my favourite

clásica

2014 Summer

Piano

piano

For you Sergio~~♡

La Fiesta-diana hadad

love this song. so simple and beautiful. it's not too often that i cover songs originally done by men so it does get belty (but when doesn't it????)

thanks for one million listens!! <3 <3

Say Something (Cover) - A Great Big World ft. Christina Aguilera

what a joy to again work with Vicente on this track. I was speechless when he sent me the orchestration. Also thanks to Dirk for the free professional mastering !

The track will appear at Vicentes Album "Heritage" as well as on my upcoming Album "Anmut"

Anmut Album: https://soundcloud.com/dirk-maassen-official/sets/anmut-album-preview-to-come



Video: http://www.youtube.com/watch?v=ji2PvbTc1xE

Vicente: https://soundcloud.com/scienceteheran
Dirk Mallwitz: https://soundcloud.com/soundset-mm

SPOTIFY: http://open.spotify.com/artist/758yIKdhJhWL6oTuTSFVV6

thanks Nick for the wonderful "wild romantic" winter scenery...
www.flickr.com/photos/leeneek/

Anmut Track #03 -  Un Voyage (follow @dirk_maassen on instagram)

Say Something Im Givin Up On You

Le Silencieux - Alain Goraguer

أغنية السيسي - أنا مش قادر أديك  El-Sisi - Ana Msh Ader Adeek

Spotify

The Path. The Heart Decides - Nocturne, 03 Jun - Piano Solo

BRILLIANT HOPES / [.que]

01. Origin
02. Home
03. Joint feat. affable noise
04. Anew
05. Trivial Lie
06. Himitsu feat. unmo
07. Lullaby feat. petitoto
08. Springlike
09. Misty Moon feat. akira kosemura
10. Curtain
11. Verdure
12. Will
13. Never End

溢れ出しては儚く消える輝きが、宙で結ばれ形を成してゆく。
磨き続けられた希望のかけらは、柔らかな色を纏った結晶となる。
透過と反射が織り成す世界に今、心躍るほどの美しさが広がる。

2015.2.12
Release

schole

http://schole-inc.com/?page_id=23438

[.que] / trivial lie

Una Storia D'amore

In my dreams

June 2014
Spotify: https://open.spotify.com/artist/6U14CyopE9GGygh4E552ur

Sweet Memories - Piano Solo

New album 'Model of You' out now (14th July in America)
iTunes: smarturl.it/ModelOfYou
Webstore (physical/digital): bit.ly/SDAIst

Follow @CloudBoat: 
http://cloudboat.co.uk
facebook.com/cloudboat
twitter.com/cloud_boat
youtube.com/cloudboatmusic
instagram.com/cloud_boat
http://songkick.com/artists/3902201-cloud-boat

Buy 'Model of You'

Cloud Boat - Please, Please, Please Let Me Get What I Want (Smiths Cover)

Salvation -- Katarina s Theme

Fantasie #3 "Elegy" 
by Danaë Xanthe Vlasse

Piano Solo for advanced pianist. Approximately 13 minutes long. 

Program Notes:
This 3rd Fantasie, like the previous two Fantasies, is designed to be a transformative journey; this one is a journey of immersion and emergence. 

The piece is based on three themes as well as three motives that reappear throughout the work. The structure of the piece is as follows: 
Large Introduction, 
A-section, (at 2’36”)  
B-section, (at 4’19”)
Interlude, (at 5’00”), and C-section, (at 6’15”)
A-section, (at 8’20”)
B-altered, (at 10’18”), with Link (10’56”) to Coda, 
Large-Coda (11’24”), & Codetta (12’35”).

An outline of important musical material:

The Large Introduction sets the somber tone and introduces two themes as well as two motivic ideas: 
About the first two themes:

1st: the work opens with chords that represent a “Veil of Mystery against a back drop of Distant Thunder” – expressed as a gently rolled note cluster in the treble, against deep Bb octaves/note clusters. 
And the 2nd motivic idea is “Funeral Bells - both distant and near” which are either high repetitions of Bb, or low descending notes on Bb, Ab, Gb. 

About the A-B sections (at 2’36” and 4’19”):

The A-section introduces the final (3rd) melodic material on which the B-section builds. This new theme is less brooding but more emotionally declamatory than the previous themes. The “A-section-theme” is developed in its appearance in the Left Hand in the B-section, where it is simultaneously echoed inside the arpeggios of the Right Hand. 
The A-section also presents the final (3rd) motivic material: the notes which spell out the nickname of the lost friend: “Mister” (F, Bb, Eb, F, Eb, Db). These pitches are presented as a counter-melody to the primary melodic material of the A-section, and it is not immediately apparent that these are crucial to the remainder of the work, however, they re-appear very importantly in the C-section, and they lead the final utterances of the Codetta. 

About the middle of the work – the Interlude and C-section (at 5’00” and 6’15”):

The Interlude returns to the thematic material presented in the Introduction – as well as reminding the listener of the “Thunder and Bells” motives; these are then carried into a wild array of undulating arpeggiated passagework that explores “a world of unconscious, swirling memories.” The C-section develops the first theme from the Introduction but it is punctuated by the motivic material built on Mister’s name, as well as the descending “Bells” motif, which is inverted in an effort to turn around the darkness of the original funeral setting. Taken as a whole, the C-section’s “swirling memories” are a vast mix of emotions; they are a flight of fancy, sometimes gentle, but also bittersweet, even frightened, and they eventually grow into an overwhelming irrational anger at the unfairness of life’s harsh circumstances. 

The return to the A-B sections (at 8’20” and 10’18”):

The intense return to the second A-section is built directly out of the climax of the C-section, and now both A and B-sections are dramatized. 

The Link to the Coda (at 10’56”):
Following the second B-section, there is a “glimpse” of where the piece is going – the main theme from A returns in a major key, with a new-found sweetness never explored prior. This section could have concluded the work, but the structural weight of the vast Introduction begs for an equally grand conclusion! …

About the Coda (at 11’24”):
The Coda brings cohesion to the whole by presenting the themes from the Introduction in the relative major key, and releases the listener into a state of peace.

Fantasie #3 "Elegy" (please read the program notes!)

Bethoven-FurElise

FREE DOWNLOAD ON BANDCAMP

Horse Feathers- Curs in the Weeds (oddlogic refix)

Horse Feathers stopped by the 88.1 KDHX studio in St. Louis on April 24, 2010 for a live performance. Discover more great media at http://kdhx.org

Horse Feathers "Working Poor" Live at KDHX 4/24/10

Mumford & Sons And Emmylou Harris -“Orphan Girl,”

“Orphan Girl” - Mumford & Sons And Emmylou Harris

Danae Vlasse is a GRAMMY®-award-winning pianist, and composer whose music has been featured on international radio broadcast.  Furthermore, Mrs Vlasse is an MTNA Nationally Certified Teacher with a degree in Piano Performance, and over 15yrs of teaching experience. 

All piano works posted on Soundcloud are printed and available for purchase at affordable rates. Contact the composer here; https://www.danaevlasse.com/contact.html

"I live my daydreams in music." ~Albert Einstein

Fantasie #3 "Elegy" (please read the program notes!)

Danaë Xanthe Vlasse (Danae Vlasse)