It's all about the Music.

Made in Naples, Italy, Music On proposes the creation of a cutting-edge club sound, along with unique events across the world.
After some amazing years at Minus, Marco Carola @marcocarola felt the need to expand his musical realm and create a home for up and coming, talented and inspired artists. Music On was born. Music On is a music label where the only requirement is good quality music, which is the standard for everything Marco Carola puts his stamps on.

demo@musicon.com

mail: artbatmusic@gmail.com

label: Upperground

Oded's affair with the night life started at the age of 16, when he somehow got through the tight selection of the legendary Allenby 58 in Tel Aviv. What he heard, saw and felt that night is something that DJ biography's all around are filled with. 'Caught the bug, head blew off, saw the light, met his calling, fell in love' and all that. 
 
With his move to Finland, Odeds mom bought him a pair of turntables, because he pretty much always got what he really wanted. Full of energy and innocence, Oded secured some gigs and started to build a name for himself. Events got more exciting, crowds got bigger, parties got longer and the all day breakfast more appealing than ever before.
 
The biggest chapter in Oded's life in club-land happened when he was 19. After many trips to a then booming underground Amsterdam scene, Oded got the idea of starting up Finland's first professional DJ Booking agency. Together with his big brother Asaf, they started Misc Management in 1999. What was meant to be an office concentrating in promoting and booking Finnish artists abroad, quickly evolved into one of the most active importers of international DJ's into Finland and its surrounding Scandinavian and Baltic countries. David Morales, Tiësto, Pete Tong, Eric Prydz, Sister Bliss, Josh Wink, 808 State, José Padilla, Derrick Carter, Nick Warren and over 100´s others all establish great connection with Misc based on their professional attitude to the business and hospitality as warm as a  sauna.
 
Aside for the fact that working with egomaniac DJ agents was killing the brothers’ passion for the scene they loved dearly, it was also obvious that there was so much more within their reach. For 17 years and counting, they have been writing for magazines, producing TV and radio shows, running a DJ school, tour managing internationally, producing events for corporate companies and promoting some of the most visible and respected club events in their country. What I'm trying to get at, is that Oded's understanding of what makes a memorable night is built out of so many different aspects, that even a hardened Ibiza hedonist couldn't get to the bottom of. 
 
Oded's time in the studio has resulted in a couple of vinyl releases, appearances on compilations such as Underwater Records and in the record cases of some of his personal heroes such as Josh Wink, Joe Clausell, Orlando Voorn, Laurent Garnier and Derrick May. Oded has always enjoyed mixing up different styles of unexplainably genred music. He feels best playing what could be called 'Hightec 21st Century Soul". Which is also a bit annoyingly genred. 

Aside from his continuous gigs in Finland, Oded has DJ'ed in 20 different countries. From warming up Underworld and rocking the legendary Ministry of Sound, to a teenage packed ice hockey stadium in Murmansk, to a sweaty gay club in Singapore and never forgetting his sunset gigs in magical Bali. Oded always aims to give his crowd more than what they are looking for, and on top of that, give them that feeling like it's the first time, every-time.

Not many artists are lucky enough to release a track that defies genre classification and reaches into mainstream culture, with people enthusiastically embracing its melody and adopting it as if it were a football anthem.
His track “Rave” has become an instant classic, a timeless piece of music gaining more than 100 million streams (becoming the most clicked Techno track ever).
Since 1996, a landmark year for him thanks to the worldwide success of his track “Zoe” produced as Paganini Traxx, Sam Paganini’s stylistic experimentations have gone from strength to strength, leading him to collaborate and release his music on several record labels like Plus8, Cocoon Recordings and Drumcode, reaching the highest spots on Beatport’s Techno Chart several times. His unique musical journey has achieved great success both on the underground circuit as well as on the mainstream channels.
In 2016 Sam founded his own record label JAM as a new platform to play out his vision of techno music. At first an outlet for his own productions releasing 3 albums and nowadays also a platform to discover new talented Artists.
Beside his studio work and production time, Sam’s DJ appearances are among the most requested by promoters worldwide: his sets are characterized by powerful grooves and have been described as “Sexy Groovy Dark Techno”, which speaks volumes, literally, on what to expect from his performances.
He has taken the stage at legendary clubs such as Berghain (Berlin), Output and Cielo (New York), Rex (Paris), Fabric (London), Crobar (Buenos Aires), Exchange (Los Angeles), Fuse (Bruxelles), Stereo (Montreal), Pacha (Barcelona), Fabrik (Madrid), Amnesia (Ibiza), Privilege (Ibiza) and Cocoricò (Riccione) just to name a few, and at Festivals like Awakenings (Netherlands), Nature One (Germany), Mayday (Germany), Tomorrowland (Belgium), Sziget (Hungary), Sonus (Pag Island), Time Warp (Germany), Ultra (USA). KAPPA Future Festival (Italy), Dour Festival (Belgium) and Monegros (Spain).

Right place, right time. It's an old cliché, but it's one that's been the definition of Dennis Ferrer's musical career. Just as the dance music world was heading into the world of afro-centric house, Ferrer was there. And then, when it began to embrace the mix of tech and soul, Ferrer was there again, leading the way with his impeccable productions. As Ferrer goes, it seems, so does electronic music. And, as someone who's never content to do the same thing twice, it's clear that he'll be staying on top for years to come.

Ferrer burst back into the consciousness of most dance music heads with the release of "Sandcastles," (Ibadan) his collaboration with Jerome Sydenham in 2003. But, to his credit, Ferrer didn't simply repeat the formula afterwards. He has continued to push a variety of genres all at once. It's clear that Ferrer isn't content to rest on his laurels: he's too busy dreaming up new ways to shock and delight audiences.

In the mid-90’s, Ferrer was crafting techno records as Morph and then had success in the Afro and gospel house scenes with releases via his Sfere label, an imprint he began alongside Kerri Chandler. But it's this past work that gives his new productions such resonance: unlike many of this house peers, Ferrer's techno experience has given him an edge that you can hear in his recent work.

"Son of Raw," (Ibadan) "Church Lady," (Defected) "Underground Is My Home," (King Street Sounds), "Touched the Sky" (King Street Sounds), “Transitions” (King Street Sounds), “P 2 Da J” (Defected),  “Sinfonia Della Notte” (Strictly Rhythm), “Hey Hey” (Objektivity), “Red Room” (Objektivity), “Underground” Nick Curly – Dennis Ferrer Remix (Defected), to name a few, have all been huge dance floor anthems and all show a different side of the Ferrer personality as well as his impressive range as producer and remixer.

Ferrer has brought his ‘anything goes’ approach to his label, Objektivity.  Celebrating its 8th anniversary in 2014, the imprint has thus far focused itself on vocals, featuring often unlikely turns from indie heroes like Ane Brun and Télépopmusik. Low slung and deep, Objektivity is a cutting-edge label in touch with its time, putting a uniquely American spin on the deep house revival that is currently making waves in Europe. Objektivity is a living, breathing thing - one that's set to drop bombs on the dance floor for years to come.

While Ferrer closes out 2013 with “Mind Ur Step” (Defected), “Mind Ur Dub” (Objektivity) and a remix of Coyu - “Salvation” (Noir Music), the best is yet to come. With a deep knowledge of the past and a constant push for the future, Ferrer remains one of the true greats of house music - a leader and innovator whose enjoying the buzz around him but keeping on pushing the limits. Stay tuned.

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