I do all kinds of music.
Booking: unidos.mgmt@gmail.com

NEUS which means New Experience over Universal Sounds is born in Corsica in 2009.
Gaël under his real name, has been experiencing music-making and improving his comprehension over modular and electronic components years after learning guitar and drums. 

He understood the full spectrum and the variety of music over his multiple influences rooted from his passion for acoustic and electronic elements.

The physical and melodic aspect is also an important part in his musical exploration.
Its powerfull and dark-cinematic evironment mixed with a touch of emotive sensibilty is what makes the aestethic of his artistic path and universe.

For now, NEUS is working independently on multiple sound design projects variating from scoring to video games and tv ads.
His music has always exposed different ideas from one to another genres through versatility, always evolving and improving is what makes the root and the strength of the project.

DJ. Funny sometimes.

Manager Contact: Info@tmwrk.net

North America + South America + Asia:
bowen@teamwass.com 

ROW:
belinda.law@unitedtalent.com

For the past decade, Mad Decent has been invading your ears with fresh sounds. With humble beginnings in Diplo’s Philadelphia studio, Mad Decent’s unwavering mission is to highlight underground, genre-blurring sounds. Mad Decent tops iTunes, Beatport and Shazam charts worldwide with #1 Dance tracks and albums with releases from artists like Major Lazer, Dillon Francis, Grandtheft, Party Favor, NGHTMRE and Yellow Claw. Mad Decent is also home to Good Enuff, a launchpad for artists breaking the norm; notable releases include Bauuer’s “Harlem Shake” and DJ Snake’s “Bird Machine.” As an extension of the Mad Decent sound, Mad Decent Block Party was established in 2006 and now spans across North America and India.

Management:
Jason Aron
jason@anitpop.com

With international support growing from renowned DJs and producers including Tiesto, Hardwell and Nicky Romero, as well as two successful Spinnin’ Records singles under their belts ("I Like It Loud" & "Michael Jackson"), New York’s emerging electronic three-piece Cash Cash has signed with legendary dance music imprint, Big Beat Records, home to a diverse electronic roster which includes Skrillex, Icona Pop, Chuckie, Martin Solveig, Flux Pavilion, Rudimental and Walden.

The group, which consists of best friends and brothers, Jean Paul Makhlouf, Alex Makhlouf and Samuel Frisch first made their way into the hearts of core dance music enthusiasts with their vibrant remixes for the likes of Nicky Romero ("Symphonica"), Capital Cities ("Safe And Sound"), Vicetone (“Heartbeat” ft. Collin McLoughlin) and Krewella ("Alive"); as well as Bruno Mars (“Treasure”), Calvin Harris (“Let’s Go” ft. Ne-Yo) and Lady Gaga (“Marry The Night”), several which have reigned on the Hype Machine charts.

But the trio truly impresses with their originally produced material, including Krewella’s next single, "Live For the Night," coming just before their first official Big Beat release, "Take Me Home" ft. Bebe Rexha, dropping on July 16th along with a remix package to all digital retailers.  The track recently premiered during the trio’s guest mix on Nicky Romero's ‘Protocol Radio’ Sirius/XM Radio show and officially debuted on BPM, hailed as the “best new track… heard in a long time” by host, Austin Kramer.

The group’s fusion of captivating pop vocals and signature banging electro-house beats have already captivated dance music insiders and tastemakers like Elektro Magazine, Complex’s Do Androids Dance and Dancing Astronaut, who named Cash Cash one of their “five breakthrough artists for summer 2013.” Expect to hear more praise for this crowd-pleasing act from EDM and pop music fans and writers alike.

In a dark kitchen in the middle of a sweaty night in Las Vegas, all 6’4” of Dan Reynolds is hunched over a laptop, slapping beats on the table and crooning lyrics into a tiny microphone. Before long, he and the other three members of indie rock band Imagine Dragons would be playing “It’s Time,” that same laptop-demo-turned-supersized-anthem, from the roof of a parking garage to a wave of thousands of screaming fans. This song title to the single from their 2012 debut KidInaKorner/Interscope release “Continued Silence EP” is an all too apt descriptor of the band’s hard-earned success—but it’s also emblematic of the deep-seated anxiety Reynolds and the rest of the band experienced leaving behind any realistic expectation of a normal job to do the thing they love most.

A third-generation Las Vegas native, Reynolds is no stranger to the adage “the house always wins,” choosing to pave his musical career with a near obsessive work ethic and hundreds of unused demos rather than roll the dice with the first songs that sprung from his mouth. It’s no surprise, then, that he was drawn to guitarist Wayne Sermon, another founding member of Imagine Dragons. Having practically grown up in a recording studio and graduated Berklee College of Music, Wayne had been practicing his guitar through meals and other socially inappropriate situations as long as he could remember; he challenged Dan in a way that was both uncomfortable and exactly what they both needed. When they began writing songs together and recognized something special was happening, Wayne called up his Berklee friend Ben McKee, who promptly dropped out of school with only a few credits left, moving across the country to play bass for the band. This sort of reckless/genius behavior is typical for Ben, who has an uncanny penchant for spicy food and a suitcase full of unbelievable road stories. More recently, the band was joined by drummer Daniel Platzman, another Bostonian schoolmate who seems way too nice to be playing rock and roll until you actually see him in action.

Several tours and three self-released EPs later, Imagine Dragons had made a serious name for itself, particularly in the west coast circuit. Although their songs vary from nearly whimsical and light to brooding and powerful, listeners are drawn to the inherent honesty in the music. The only rule of thumb for the band, it seems, is to write from a true place; the result is songs that literally run the spectrum of human emotion. Attend a concert, and it becomes clear that the live performance of deeply personal songs has a real effect on people. And the band itself is not immune, as demonstrated when Dan literally passed out into the drum set during a finale song, sending cymbals and drum stands crashing while the rest of the band played on until the close.

Great songwriting is bound to be noticed eventually. As proof that the harder you work, the luckier you get, one of those people who noticed was Grammy winning producer Alex da Kid (Eminem, Rihanna). Alex and Dan began collaborating on projects, and soon the band had developed a relationship with Alex and his team. The alchemy resulting from Alex’s hip hop sensibilities and Imagine Dragons’ anthemic rock is nothing short of explosive. The byproduct of this creative collision is “Continued Silence,” a six song in-your-face sonic grenade that breaks musical boundaries and yet is strangely relatable by its improbably diverse audience.

Despite it all, on any given day when they aren’t on the road playing shows, you can still find Imagine Dragons huddled away in a rehearsal room somewhere, banging out song after song in search of the next perfect track. Like most things in Vegas, the band is angled at going big or going bust. For the sake of those who love great music, we hope it’s the former.

We're an artist management company, record label & music publisher with offices in Los Angeles and Sydney. Est 2014.
Hit us up: contact@futureclassic.com

mixing / mastering / tour dates
https://www.vanicmusic.com/

MGMT: 
devdoroff.mgmt@gmail.com

BOOKING N.A.: 
peter@minttalentagency.com

Dan Woltmann is following