UK based DJ & Producer
Capital Heaven / Perfecto Black / Pro-B Tech & Plethora Muzik
Residencies for Golden/The Move/Sankeys_Stoke

https://www.beatport.com/artist/lee-jordan/116996
Facebook - https://www.facebook.com/DjLeeJordan/

NICE7's  BIOGRAPHY – FEBRUARY 2020

Beatport Music Awards Winners 2012 - Best Tech House track: NiCe7 – Point (Gruuv Rec)-
Nicola Daniele and Cesare Marocco – aka NiCe7 – are not new in the worldwide Tech
House scene with over a decade of activity and a good number of high topping charts
releases, remixes and collaborations.
Deep House is another realm where they have succeeded in with their popular “Back to
Basics” EP and then scoring a chart-topping hit with their remix of Jon Cutler’s “It’s
Yours”, both released on Noir Music. That year they also founded their own record label DFloor,
an imprint dedicated to “credible and forward-thinking outputs.”
Since 2005, the year the two paired up, they NiCe7 have released on a great number of
highly respected and renowned underground labels such as Crosstown Rebels, Defected,
Snatch!, Noir Music, Get Physical, Gruuv and Mother to name only a few, always crafting
dance floor bombs for whoever calls on their services and with collaborations/remixes to and
from the likes of Claude VonStroke, Terranova, Steve Bug, Claptone, Romanthony, Riva
Starr, Artbat, Luke Solomon, Audiojack, Luna City Express, Argy, Pirupa, Latmun,
Tiger Stripes, Carlo Lio, Dario D’Attis, Jon Cutler and Dirty Channels among others.
They also mixed the infamous “Defected Miami” compilation back in 2014 and same year
have been guests at Pete Tong’s BBC Radio1 show under his “Future Stars” feature.
Always managing to stimulate great reactions and vibes to the crowds they play to thanks to
their inimitable DJ style mixing up all styles from techy to darker to funkier, this pair
performed at the liks of Cocorico’ in Riccione, Output in NY, Space Ibiza, Watergate in
Berlin, Ministry of Sound London among other in addition to their already-impressive
history of festivals and clubs appearances all over the world.
Keep an eye on this eclectic and unpredictable duo, more interesting releases are lined up
for what’s looking to be one of their most interesting music years to date!

Remix requests and all infos:   michele@asidemanagement.com

Links:
http://www.nice7music.com/nice7music/
https://www.facebook.com/nice7music/
https://www.instagram.com/nice7italy/
https://soundcloud.com/nice7
https://twitter.com/nice7italy
https://www.beatport.com/artist/nice7/45318
https://www.residentadvisor.net/dj/nice7

Seth Troxler is one of electronic music’s most instantly recognisable artists. He has carved out his own unique path as a cultural commentator, art curator, restaurateur and entrepreneur. Descended from a family of cowboys and Baptist preachers, Seth is part African-American, with a singular approach to viewing the world through the prism of contemporary music culture.

Born in Kalamazoo, Michigan, and raised in suburban Detroit, Seth learnt the art of DJing initially from his stepfather (then a college radio DJ) and later from working, at only 16, behind the counter in legendary Detroit record store ‘Melodies & Memories’. It wasn’t until Seth made the decision to explore new horizons in the mid-2000s, moving to Berlin fresh out of his teens (after debuting at Panorama Bar at just 18 years old), that his DJ career really took off.

Since the move from Detroit to Berlin, then settling in London for a number of years, and now with his time divided between Ibiza and Berlin (Round 2), Seth has established himself as one of the world biggest DJs (voted the world’s number one DJ in scene bible Resident Advisor and gracing the front cover of Mixmag three times). He’s equally at home playing to the smoke-filled dance floors of some of the world’s most discerning nightclubs, such as CircoLoco, fabric (London), Nordstern (Basel), The Lux (Lisbon) or Blitz (Munich), as he is headlining the world’s largest festivals, like Glastonbury, Movement, Roskilde or Sonar.

Right from the word go, Seth has been as passionate about food and contemporary art as he is about music, and these two interests have resonated at all points, and in parallel, to his music career. A multi-faceted modern artist: he has held residencies at talismanic music institutions, run numerous record labels, and pursued his own solo recording career (including the recent ‘Play In The Dark’ collaboration with the Martinez Brothers on Crosstown Rebels, and ‘Lumartes’ that kick started CircoLoco Recordings in Summer 2021). Furthermore Seth has found the time to launch the successful Smokey Tails’ restaurant in London, to create and host his own party during the Rio Carnival, and then to stop everything and to take the time out to climb Kilimanjaro for charity.

More recently Seth has focussed his creative energies on his ‘Lost Souls of Saturn’ www.lostsoulsofsaturn.com project, alongside Phil Moffa and further opaque participants, that sits firmly at the intersection between futuristic electronica, contemporary art and technology. In 2019 Lost Souls Of Saturn presented their audio/visual installation Transmission at the Saatchi Gallery in London, after its premiere during Art Basel in Switzerland, and collaborated with the Met in New York and the Fondation Beyeler in Basel in 2021. Lost Souls Of Saturn are currently recording their second album and conducting further experiments in augmented reality and virtual reality, which will be revealed soon.

Extremely well travelled, constantly searching and experiencing, Seth Troxler continues to follow his own unique path.

