Theme Music for the 2021 TX SOC/CRCG Conference.

"Sparkness" by Scooter Holiday and the Nerdy Shirts

- Okkø

In this episode I address the hard evidence that the people trying to censor Joe Rogan, and others, are full of it. 

News Picks:
GoFundMe is in a world of trouble for what they did to the truckers. 
https://justthenews.com/government/state-houses/three-republican-ags-will-investigate-gofundme-following-removal-canadian

Support for Rogan is growing in the free speech crowd.
https://dailycaller.com/2022/02/06/joe-rogan-supporters-cancel-efforts-tweets/

Spotify CEO speaks out again about Rogan.
https://www.dailywire.com/news/spotify-stands-by-joe-rogan-after-n-word-controversy-canceling-voices-is-a-slippery-slope?%3Futm_source=twitter&utm_medium=social&utm_campaign=dwtwitter

COVID cases are dropping as the latest Omicron wave appears to ebb. 
https://justthenews.com/politics-policy/coronavirus/covid-cases-continue-sharp-decline-nearly-every-state

Rumble is exploding in popularity.
https://www.washingtonexaminer.com/news/youtube-rival-rumble-rising-in-popularity

Copyright Bongino Inc All Rights Reserved

Video Evidence Proves The Censors Are Full Of It

SoundCloud： https://m.soundcloud.com/user-941922390

YouTube： https://youtube.com/channel/UC-OlbqBUV9YF7XHYmq5qDvQ

Twitter： https://mobile.twitter.com/HitoriHearts

Egg's： https://eggs.mu/artist/hogh

Thank you for listening to my music !!!!🙇‍♂️

enfant terrible

Visions Of Frail Light

Well, why not? : )


Photo for cover by Lalu Varghese on Unsplash

It's Christmas Time

Beyond the Pale

The Assignment: Use a building as a filter.

Step 1: You’re going to use a wall in a building, perhaps your workplace or residence, as a filter. Consider these instructions carefully before selecting the appropriate wall. Some trial and error may be required.

Step 2: You’re going to record a track in which the rhythmic element is heard through a wall. That is: you’ll record the rhythm track, and then play it loud from another room (or outside), and record what it sounds like as separated by a wall. Choose a wall.

Step 3: Record the rhythm, track.

Step 4: Re-record the rhythm track from Step 3 by playing it on one side of a wall and recording from the other side of that wall.

Step 5: Record a piece of music using the recording from Step 4 as the foundational rhythm track.

Eight Important Steps When Your Track Is Done:

Step 1: Include “disquiet0583” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0583” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0583-wall-to-wall/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Additional Details:

Length: The length is up to you.

Deadline: Deadline: This project’s deadline is the end of the day Monday, March 6, 2023, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, March 2, 2023.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 583rd weekly Disquiet Junto project, Wall to Wall (The Assignment: The Assignment: Use a building as a filter), at: https://disquiet.com/0583/

More on the Disquiet Junto at: https://disquiet.com/junto/ 1

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0583-wall-to-wall/

You should talk to John - disquiet0583

/ 𝗣𝗟𝗘𝗔𝗦𝗘 𝗣𝗟𝗔𝗬 𝗧𝗛𝗜𝗦 𝗥𝗘𝗖𝗢𝗥𝗗 𝗥𝗘𝗔𝗟𝗟𝗬 𝗟𝗢𝗨𝗗, EVEN TO THE POINT OF OVERWHELMING INCONVENIENCE – ABRUPT VOLUME CHANGES ARE ESSENTIAL FOR THE STRUCTURE & DYNAMISM OF THE FORM AS A WHOLE | 𝗛𝗘𝗔𝗗𝗣𝗛𝗢𝗡𝗘𝗦 𝗦𝗧𝗥𝗢𝗡𝗚𝗟𝗬 𝗥𝗘𝗖𝗢𝗠𝗠𝗘𝗡𝗗𝗘𝗗 | 𝗕𝗜𝗡𝗔𝗨𝗥𝗔𝗟 𝗔𝗨𝗗𝗜𝗢 /

« erased lines cartography » (2018/2019)
piece composed for Festival Mikrotöne Basel 2019 in October 2018–May 2019

trombone – FRANCISCO OLMEDO
e-accordion – DAWID KONRAD RYDZ
harp – ALICE BELUGOU
violin – ZOÉ POURI
cello – MATTHIEU GUTBUB

electronics – SZYMON S. STRZELEC

part I recorded by Caspar Johannes Walter & Shervin Saremi during the world premiere on May 4th, 2019 in H95: Raum für Kultur in Basel, Switzerland (Festival Mikrotöne Basel 2019)

parts II & III recorded, sampled, resynthesized, mixed & rendered by the composer in May-September 2019

© Szymon Stanisław Strzelec, 2019

***
the piece is based on morphing noises with precisely designed morphologies derived from chord transition between 24, 15, 19, 22 edo and my own non-octave scale which will be further developed in the next, forthcoming piece. for more info please, send me a message! feel free to ask questions.  :)

erased lines cartography (2018/2019)

Wave In Cmin

A dark dream (Under a winter night sky)

News & Politics With Dan Bongino.
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Video Evidence Proves The Censors Are Full Of It

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