the dot in the sky.         (c2023)

Art Expressed in Music – Monet's Evanescence Feat. Oddrun Eikli, vocals 
December 2023
Duration: 3:40
Listen to the Playlist: https://soundcloud.com/bruce-klepper-1/sets/art-expressed-in-music-i
Listen to Oddrun Eikli at: https://soundcloud.com/oddrun-eikli
Painting: Water Lillies, 1906
Evanescence: the quality of being fleeting or vanishing quickly, impermanence.
Oscar-Claude Monet (November 14th, 1840 – December 5th, 1926) was a French painter and founder of impressionist painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. During his long career, he was the most consistent and prolific practitioner of impressionism's philosophy of expressing one's perceptions before nature, especially as applied to outdoor landscape painting.  In 1899, he began painting the water lilies that would occupy him continuously for the next 20 years of his life.  At his home in Giverny, Monet created the water-lily pond that served as inspiration for his water lilly paintings. Depictions of the water lilies, with alternating light and mirror-like reflections, became an integral part of his work.  By the mid-1910s Monet had achieved "a completely new, fluid, and somewhat audacious style of painting in which the water-lily pond became the point of departure for an almost abstract art.  He would ultimately make over 250 paintings of the Waterlilies.  In 1911, Monet began to develop the first signs of possible cataracts.  In the following years, his perception of color suffered; his broad strokes were broader and his paintings were increasingly darker.  He eventually underwent cataract surgery in 1923.  Now "able to see the real colors", he began to destroy canvases from his pre-operative period.  Upon receiving tinted Zeiss lenses, Monet was pleased with the results, although his left eye soon had to be entirely covered by a black lens. By 1925, his visual impairment was improved and he began to retouch some of his pre-operative works, with bluer water lilies than before.  Monet died of lung cancer on December 5th 1926 at the age of 86.  Although critical acclaim was slow in coming, Monet attracted the dedicated support of collectors throughout his career, most notably from Americans who discovered his work in the 1880s.  Monet's popularity soared in the second half of the 20th century, when his works traveled the world in museum exhibitions that attracted record-breaking crowds and marketed popular commercial items featuring imagery from his art. 
For bamboo flute, shakuhachi, bass quenacho, skiddaw stones, piano, harp, double bass, virtual instruments, sound effects and percussion.

Art Expressed in Music - Monet's Evanescence Feat. Oddrun Eikli

De nos jours, chacun d'entre nous accomplit des choses bien plus spectaculaires et plus complexes que par le passé. Savoir  imaginer, motiver, coordonner, sont pour beaucoup d'entre nous des objectifs.
Mais au présent, il faut reconnaître, que chacun « travaille » pour soi, et que hélas, les États se substituent aux volontés collectives et, l’individualisme est devenu roi. Chacun paie sa redevance dans tous les domaines et considère ainsi, avoir sa part de bonheur, sa part de liberté ....
Nous déléguons de ce fait, toutes les taches de la vie collective, et même trop souvent de la vie domestique, perdant ainsi la capacité d'avoir un semblant d'autonomie, et devenant dépendant de l'argent …. nous empilons les chèques, avec l'espoir d'une certaine tranquillité de vivre. Est-ce vraiment une bonne chose ? 
Je vous laisse méditer sur ces quelques lignes ....

Maintenant pour parler, de ce qui nous intéresse musicalement ici, vous pouvez écouter de cette nouvelle collaboration, avec notre ami David, qui donne avec sa guitare, tout son sens à cette logique harmonique conçue en égard à cette voix si belle et particulière de Clara Sorace.

Merci David d'avoir usé de ton temps pour cette excellente collaboration ….

Vous pouvez découvrir, ou le redécouvrir ici: @david-dunhamuser589535203
Participation virtuelle, au chant Clara Sorace: https://clarasorace.com/

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These days, each and every one of us achieves far more spectacular and complex things than in the past. Knowing how to imagine, motivate and coordinate is a goal for many of us.
But in the present, we have to recognize that everyone is "working" for himself, and that, alas, states are replacing collective wills, and individualism has become king. Everyone pays his or her dues in all areas, and thus considers that they have their share of happiness, their semblance of freedom ....
As a result, we delegate all the tasks of collective life, and all too often even domestic life, thus losing the ability to have any semblance of autonomy, and becoming dependent on money .... we pile up cheques, in the hope of a certain peace of living. Is this really a good thing? 
I'll leave you to meditate after reading these few lines ....

Now to talk about what interests us musically here, you can listen to this new collaboration, with our friend David, who gives with his guitar, all its meaning to this harmonic logic conceived in consideration of Clara Sorace's so beautiful and particular voice.

Thank you David for responding positively to my request, and for giving up your time for this excellent collaboration ....

You can discover or rediscover it here: @david-dunhamuser589535203
Virtual participation, singing Clara Sorace: https://clarasorace.com/

Shadow Or Light .... With David Dunham & Clara Sorace

Personnel:
Paul Bray - Drums
Terry Todd - Bass
Andy Peake - Keyboards
Nigel Manning - Tenor Sax

GRITSTONER  - (TPMB rehearsal 2018)

the last chorus section with isolated vocals and horn arrangement, with a bit of drum & bass backing.  :)

From the song “Pick Me Up (Song on the Wind)”

https://on.soundcloud.com/MWSzxdf8oREu5F7C9

Pick Me Up (chorus - vox & horns isolated)

Cast of Characters:
Computart – @computart – guitar, vocals/whistling, composition
Llanpsych -- @llanpsych -- Tez – mix and production 
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass and mandolin

This song started as a recording of Computart playing the guitar and singing/whistling to a metronome, which you can find raw on his page. Having worked together before on a song called The Shining, the Frenchman reached across the pond again and asked the Yank if he would like to add anything to this. This style of music being one of Josh's favorites, he jumped at the chance. He got Ken involved right away because every great song needs a great drummer. Josh added a bass line, to which Ken added drums, to which Josh redid his bass line, as is their usual process. Josh then added the mandolin. Then, Ken added the hand drums to put the icing on the cake. Tez was generous enough to produce and mix this for us, and we feel like he got it to sound like we were all playing in the same room together. 
  We hope you enjoy listening to this as much as we enjoyed putting it together

Plaisir-Computart/Eclectic Collective

Heat

21 - 6-2024

TELEPATHY

ETHEREAL AMBIENT SOUNDSCAPES INSPIRED BY GAME OF THRONES AND THE  LORD OF THE RINGS AND MANY OTHERS. RELAX, ENJOY AND DRIFT AWAY.

ETHEREAL - BEFORE YOU CAME

Alone In The Void

Bienvenue sur ma page musicale ....
Merci à tous ceux qui prennent le temps d'écouter, et de partager ces moments musicaux ici ....

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Welcome to my musical page .... 
Thank you to all those who take the time to listen, and sharing these musical moments here ....

Shadow Or Light .... With David Dunham & Clara Sorace

DAN - DT