Former member of Pearl and the Beard. Making more songs.

Eric Pratt/Chandra Rajagopal
Deep Electronica
music2ez@gmail.com


Strange Figurines is out now! iTunes: http://bit.ly/19KNdJO | CD/Vinyl: http://amzn.to/1ang33u

Discovered at SXSW in 2007 by Talking Heads’ and Modern Lovers’ Jerry Harrison, The Black and White Years debuted their first full-length, Harrison-produced record a year later. Following the success of their introductory LP, they fronted the national stages of CMJ Music Festival, Fun Fun Fun Fest and Austin City Limits Music Festival, not to mention the international rostrums of London’s Wireless Festival and Cannes’ MIDEM — where drummer Billy Potts climbed aboard. “Power to Change,” their uniquely mysterious pop anthem and first single, made waves on college radio, scoring them an armful of trophies at the 2009 Austin Music Awards. And their subsequent release, Nursery Myths EP (2009), proved no less noteworthy. Its lead track, “To Modern Science” helped garner close to a million YouTube views for a popular Apple iPhone commercial spoof meme. 

Everyone remembers the first time they see Lauren Ruth Ward sing. Not many singers have that effect. The thing is, you've never seen someone sing from every cell in their being and well, it changes your own chemistry for a moment. You think, if she can be bigger than her body, why can't I? And just like that, you are empowered. What's better, you never expected it would feel this fun. 

Critics have declared Lauren Ruth Ward as a cross between Janis Joplin, Florence Welch and Courtney Barnett. And while the consumer compass inside of us grasps at these to feel safe, comparisons don't feel just when trying to describe such a singular presence as Lauren. Her debut album "Well, Hell" garnered accolades from NYLON, Noisey, Consequence of Sound, the Los Angeles Times, Indie Shuffle and more. It introduced this Maryland native turned LA transplant to a world wide audience. Viral clips spread quickly of this new phenom's visceral live performance. Singing in the faces of fans, songs like “Blue Collar Sex Kitten”, “Make Love to Myself” and the soul crushing “Did I Offend You”. 

“I have a lot to say”, she howls in the title track. An oriflamme of the tie-dye 
explosion of energy and emotion that was felt when she hit Echo Park. Fans 
and bands alike fell for Lauren. Many times taken aback that she would show 
up to all of their sets and even take her own time to promote the shows of 
bands she liked, building a whole community around her as this refreshingly 
supportive East Side music peer. Echo Park folk powerhouse Alicia Blue even 
released a song about LRW titled “The Queen of Echo Park”. 

In no time, LRW was playing to sold out crowds in the US and overseas, 
sharing stages with artists as diverse as the Yeah Yeah Yeah's, Shirley 
Manson, Eddie Vedder, LP, Shakey Graves, Liz Phair and even Keith Urban; 
with a growing reputation for stealing the show. 

She's recently fallen in love with the process of recording to tape, which is how she plans to attack album number three. Talent met in equal parts with work ethic and a prolific writing process that she shares with guitar wizard Eduardo Rivera. We have already gotten a taste of her new material in songs like “Valhalla”, “Wise Gal” and “Super Bullshit”; in tact with that voice, sounding just as visceral but even more focused and mature. Lauren's music videos are extensions of her art and serve as calling cards for a woman that will continue to have a lot to say. From the new material already released, it is evident she will deliver these messages of empowerment and self discovery with honesty, beauty and 
poignancy. 

This year, you can catch Lauren Ruth Ward and co. on their US headlining tour. 
And when she's not on the road, she'll either be recording with her new side 
project, Aging Actress, formed with Chris Hess, singer of LA band SWIMM, or working in her home salon. 

Rock n Roll in 2020 really needs something. Thank the fucking Goddesses 
above and below for sending us Lauren Ruth Ward.

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