Name: 5. Close And Slow by Dan Casimir
Duration: 4 min 47 s
Description: Original Music composed by Daniel Casimir

From Upcoming Album: Whatever
https://itunes.apple.com/us/album/whatever/id690259313

Leron Thomas - Trumpet
Taylor Eigsti - Piano
Eric Harland - Drums
Harish Raghavan - Bass
Matthew Stevens - Guitar


Silly Ass

The multi-talented Shay Hazan fuses rubbery North African Gnawa grooves, with haunting jazz horns and hip hop on “Bob Dealer”, his forthcoming single via international groove artisans, Batov Records.  A special taste from his first LP for Batov, ‘Reclusive Rituals’.

Tel-Aviv based musician Shay Hazan is a composer, producer, bassist & bandleader. His versatile bass is frequently heard on national radio, providing the hits of tomorrow with a foundation in groove, and MIMS readers may have heard his bass lines propelling the grooves of Sandman Project’s breakthrough EP, ‘Royal Family’.  Recently, Hazan’s straight jazz project, the Shay Hazan Quintet has been making waves, particularly with the release of a 7” single on Jazzman Records.

Having commenced producing his new album during the first Covid lockdown, his creative process this time was a marked departure from previous projects. Whereas he would normally call and gather his band together to record his new compositions live, Hazan would come up with a groove first before sending the recording parts to a drummer in Berlin or a saxophonist in Tel Aviv to add a complementary rhythm or melody, and then finally editing the results himself. As Hazan puts it, “So technically I had the role of the composer and the producer as well as the guimbri player.”

“I made this album in order to satisfy the inner urge for simple grooves and the search for a different and new sound that draws inspiration from ancient places with great tradition but still corresponds with the world and the period in which I live and the way I express myself.”

Having already mastered the double and electric bass, Hazan learned how to play the three-stringed gimbri: a camel-skin-covered bass plucked lute used by the Gnawa people of North Africa, as heard on their hypnotic music.  Hazan repurposes the unique qualities of the instrument with a jazz approach, no doubt inspired somewhat by his introduction to the instrument: “The truth is that my first acquaintance with the Gimbri was by bassist William Parker, who is not a traditional Gnawan player, but an American musician, identified with jazz and improvised music. that I have been following for years.  Once I saw him play with this thing in a show and my mind exploded, I started researching where it came from and listening to music from Morocco and North Africa”. 

The album title, ‘Reclusive Rituals’, is inspired by a Jean-Michel Basquiat interview from 1985 where he discusses his reclusiveness and the public demand for gossip on well-known figures. In particular how advantageous it can be to stay out of the limelight, as the crowd’s very nature is to eventually turn on their idols. Hazan interpreted this to imply that personal behavioural patterns are significantly affected by the fear of negative responses, often leading them to non-action: “Basquiat's words have been resonating in my head for a long time. I see around me a lot of people who for fear of receiving negative criticism, do not initiate or create anything.

And in a certain place, I'm a little scared to be in this place myself and feel the need to keep searching and creating all the time without being influenced by criticism, for better or worse.”

 "Bob Dealer" sees full digital release on December 3rd, with the album dropping on December 10th, on both vinyl and digital. Pre-order available now.

Bob Dealer (Single)

Exclusive Premiere: Shay Hazan "Bob Dealer" (Forthcoming on Batov Records)

The Sauce (Hot)

Original Music composed by Daniel Casimir

5. Close And Slow

NEW EP OUT NOW on My bro Sonny Daze's label D81

Grab VINYL
https://division81records.bandcamp.com/releases

VIDEO: https://www.youtube.com/watch?v=m76waO0-p1M



Beat-making wizard Radius creates a journey through the genre-morphing LSD release. Encompassing the Boom Bap of his Hip-Hop origins, To the Pulsating rhythms of House, and Techno. The LSD pt.1 and Division 81 draw profound influences from Chicago, Berlin, Brooklyn, and everywhere in between. The release features artist Lailah Reich of Dia.L, The Twilite Tone and Division 81 label owner, Sonny Daze. This Release is the first release from the Brooklyn based label. Vinyl Features extended version of Know Self Division 81 Re-Work.

LSD PT. 1

Lopotsaves (Remix of Daedelus' Sevastopol) LSD PT.1 OUT NOW!!!

Order vinyl / CD / digital: https://bbemusic.lnk.to/SaturdayNightSpecial
In association with DJ Amir’s 180 Proof Records, BBE is honoured to present another gem from the small yet significant Strata catalogue. A precursor to New York’s Strata East, Detroit’s Strata Records was founded in the late 1960s by former Blue Note artist Kenny Cox. Starting life as a music-led community organisation, coffee shop studio and venue, Strata released only a few titles as a record label, gaining the imprint a cult following among record collectors and jazz lovers across the globe.
Possibly the best known of Strata’s releases, The Lyman Woodard Organization’s ‘Saturday Night Special’ is rightly heralded as a jazz fusion classic. Recorded in 1975, ‘Saturday Night Special’ features organ, electric piano and Mellotron by bandleader Lyman Woodard alongside guitar and bass by Ron English, with drums and percussion by Leonard King, Bud Spangler & Lorenzo “Mr. Rhythm” Brown respectively. Despite the fairly sparse instrumentation, ‘Saturday Night Special’ lays down an impressive wall of sound, powerfully atmospheric in its almost low-fi aesthetic. Hinting at more traditional jazz, rhythm & blues, afro-cuban styles and more, the uniqueness of this album is surely in its feel: summoning up images of a vast industrial landscape, assembly lines and urban decay. In other words, this record sounds like Detroit.
No great album artwork is complete without a good story to match, and ‘Saturday Night Special’ does not disappoint. Snapped by photographer and political activist Leni Sinclair (responsible for seminal pictures of Miles Davis, Fela Kuti and John Coltrane and many others), the cover image shows the contents of Lyman Woodard’s pockets placed on the hotel bed after a show: cigarette papers, cash and a pistol.
Following Woodard’s death in 2009, this incredible album was reissued in highly limited numbers by Wax Poetics; now just as hard to come by as the original pressings. It’s our pleasure to make this important and influential chapter in the story of contemporary jazz available on vinyl once again.

