I was able to achieve with this one. 
Peace.

Snatching Wind (2003)

Damu The Fudgemunk