Lee discovered dance music at an early age during the explosion of breakdance & B-Boy culture of the early 80's and has been hooked ever since. Hanging around early local Stoke on Trent club nights such as 'Introspective' & 'Sindrome' circa 1990 resulted in Lee forcing his way into the DJ booth by any means necessary and never leaving! Comparing at the infamous 'Entropy' and 'Amnesia' nights in the legendary Shelleys Laserdome & Leisurebowl nightclubs progressed into DJing & making music for 10 years under dozens of pseudonyms producing & remixing over 100 records via a multitude of genres & labels such as Network, 6x6, Strictly Rhythm, Perfecto, Hooj Choons, Platipus, Estereo, DMC, BMG, Hi Bias, Gusto and City Rockers and various gigs at mainly local clubs with the occasional high profile gig, playing it deeper in backrooms at Ministry of Sound ('96) & Renaissance ('97). Studio manager at Midiroom studios for 8 years and label manager/A&R for imprints Freebass, Ruff Definition & Sexafonic records. One of the founders and resident DJs of seminal Stoke on Trent club night Reckless at Satchmos Playing Disco, Boogie, Old Skool Hip Hop & Balearic beats from 98-08 bringing guests such as Kool Herc, Mantronix & Grandmaster Flash to Stoke and Chief editor of Move magazine from 2001-2006. Still DJing, mainly for The Move which is now an promotion company putting on events since 2011 which currently resides at The Sugarmill & The Exchange in Hanley Stoke On Trent on selected weekend dates which sees him in his current & most predominant role as events organiser, bringing diverse guest DJ's such as Jamie Jones, Seth Troxler, The Martinez Bros, Dam Swindle, Greg Wilson, Derrick Carter, DJ Sneak, Skream, Kevin Saunderson, Denis Sulta, Eats Everything, Sasha, Dimitri From Paris, Skream, Patrick Topping, Kenny Dope, Todd Terry & Snoop Dogg...

DJ, producer and label head.
@musiconofficial 

Marco Carola is a global ambassador of techno. From Napoli in the south of Italy, Marco was instrumental in the development of the electronic scene in the early 90s, he took the flourishing techno Napolitano scene to the rest of the world. Over twenty years later and Marco is still one of the most respected artists amongst the techno scene, widely regarded as one of the key factors in driving the genre towards worldwide recognition within electronic music.
 
As a revered producer and successful label head, Marco has spearheaded imprints such as Design Music, Zenit, Question, One Thousands and Do.Mi.No whilst releasing music on a selection of the words finest labels such as Minus, Plus 8 2M and Primate Recordings. In addition to five critically acclaimed albums, including his most recent Play It Loud, Marco has also been responsible for a clutch of seminal mix compilations. In 2006, his mix for legendary London club Fabric’s series was a lesson in sleek, future-facing minimalism. That was followed up by well received compilations for Time Warp in 2009. In 2010 Cocoon label boss Sven Väth asked him to mix the Frankfurt based label’s Party Animals CD alongside Nick Curly, which took Carola's dj taste and skills to new heights.
 
Famed for his energetic and impressive three-deck style of mixing and long journey set, Marco has remained one of the most in demand DJs on the planet throughout the last two decades. Favoring mammoth eight hour plus sets, Marco is predisposed to a subtle working of the crowd that has made him a favorite among fans from Ibiza to New York, South America and beyond.

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

DJ Bookings > ali@warmagency.com

Initially established in 2003 at The Eagle in London’s Vauxhall, Horse Meat Disco has evolved into a powerful force in queer and club culture as a whole, while staying local to its original home, each and every Sunday. Co-founded by James Hillard and Jim Stanton, and encompassing residents Severino and Luke Howard, the crew continue to maintain not only the weekly Sunday party, but a number of residencies in cities across the world, alongside a kaleidoscope of club appearances, festival dates and specially curated mixes.

Taking inspiration from a diverse, counter-cultural history of clubs and DJs, as well as from the sprawling, ever-expanding musical collections of it's resident crew, the sound of HMD is impossible to place. Nonetheless their style is undeniable, as is a popper-scented air of sheer authenticity. Rooted in hedonism, rhythm, freedom and emotion, a Horse Meat Disco set reinforces everything invigorating about disco, as comfortable as shattering old-school mirror ball cliches as basking in their light.

A typical HMD set blends classics, italo disco, house, oddities and punk funk, to conjure their initial spirit of “a queer party for everyone”, including, but not limited to, “Homos and Heteros, club kids, bears, fashionistas, naturists, guerilla drag queens and ladies who munch.” They have made appearances on every notable club scene in the modern world, as well as those beyond, and have long been a key fixture at festivals including Glastonbury, Bestival and Festival No.6.

Outside of the club, the Horse Meat Disco train rolls across the airwaves on Rinse FM, where the crew hold down a weekly residency every Sunday afternoon, serving as a pre and post-club Sunday lunch accompaniment, often delving into the more soulful shades of their sublime taste, often encompassing rave groove, gospel and whatever they can’t get away with on the dancefloor (which, as the years have proven, isn’t much). A series of expertly curated and acclaimed compilations for reissue label Strut helped further cement HMD’s formidable but communal reputation as disco masterminds, spreading their sound and many enviable obscurities into front rooms and record bags across the world. Their latest, ‘Meat Me Down the Disco’, was released on Z Records in 2017.

After decades of crate digging, globetrotting and partying, the HMD story continues apace. 2017 also saw the crew record their long-awaited contribution to BBC Radio 1’s ‘Essential Mix’, as well as their first joint foray into production, ‘Waiting For You To Call’, featuring Roy Inc., and released on their own, self-titled imprint. They are currently working on new music to be released with Glitterbox, with the new single ‘Let’s Go Dancing’ released in December 2018.

Dan Baddeley is following