This Is Steve Bug

Never Thought

Darkness

Mario Aureo - Raindrops (Markus Homm Remix)

El Mundo - Summer Like Winter

A Walk

Monopsia - Secret Door (Moodeep Mix)

Out Now on Beatport: https://pro.beatport.com/release/what-i-got-ep/1583925

Label: Get Physical

m.O.N.R.O.E.  On FB: www.facebook.com/monroemusic91

m.O.N.R.O.E. On Insta: instagram.com/jordan_postrel

Kill It (Original Mix) - m.O.N.R.O.E.

Lany Recordings head honcho Maxim Lany offers up an exclusive premiere from his new 4-tracker, The Craving.

Based out of Ghent, the Belgian's label is dedicated to supporting local talent, whilst maintaining a presence in the wider house scene, having released music from the likes of Kolombo, Larse and Tube & Berger. Meanwhile, Lany himself has seen his own records put out through esteemed imprints such as Bedrock, Kittball and King Street Sounds.

Closing out his new EP, Lany's Debut Transmission 'Nerve' is a low-slung, eerie affair, pairing a heady, glutinous bassline with an irresistible groove. Just try listening to it without rolling your shoulders or nodding your head, go on we dare you... 

The Craving EP is out April 4th, head over to the label Beatport to grab a copy then: http://pro.beatport.com/label/lany-recordings/19717

Maxim Lany - Nerve

Sabb & Serge Devant - Waiting EP
1. Sabb & Serge Devant - Waiting Ft. Forrest (Original Mix)

2. Sabb & Serge Devant - Waiting Ft. Forrest (Alan Fitzpatrick Remix)

3. Sabb & Serge Devant - Waiting Ft. Forrest (Bontan Remix)

4. Serge Devant & Sabb - Jamman (Original Mix)


After releases on Moon Harbour, Saved Records and remixing the likes of John Digweed, Sasha, Hot Since 82 and Hector Couto, Sabb (this time) with Serge Devant make their debut on Circus Recordings.

The original follows a melancholic tone, and features the hypnotic vocal talents of forest, a poignant and effective dance floor cut

The project couples Sabb’s grooves and Serge's melodic background with fascinating results, something more experimental for them both, and perfectly to accommodating Forrest’s sublime vocal.  

Two SLAMMING remixes come from Alan Fitzpatrick and Bontan who both use their identities to beat the original to a pulp. (in a good way of course…)

Finishing the release is ‘Jamman” a tripped out stripped back groove that echo’s hazey escapades at Dc10…  authentic house music

                                    www.circusrecordings.com

Sabb & Serge Devant - Waiting ft Forrest (Original Mix)

Back in Shape

Back in Shape (Peter Makto & Gregory S Remix)

'Rekindling their prolific and productive partnership, Poker Flat Recordings label boss Steve Bug teams up with Clemens Kahlcke aka Cle for another important release. 

The pair go way back, having being friends, DJ colleagues, co producers and label mates for over 20 years. Their latest release on Poker Flat, shows they have continued to bring out the best in each other. 'It’s Time', the title track, kicks off in fine style - a solid, urgent groove sets the tone, before sharp claps, a thick bass pulse and classic house stabs add the flavour. The pair clearly know how to work a floor.'

Follow : @stevebug // @cleberlin

It’s Time

Premiere: Steve Bug & Cle - It’s Time [Poker Flat Recordings]

taken off the upcoming artist album 'Noir' by Steve Bug - out Oct. 01

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FOLLOW: http://www.facebook.com/pokerflat.rec
FOLLOW: http://www.facebook.com/pages/steve-bug/8517364710

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Steve Bug, one of the world's most renowned artists in the electronic music circuit, presents his fifth and most mature longplayer. "Noir" doesn't deny its roots, but expands the usual spectrum and invites the listener to an exciting listening pleasure.

The title is ‘Noir’. The cover is dominated by the filmic aesthetics of light and shadow. The title evokes a world of shady transactions and secret crimes. Most of the tracks emit a suitably dark and moody atmosphere, with at least three directly referencing the film noir genre – From the well-known classic ‘The Spiral Staircase’, to more obscure ‘Somewhere in the Night’, and ‘The Seventh Victim’. Is ‘Noir’ a concept album? Origi- nally it was planned that way, but in the end Steve found the concept too rigid.

"I play all over the world on a constant basis, and always come back with different impressions", says Steve Bug. "Accordingly, this changes the music that I produce. I’ve had the idea to make a concept album for some time, but on the other hand, that’s not the way I work. My music expresses my moods, and of course, they are always changing. "

The material for the new album was created over a period of three years, which makes its consistency and coherence all the more amazing. The mood is dark, spooked. Over the relentless beats and basslines ghostly sounds swirl and conspire. Although all the pieces are driven by head-rushing beats, ‘Noir’ is more than ever, a listening album. "If I had worked longer on the album, I probably would have replaced even more of the dance tracks with listening tracks", says Steve. "I think a lot of albums in dance music are not convining as albums - more a collection of tracks, than a coherent whole."

