Recording of a patch made with the Sample and Hold mod (http://users.edpnet.be/papa/synthimods/rvg.html)I recently installed. S&H is fed in from the Noise row.

S&H is fed into the output 2 row and the right speaker switch is set to env. this triggers the envelope from the voltage coming into output 2. the S&H trigger is set to osc3 (this is varied between osc3 and env in the recording). This technique gives random or syncopated gating of the envelope.

its 16m long as I was having fun, good luck to you if you get through it all!!. The recording is just 1 pass of Synthi, butt naked all on its lonesome but with a little compression added afterwards.

16m18s Of Naked Synthi

Available for bookings on the west coast.

Thomas Fang is a sound artist living in Portland, previously based in Austin. After establishing himself as a DJ, he co-founded the Artificial Music Machine record label in 2001. Since then, he has performed experimental electronic music under his own name and as Static Storm System, and has collaborated with other musicians as part of Inversion Effect and the Bradley Telcom Ensemble. Utilizing modular synthesizers, vintage laboratory test equipment, handmade devices, field recordings, radio transmissions, circuit-bent electronics, and other non-traditional instruments, he explores sonic territory ranging from glitchy noise assaults to darkambient drones. Mr. Fang was also conductor of the Furby Youth Choir, a small army of modified toys which terrorized audiences at Bent Festival (NYC), Burning Man (Nevada), and events in Texas such as Maker Faire, Art Outside, Burning Flipside, East Austin Studio Tour, and Fusebox Festival. Since 2010 he has worked for synth manufacturer 4ms Company, and has worked for Darkplace, Synthrotek and Bleep Labs, as a co-curator for Church of the Friendly Ghost and volunteer coordinator for Austin Museum of Digital Art, and has taught circuit bending workshops for the Modern Aural Sculpture Symposium South and the New Media Art and Sound Summit. Synth Library Portland staff since 2016.

https://www.youtube.com/@25emedimension

https://25emedimension.bandcamp.com


somewhere between the depths of  tropical melodies and electric waves Clark search's by this way a beautiful  mixture of sounds and electronic dance music. Clark mix freaked out electronic music that’s ahead of its time. Since 2014 Clark has played for the label "White Noise" being for him an opportunity to share their varied record collection participating in big festivals around him country as "Lantesala Music Festival" and sharing him fully tuned into the extraterrest​rial beat sets. 
So. expect him to sooner or later visit a ballroom close to your hometown...

アーティスト・ウェイによってマテオセビリアの検索にどこか熱帯のメロディーの深さと東洋の暗いテクノ波の間の異なる音楽の提案、音とエレクトロニックダンスミュージックの完璧な混合物。マシューは、非常に先にその時間のです感情的なミックス電子音楽をびびります。マシューは、ラベル「ホワイトノイズ」は彼のために完全に余分な逮捕リアルビートセットにチューニングされた「Lantesala音楽祭」として彼の周りに大きなお祭りの国に参加し、彼を共有する彼らの様々なレコードコレクションを共有する機会であることのために2014年以来取り組んできました。
が、彼は遅かれ早かれあなたの故郷に近いボールルームへの訪問を期待します...

New TUBE TENTACLES solo release (2024)
https://deathbedtapes.bandcamp.com/album/thanatophobia

New Release in Pure Reactive Records:
TUBE TENTACLES split ROHCO feat. extremeOBSN
https://www.facebook.com/TubeTentacles

New Release in Pure Reactive Records:
GOVERNMENT ALPHA split TUBE TENTACLES
https://www.facebook.com/TubeTentacles

New Release:
TUBE TENTACLES split WITCHES OF MALIBU
https://www.facebook.com/TubeTentacles

New Release in Ex-Nihilo / Mattoid: 
TUBE TENTACLES / GUILTY C. 
http://www.exnihilo-records.com/mattoid/mr-015-tube-tentaclesgilty-c-split/

Tube Tentacles "The Invocation" new album
https://www.facebook.com/TubeTentacles

Disposable Sound
Improvised Experimental Music, because I can't be arsed to edit.

All my stuff is downloadable, take it & re-make it, its disposable.

Playing synths with no purpose, in sake of music.  Primary composing and simultaneous  playing of songs  in a real time. No remastering. Raw, raw stuff. Instruments - modular and a few other analog synths, vocoders.

16m18s Of Naked Synthi

dan_p