quiet now

Twinkle toes

powdered milk soundtrack..

⋆˚࿔.w light

susurrus🌷🎧

Spotify

heartrate

In My Mind

haley heynderickx - the bug collector slowed & reverbed

Certified Lover Boy

Yebba’s Heartbreak

enlightenment~

https://open.spotify.com/track/73CQGVrYBKdEPPykdgWzLG?si=2d2324f4fe03456a

https://twitter.com/hexeblood

dreamy

ending where i began

ohio is for losers

idea 22 -gibran alcocer (slowed + reverb)

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yves tumor - limerence (Extra Slowed)

Vinyl, T-Shirts & CD's @
www.yourwalters.com

I Love You So

A track to set your emotions free, no matter in which direction they go. <3
This is  a song dedicated to my loved ones who unfortunately passed away too soon.

edited by me with audacity.

credits to Yves Tumor

thank you for that beautiful song.

Limerence - Yves Tumor 1 Hour (instrumental edit)

idea 22 (slowed with rain)

mona lisa - miharu koshi

"gift" at Sogetsu Hall (Live)

青葉市子 (Ichiko Aoba) - amuletum

Piero Piccioni - Amore Mio Aiutami (Hundaes Edit)

La petite fille of the sea

When I sit down to write, what often comes to me most naturally (and at times against my own will) are lullabies and waltzes, or some combination of the two. I have obvious sources to blame for this - primarily the fairytale films I adored in my childhood and the timeless melodies that came with them, always embellished with strings, bells and harps. Writing Fairy Songs was a way of celebrating and indulging in my life-long obsession with the lullaby as a mode of music. To me, a lullaby is ephemeral and miniature, shining and secret - something you can hold in your palm, like a keepsake in a trinket box. Some of these songs are intricate and impressionist, others simple and tender, and all are connected in this small, glowing feeling.

The sonic world of this EP is an exploration in what I’ve been referring to as magic realism in sound - my usual sparkly synths are balanced with acoustic sounds, moments of pause and textural noise; I wanted to hear the human hand in the ethereal - as though these sounds were not created in an electronic world, but have always existed among us in the real world. Maybe we’d hear them if we just listened close enough?

Credits:

Written, recorded and produced by: Lila Ravelle
Fretless Guitar: Samuel Laramee
Aux Percussion: Samuel Laramee
Woodwinds: Dain Carandang
Violins: Alex George, Peter Kang
Upright Bass: Matthieu Savard
Mix engineers: Samuel Laramee, CJ The X, Lila Ravelle
Mastered by: CJ the X
Cover Artwork: Clairosphere, Zane Serada, Evan Kolar



Ribbons

waiting

All Sparkles, Like Magic!

Point de suture

Appelle mon numéro

Datfootdive - A World That's Ending

When I Get Home

Almeda

treehouse (alex g)

this is a DUD like I mean we can all clearly hear its a bit rough around the edges, I wish I could've made it longer but I had the worst writer's block hence the repetitive la la la thing going on 
I hope you like the verses though!!
Sample taken from a karaoke version of flowers - sweet female attitude

Pain

All Sparkles, Like Magic!

Dan Lucore