Untitled Playlist

Music/Song from The Last Of Us: Left Behind DLC story ending (credits) theme
Artists/Composers: Gustavo Santaolalla, Andrew Buresh, Jd Mayer, Anthony Caruso
Song name: 25. Left Behind, 1. Fleeting - Ending Credits Music/Song
Album Volume 2
Made/Released: February 2014
DISCLAIMER: NO COPYRIGHT INFRINGEMENT INTENDED.


25. Left Behind

Fixed some organ stem notation (2:36-3:00) that was reverted / wrong when porting the project from old project, made the organ louder when the strings at the end start up, fixed vocal perc, organ louder in general, less synth in the mix.

MP3: https://mega.co.nz/#!OVwzAaQC!PG71pl5r81WPMugOCj1-kqyQW1WmJEIHl2CIn-KaGTE

FLAC: https://mega.co.nz/#!yMQQCKwR!b3EB1_skbjbgiATikgB0ijjAdaxHmF-saX8e1Xna2yI

Hans Zimmer - Interstellar: No Time For Caution (Endurance Edit) [misc fixes]

listen on spotify: https://open.spotify.com/album/1vLngDoyzrREH4nrOu2ysT
available on iTunes: https://itunes.apple.com/us/album/ethereal-limerence/1404583286
licensing: https://audiojungle.net/item/dramatic-emotional-build-up/18360817

For Her

Released February 28, 2023
Youtube: https://www.youtube.com/watch?v=aLHm_EX4oi4&t=789s
Spotify: https://open.spotify.com/intl-it/album/7a8Y30y9utphYaEwC1hKn2?si=IZo7PB5vQYCbK2EE2IR_zQ

BANDCAMP

Intro

Map of the East Indies from the early 19th century

Six Three
1: Six Three, 02:32
2: Six Three Touch, 03:00
3: Six Three Orbits, 03:39
4: Six Three Particles, 02:13

Dates:
05-Dec-2025 (inception), 06-Dec-2025 (finalised), 07-Dec-2025 (released)

Artists:
Music composed, performed, produced by Norman Freund
Artwork by Norman Freund

BandCamp Purchase:
https://normanfreund.bandcamp.com/album/six-three

SHORTEN VERSION, excludes Table 1 tuning, see my BandCamp site or my social media page for full details (https://www.facebook.com/norman.freund.545/)

Description:

Marcelo Leal Ref. [1] posts an article on FaceBook group, "Microtonal Music and Tuning Theory" and tags me, I looked on with interest. A tuning scale developed using at most harmonics one through to and include sixty three, octave reduced (i.e. divided by powers of 2 to ensure the frequency ratios remained within the 1. to 2. range. 32 Notes were used in this scale with adjacent note intervals starting from 53 cent, gradually reducing to 27 cent for the last interval to the first octave. So loosely speaking a quarter tone tuning with some stretching. I have tried quarter tone equal divisions of the octave tunings (24EDO) in the past and could not really get warm with them. Still, I was intrigued. 

Thirty notes, a lot of intervals to imagine, so I thought some form of colour coding on my Ableton Push2 midi controller would help. My Digital synthesiser, PulseRectOsc has micro-tuning and a user definable colour table, so switched this on and began experimenting. Stepping back just a bit, some preparation work on a spread sheet was necessary to calculate the frequency ratios, figure out a colour system using nearest 12EDO notes as a frame work.

The colour coding was to start the root note out as RED (1), colour all the diatonic notes of the nearest 12EDO major scale notes (the white keys on a piano) in GREEN (10), colour the nearest 12EDO sharp accidentals (#) in BLUE (15) and what was left over (the ^ and \/'s) coloured in PURPLE (18). The note naming convention used here was intended as a performer guide.

The PulseRectOsc synthesiser is a drone with a pulse like wave shape, amplitude modulation, wave folder distortion, a delay+feedback net work and your choice of VST reverb (or other effect). I used the Native Instruments' Raum for reverb. PulseRecOsc has an eight track audio recorder, so I recorded some four note chords to improvise over on the Soma Lyra 8.

The Soma Lyra 8 tuning approach was to tune it by ear to eight notes from the Table 1 tuning for the first track prior to the performance, then improvise a melodic line. Subsequent tracks would use a different four note drone chord from the PulseRectOsc and the Lyra 8 would use the tuning from the previous track as a starting point but alter the tuning during the performance. Each performance would introduce additional entropy into the tuning as performed on the Lyra 8, all done live, by ear, during the performance.