The Lyman Woodard Organization - Creative Musicians

Elder cousin to Mo Kolours, Reginald Omas Mamode IV and Jeen Bassa with his debut solo release. A blend of jazz, hip-hop, soul and broken beat with deep outernational flavours. Out on 22a.

Read more & buy: http://www.stampthewax.com/2018/04/26/premiere-james-creole-thomas-earth/
Listen on Youtube: http://bit.ly/creole-earth

Listen on Youtube

James 'Creole' Thomas - Earth (STW Premiere)

Pre-order the album Inner Symbols: 
https://fiveeasypieces.lnk.to/InnerSymbols
Vinyl: https://mokolours.bandcamp.com/album/inner-symbols

Anglo-Mauritian producer, singer and percussionist Joseph Deenmamode aka Mo Kolours is set to release ‘Inner Symbols’, his third solo album, on 18th May via Five Easy Pieces.

You won’t find many producers quoting Plato - ‘Inner Symbols’ takes its cue from the philosopher’s words "Music is a moral law. It gives soul to the universe, wings to the mind, flight to the imagination, charm and gaiety to life and everything''. Influences are many and all, ranging from colonization and African diaspora to Korean shamanism, Doug Hammond to Junior Byles. 

“Inner symbols is a musical path that begins within, and reveals itself outwardly, only to return to the INNER. Themes are; introspection, truth, history, family, mental nature of reality, recognizing positivity, greed, honesty, unity, love, ignorance, lust, and of-course DRUMS!”
- Mo Kolours

The entire album was created on a Electro Harmonix looper using samples and live instrumentation and a Roland drum machine. Similarly his energetic, improvised live show sees tracks layered up from loops of voice, percussion and drum machine before skewing in new directions. It’s a thrilling approach which has taken him to clubs and festival stages from Brighton to Brisbane, as well as to the BBC’s hallowed Maida Vale studios at the invitation of Gilles Peterson.

Raised on the traditional sega music of his father’s Indian Ocean homeland alongside records by the likes of Jimi Hendrix and Michael Jackson, Mo Kolours adds hip hop, dub, soul and other electronic styles to his individual sound. His approach could find him placed alongside Madlib or The Gaslamp Killer but he would be equally happy in the company of James Blake, Erykah Badu, Theo Parrish or Moodymann.

Along with Reginald Omas Mamode IV, Jeen Bassa, Henry Wu, Al Dobson Jr and Tenderlonious; he’s helped forge in the 22a co-operative that The FADER calls “a kaleidoscopic patchwork of hip-hop, house, and groove investigations bound by one thread: a timeless belief in rhythm as a universal language”.

MO KOLOURS - REAL WITH YOU

Proly the best track we done did.

Taylor on Twitter: https://twitter.com/TaylorMcFerrin
Taylor on Facebook: https://www.facebook.com/pages/Taylor-McFerrin/9087746963
Taylor on Spotify: http://open.spotify.com/artist/0yLmsf6RBPYqm6hvFJCPg6
Taylor on iTunes: https://itunes.apple.com/artist/taylor-mcferrin/id26149051

Nightwalker [Track for TK Wonder]

Honoured to have fucking crazy legends around to learn with, hang with and do remix’s for. Woohoo !

Matthew Hayes With Joel Trigg’s debut release, “Elegant Universe”, is on the dope local-selectors label Ken Oath Records. It is an autochthonous yoke of house, jazz and ambient beauty… Elegance.

Alien by origin, it’s an album that you could hang too, make love too or impress your sophista-friends as a backdrop to an introspective cuddle puddle…. the ending to an MDMA cap after a night out in Berlin comes to mind!

When I moved to the city and was first year uni at the victorian college of the arts, i remember people telling me about this amazing third year bassist from monash University, Matthew Hayes. I had to see it to believe it, no one plays bass like matthew hayes he is a standalone genius in the Melbourne improvisational music scene. A constant source of admiration, inspiration and someone I look up too.

We both affectionately share the same nickname “Hazy” or “Hayesy”. Matt because of his last name and me because of… well if you know me then know ;-)

Joel Trigg is an absolute legend ! One of the most kindest, gentlest and caring people that i’ve had the great pleasure of shared many times in performance and in beat-making/production. 

One of my fondest memories is the conception of “A Brother Scratch” beat tape. Which came about as an improvising hip-hop game.

Here’s what i did with “Kenny’s Chats”, thanks guys much love x

Matthew Hayes With Joel Trigg (Horatio Luna Remix)

Stimulator Jones’ sophomore LP finds its way on the Oslo-based record label Mutual Intentions as the artist explores the musical possibilities contained in his hands. La Mano is a striking collage of sonic hues, developed through 13 musical vignettes across the LP.

www.mutualintentions.com

@stimulator-jones

5. Close And Slow

Dan Casimir

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