I've received a number of messages in recent weeks regarding fellow SoundCloud users having their remixes of Somebody That I Used To Know removed from SoundCloud due to copyright infringement. My personal position is that I don't try to block unofficial remixes posted for online streaming providing they're posted for purely creative reasons and are not exploited commercially (eg: monetized on YouTube).

Under current laws the formal consent of the label and publisher/s is required for any use along these lines however, and as much as I would like to help everyone out to attain this consent, there are simply too many requests relating to remixes of this particular song and too many rights holders involved for me or my reps to assist with Soundcloud keeping them up.

Thanks for your understanding

Wally

Nicky Bomba is one of Australia's busiest and most highly respected musicians. He has built a solid reputation in the music industry via many projects including writing and performing with his band Bomba, conducting the Melbourne Ska Orchestra, playing drums on John Butler's award- winning "Sunrise over Sea" and "April Uprising" to being the Artistic Producer for the Multicultural Arts Victoria 'Visible' project. He has a discography of over a dozen albums and has been a composer/performer on many more.

Nicky Bomba has jumped on his musical boat again to deliver a party filled island adventure with his new band BUSTAMENTO. A tropical shaking six piece that pays homage to the upbeat rhythms of the Caribbean, covering the Calypso, Mento, Early Reggae and Ska styles. Their album "Intrepid Adventures to the Lost Riddim Islands" has just been nominated for an ARIA AWARD in the category of "2012 Best World Music Album"...

www.nickybomba.com
www.bustamento.com
www.melbourneskaorchestra.com

iTUNES 
NICKY BOMBA's BUSTAMENTO http://itunes.apple.com/au/artist/nicky-bombas-bustamento/id526311782
NICKY BOMBA http://itunes.apple.com/au/artist/nicky-bomba/id90036678
BOMBA http://itunes.apple.com/au/artist/bomba/id100496148

Formed in 2003 the Melbourne Ska Orchestra is an orchestra with a difference. Comprising up to 36 members this juggernaut contains some of Australia’s finest musicians and performers. The band can perform with as little as 18 members and as many as 36. Lead and directed by the energetic and charismatic Nicky Bomba (John Butler Trio, Bomba, Bustamento), they are a force to be reckoned with.

The bands debut self-titled release resulted in sell out national shows, multiple major festival appearances, three international tours and a host of awards and nominations. The new album Sierra-Kilo-Alpha, was released on April 22, 2016. Showcasing a new trajectory sonically, it respects the roots of the genre retransmitting 2Tone signals while introducing new hybrids that are fresh and exciting.

Melbourne Ska Orchestra’s live performance is explosive and infectious. Their unique take on the genre of Ska has wowed audiences all over the world. From Montreal to New York, Istanbul to London and with the approval of Reggae and Ska pioneers like Stranger Cole, Owen Gray, Carlos Malcolm, Ranking Roger and Neville Staples, to name a few, the Melbourne Ska Orchestra is resonating with audiences worldwide – young and old.

Steve Lukather’s new album Transition on Mascot Records strikes a perfect balance of style, power and imagination as he takes risks and challenges himself in ways most other players can’t even approach.

That’s been standard operating procedure for this high-wire artist of the six-string for nearly four decades, as his career has gone from the studios of Los Angeles to the world’s biggest concert halls to the helm of the multi-platinum selling group Toto and, recently, to ground-breaking tours with Ringo Starr, guitar geniuses Joe Satriani and Steve Vai, and the reunited Toto, who have scheduled a follow-up 35th anniversary tour for 2013.

“I’ve got a lot to be thankful for, and now is a perfect time for me to take stock of that, which is part of what Transition is about,” Lukather says. 

Over the previous decade a series of trials including divorce, the death of his mother and business hassles had dampened his joy in music making — a passion that drove Lukather to excel since seeing the Beatles on the Ed Sullivan as a seven-year-old growing up in San Fernando Valley. But today the guitar guru is happy, healthy and strongly reconnected to his muse, and the lushly expressive Transition, his second Mascot album, finds him at a creative pinnacle.

“I equate recordings to paintings,” he explains, “ and I wanted to make Transition a big, beautiful album with lots of fine details and shadings and colors. That’s what I do and what my favorite albums — Sgt. Pepper’s, Dark Side of the Moon, Electric Ladyland, Goodbye Yellow Brick Road — are all about. So if it’s a sin to make massive sounding records with huge production values, then I’m going to Hell.”

Fat chance, because Transition’s heavenly sonic architecture — erected with the help of such A-list musical friends as Def Leppard’s Phil Collen, superstar bassists Lee Sklar, Nathan East, John Pierce, and Tal Wilkenfeld, live band members Steve Weingart, Renee Jones, and Eric Valentine, along with mega-drummers Gregg Bissonette, Chad Smith of the Red Hot Chili Peppers, Tos Panos, and Lukather’s longtime keyboard foil and co-writer / co-producer C.J. Vanston — actually weaves a tale of redemption. 

“‘Transition’ is a turning point for the album and a turning point for me,” Lukather explains. “As we were writing the songs, I was thinking about everything I’ve seen — all the people I’ve lost in my life, the great and the difficult experiences I’ve had, and how ultimately it was time to get it together and embrace things for what they are, because we’ve only got one life to live and we’ve got to make the most of it.”

Despite the album’s harmonic depth and sonic surprises, Lukather explains that he kept his guitar sound organic. “These days I like it simple and direct,” he says. “I plugged my new Music Man L-3 signature model guitar straight into a Bogner amp and miked it with an SM-57. Any effects were added at the mixing desk. I used a Kemper Profiling Amp for some of the weird sounds, and that was it. Live these days it’s just my guitar and amp and a couple stomp boxes — and I just go for it.”

“I’ve been working really hard on my vocals,” Lukather attests. “For me, these days it’s all about the song and the performance. I’m not interested in being the fastest gun in the West. I want to make beautiful music that means something.”

Lukather, Weingart and Vanston’s closing instrumental rendition of the Charlie Chaplin classic “Smile” has a very deep connection for the guitarist. “That was my mother’s favorite song,” he relates. “We’ve been playing it as an encore live, and it seemed like the perfect way to close the album, too.”

After seven solo albums, Lukather reflects: “I’d like to say this is the best album I’ve ever made, but that’s a cliché. But I do think I’ve realized my goal of moving forward, so let me say that Transition is possibly the best reflection of who I am in 2012.”

Hauntingly Beautiful Dark Headbanging Sounds

Do I smell synthesizers?

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