Each track's duration was purposely kept short, I wanted to demonstrate the various flavours of the 63-Limit Otonality tuning and in Lyra 8 style interpret this tuning organically.

The signal chain for the Lyra 8: mono out to the Soma COSMOS (rhythmic firmware, adds reverb and stereo space) -> stereo to digital interface -> 8 track recorder of PulseRectOsc.

The tuning of the Lyra 8 is very organic, is influenced by adjacent oscillators and has a "MOD" dial to accept frequency modulations from what it calls a "Hyper LFO". The Hyper LFO comprises of two low frequency oscillators, I used them here in the OR mode not synchronised, each pulse of the LFO changes the oscillator voice frequency according to the MOD dial. You don't control it strictly, more like guiding it, you listen and decide to increase or decrease the amount of modulation. A very organic approach.

References:
[1] Marcelo Leal, 5-Dec-2025, 63-Limit Otonality by Pitch (tuning scale). FaceBook group "Microtonal Music and Tuning Theory" Link: https://www.facebook.com/share/p/1asmaHiK7G/

Six Three

The song comes up at the very end of the first episode of season 7 during the table scene. 
It's the same song when Glenn gets beat.

Download : http://adf.ly/1f8xK4
This is an unreleased soundtrack composed by Bear McCreary.

The Walking Dead - 7.01 Soundtrack | "I'll find you"

The Walking Dead - 7.01 Soundtrack | "Just Getting Started"

I do not own the picture, nor the original OST. All the credits go to Bear McCreary (The Walking Dead composer), and to AMC. I'm just the creator of this cover, based on Bear McCreary's soundtrack played in (SPOILER ALERT) 7X01 while Negan is beating Glenn to death, and when the saviors leave.
May you enjoy my cover!

Cover of (Bear McCreary's) TWD 7X01 OST (The Day Will Come When You Won't Be)- Daniel de la Cruz

The Walking Dead   Season 7 OST   701   05 No Exceptions

The song comes up towards the end of the 8th episode Season 7.
When everyone comes together.

This is an unreleased soundtrack composed by Bear McCreary.

The Walking Dead - 7.08 Soundtrack | "The Day Has Come"

Marco Beltrami - Logan (Main Titles)

This is a song I remastered using Logic Pro X of the song that plays during the tragic death of the character Glenn Rhee from The Walking Dead. The song was composed by the fantastic Bear McCreary and I do not own the rights to this song. I just wanted to song to be created without the horrifying sounds of the bat bashing in Glenn's head.

The Walking Dead Season 7 OST

The Walking Dead - Season 7 Episode 1: "No Exceptions" (Remastered)

Inception-Time

This is Bear McCreary's composition "The Mercy Of The Living" for the original soundtrack of the American TV series "The Walking Dead".
The song comes up in the first episode of season 1.

Bear McCreary - The Mercy Of The Living

Uploading it from Youtube so everyone can enjoy this masterpiece!
I do not claim any credits from the tracks. All credit goes to Gustavo Santaolalla, Mac Quayle and its rightfull owners.

Track list:
00:00:00 The Last of Us Part II
00:02:52 Unbound 
00:04:49 Longing 
00:06:35 Eye for an Eye 
00:09:13 It Can't Last 
00:11:32 The Cycle of Violence 
00:16:38 Reclaimed Memories 
00:18:20 Cordyceps 
00:21:00 Longing (Redemptions) 
00:22:43 Restless Spirits 
00:24:55 Chasing a Rumor 
00:27:50 They're Still Out There
00:31:22 Unbroken 
00:36:01 The Rattlers 
00:39:43 The Obsession 
00:41:05 Soft Descent 
00:42:56 The WLF 
00:46:35 A Wolf's Ghost 
00:49:00 Masks On
00:51:03 It Can't Last (Home)
00:55:32 Inextinguishable Flames
00:56:32 Allowed to be Happy
00:59:20 Collateral
01:01:43 The Cycle Continues
01:05:12 All Gone (The Promise)
01:08:15 Grieving 
01:10:34 The Island
01:14:48 Beyond Desolation

The Last of Us Part 2 (Original Soundtrack) | Full Album

Music #composer & #producer of the #ost from @symphanellofficial #book #saga by @elenadiazvaldesescritora
Symphanell: Yu Dai coming soon!
linktr.ee/DanieldelaCruz

Cover of (Bear McCreary's) TWD 7X01 OST (The Day Will Come When You Won't Be)- Daniel de la Cruz

Daniel de la Cruz - Composer

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