‘Noir’ is definitely different. Although the film noir concept isn’t carried through completely, it infuses the spirit of the record in a way reminicent of the sci-fi obsession of Jeff Mills or Carl Craig. In fact, ‘Noir’ could soundtrack a 21st Century ‘Blade Runner’ - tracks such as the pre-re- leased single ‘Those Grooves’ and ‘No Adjustments’, with their evocative spoken word texts, play in to a vision of an apocalyptic-dystopian disco.

‘Noir’ is very much an electronic album. Richer than its predecessor, these tracks easily transcend the merely functional - Steve Bug has in- jected the harmonies with serious emotion. Avoiding the trap of many house music producers, Steve has resisted the temptation to throw in an album full of live instrumentation, explaining: "the results have never convinced me. You have to find musicians who understand repetitive music, otherwise the whole thing is so watery." ‘Poison of Choice’, with its sensational guitar solo, is the exception - and the result of a techni- cal difficulty. Due to non-compatible plug-ins, access was blocked to a sample, and Steve ended up asking his mixer Hannes Bieger to play the guitar chords. While the recording was made, the idea to add the solo happened and the results were so good they ended up defining the track. Two of the standout tracks involve sublime vocals from performers Steve has a strong affinity for. Emilie Chick, the Portland born, genre- scrambling rising star brings a femme fatale’s touch of jazz to 'Moment of Ease'.

The aforementioned 'No Adjustments' with its driving, edgy groove and out of control synth, is enhanced by the spoken word exhortation to just let the beats flow - the unmistakable work of the Foremost Poet Johnny Dangerous.

Aside from that, Steve Bug has always recorded everything on his own – and similarly, developed his distinctive harmonic knowledge by himself. "I have no training as a musician - I taught myself about harmonies. When I realised that many of my heroes in electronic music, whose mu- sic always seemed so rich, was done with the help of others, I have al- ways been a little disappointed". In this respect Steve can be proud about the fact that his experience producing the intricate and exceptional ‘Noir’ was achieved on his own.

From the driving opener ‘Tell Me Why’ to the emotional closing track ‘The Seventh Victim’, Steve Bug has crafted a rounded, atmospheric al- bum that throws a long and impressive shadow over most contemporary dance albums.

Noir

Steve Bug - Tell Me Why

Submit your track, mix for repost or premiere? ➩promo@8day.ca
Stream our Playlist on Spotify: bit.ly/8daymtl ♩ ♪ ♫ ∞ ♥

RELEASE DATE 2019-10-07
Buy link: 👉https://www.beatport.com/release/margherita/2714880

☁️ ☁️ ☁️ ☁️ Follow the artists > @danielcuda
https://www.beatport.com/artist/den/806784
www.instagram.com/danicuda
www.facebook.com/danielcudaofficial

☁️ ☁️ Follow the record label > @milkcratelabel 
www.facebook.com/milkcratelabel/
www.beatport.com/label/milk-crate/62281

Release info:

"'The name that we guarantee you mispronounced the first time you said it. The name that has been supported by some of the scene's biggest names. The name that will make you question why you didn't know it sooner.

Denè hasn't just arrived at the Casa Del Crate. He's shown up with something to prove.

As we all know, the most important part of a recipe is its foundation. Juicy 'Pomodoro' followed by the correct dose of 'Bufala' and topped off with the final touches by the pizzaiolo himself Dubman F.

We defy you to find a better recipe"


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Stream our Playlist on Spotify:
https://open.spotify.com/playlist/57UdhTA6odRVJhqCIvDyDt

All 8day premieres:
https://soundcloud.com/8day-montreal/sets/premieres
All 8day podcasts:
https://soundcloud.com/8day-montreal/sets/8daysets
All GrrreatCasts:
https://soundcloud.com/8day-montreal/sets/grrreatcasts
All Free Download:
https://soundcloud.com/8day-montreal/sets/free-download

Releases Out now on 8day's imprint!
https://www.beatport.com/label/8day/63082

PREMIERE: Denè - Bufala (Original Mix) [Milk Crate]

I hear you feat. Black Soda

Low Blow

Low Blow (Bug vs. Hawtin)

Resilience

Dance music platform promoting emerging & establish talent from around the world in the underground electronic music space. We focus on what's important: The Music.

Curated by When We Dip.

Submit your music for Repost & Premiere => dancefloorromancer@gmail.com

Premiere: Steve Bug & Cle - It’s Time [Poker Flat Recordings]

Dancefloor Romancer

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