TAKE US HOME

Dan & Drum

Dan and Drum

https://soundsgood.co/curator/discotheque-herge-paris

casual kind

Sofi Griffith

Indie Folk

Linds

'Forgets Slowly' is available on: 
iTunes - goo.gl/iMh6W
Bandcamp - https://goo.gl/Uhk4qM

VIDEO: https://youtu.be/QzQxY8wDVRU

LYRICS: 
I loved you once and I’ll love you twice but love is cold and love aint nice and
He who loves well forgets slowly
I see your face from day to day, in a hundred years what will they say?
They’ll probably won’t say nothing cos we’ll be dead, wo 
I made your funeral speech in your head even though you’re not quite dead
And I thought I would have done things differently and
You know what ,I’ll do it all over again
You know what, I’ll do it all over again
 
It’s all just chapters in the end, some we receive and some we send and some
are just written really badly
A million words wouldn’t do the trick and love cannot build a bridge
You need construction workers for this
oh Love killed me with a thousand blades and gave me a melancholy phase
For he who loves well forgets slowly.
 
I loved you once and I’ll love you twice but love is cold and love aint nice and
He who loves well forgets slowly
I see your face from day to day, In a hundred years what will they say?
They’ll probably wont say nothing but
You know what ,I’ll do it all over again
You know what, I’ll do it all over again

Keep a Private Room Behind the Shop

Forgets Slowly

Listen on Spotify

Our debut album "When It Was Now," is now available on iTunes- smarturl.it/atlas

Subscribe for more new music on YouTube- bit.ly/W8yTQS
iTunes - www.smarturl.it/atlas
Facebook- facebook.com/atlasgenius
Twitter- twitter.com/atlasgenius
Tour Dates- atlasgenius.com/tour

Lyrics to Trojans:
Take it off
Take it in
Take off all the thoughts of what we've been
Take a look
Hesitate
Take a picture you could never recreate
Write a song
make a note
for the lump that sits inside your throat
Change the locks, change the scene
Change it all but can't change what we've been

Your trojan's in my head

It's ok if it's gone
The thoughts that you had that it was the one
And oh what is left?
For all those times is that what you get?
Oh regardless
The walls get painted anyway
Oh you're guarding
The gates, but it all got away

Your trojan's in my head

Take it off
Take it in
Take off all the thoughts of what we've been
Take a look
Hesitate
Take a picture you could never recreate
Write a song
make a note
for the lump that sits inside your throat
Change the locks, change the scene
Change it all but can't change what we've been

About Atlas Genius-
The members of Adelaide, Australia’s Atlas Genius do things a little differently….They set about building a studio where they could write and record music for their newly formed band 3 years before they even played their first live show as Atlas Genius. For two years, they devoted their days to constructing their dream studio and spent their nights performing songs by The Police, The Beatles and The Rolling Stones at local pubs to pay the bills. “We really got down and dirty with dry walling and literally laying the floorboards, and at the same time we were taking a couple of days a week to focus on writing songs,” recalls Keith Jeffery, Atlas Genius’s vocalist/guitarist. "We had a lot of song ideas and it was important to us to have our own studio where we could experiment and hone in on our sound," adds brother and drummer, Michael Jeffery. The studio was designed and outfitted by the brothers with the help of their father (who comes from a music and engineering background). Once the studio was complete, the first song that Atlas Genius finished was a song called “Trojans,” which they wrote, recorded and produced in collaboration with their friend, keyboardist Darren Sell. After many weeks tweaking the song, Michael insisted that the song was ready to be heard outside of the studio walls. Within an hour, “Trojans” was on the Triple J Unearthed Website, SoundCloud, and for sale via TuneCore on iTunes, Amazon and Spotify worldwide.

“We had begun to think that music was a pipedream and we had all gone back to university to pursue more realistic careers,” says Keith. “We’d had such a long slog of playing late nights and working all day, and it felt like we didn’t really have anything to show for it.” But then, in the midst of cramming for their Fall 2011 semester final exams, Neon Gold discovered “Trojans” on the Triple J Unearthed Website and wrote a post praising “Trojans” as a song sure to “invade your head, all dressed up in a clever disguise of earnest vocals riding a hooky riff.” Checking the band’s email account for the first time in over a month, the band found that dozens of record labels, publishers, lawyers, booking agents and management companies from all over the world had contacted them.

“We were trying to focus on school, but it was just impossible,” recalls Keith. “So we said, ‘There’s something going on here. Let’s get back to the music.’” The band added manager, Jonny Kaps from +1, to their extended family to navigate all of the interest as the band focused on writing and recording more songs.

Quickly named an iTunes Single of the Week in Australia and New Zealand, “Trojans” reached #4 on Hype Machine by the end of May. In August, SiriusXM Satellite Radio’s Alt-Nation discovered the song on a blog and decided to give it some spins. There was an immediate reaction from listeners, and in September, “Trojans” was placed into heavy rotation, where it maintained a top-five position on the listener-generated Alt-18 countdown and peaked at number one for 4 consecutive weeks in January 2012. “Trojans” began selling over a thousand tracks per week on U.S. iTunes and soon climbed to 45,000 sales - all with zero promotional efforts from the still-unsigned Atlas Genius.

“Knowing we had this audience that was waiting on new songs, we had a much greater sense of purpose than we had before,” says Keith. “It was really exciting to know that there were people who wanted to hear more of our music.” Although labels were clamoring for the band to come to the U.S. and play a series of showcase gigs, Atlas Genius turned down those offers in favor of staying in Adelaide to keep writing and recording new songs. In February 2012, after months of communicating with numerous labels via Skype, the band chose to travel to the US in order to make their label decision.

“We’d never been to America before,” says Keith. “We flew in at night and saw this sea of lights, and it really became apparent to us how massive the U.S. is. It was pretty intimidating - like ‘How do we fit into all this?’” In April 2012, the band returned to the states having made their decision to sign with Warner Bros. Records. “We felt a connection with them,” notes Keith. “Everyone there feels very creative and dedicated to the music.”

The band’s first release from their new label home, the EP Through The Glass (produced, engineered and mixed by the band), came out in June of 2012. With Through The Glass completed, Atlas Genius then holed up in its studio and worked on writing and recording its first full-length album, while at the same time rehearsing for their first ever tour. The tour started in August 2012 and led to three more tours back to back taking them thru to the end of the year. Thus, their full-length debut was finished up between tour dates and got completed just before Christmas 2012. When It Was Now is set for a US release on February 19th, 2013, with an international release to follow soon after.

The debut captures Atlas Genius’s singular combination of sophisticated musicality and warm, wistful spirit. Infused with a classic sensibility, each of the songs would fit seamlessly if somehow slipped into a long-treasured mixtape. On the shimmering “Symptoms,” for instance, taut keyboard riffs mesh with urgent acoustic strumming before the band bursts into a gently frenetic, guitar-drenched chorus. Meanwhile, “Back Seat” blends its pulsing bass throb with a sweetly infectious beat and tender vocals that alternately soar and sigh. And on “Trojans,” Atlas Genius begins with a restrained guitar melody and vocal (“Take it off, take it in/Take off all the thoughts of what we’ve been”) before giving way to the handclap-accented, harmony-soaked refrain and lush yet kinetic bridge.

“It’s still surreal,” says Keith of all that’s happened over the past 18 months. “I think when we were very young, we had hopes that something like this might happen one day,” he continues. (Thanks largely to encouragement from their Beatles fanatic parents, who encouraged the brothers to begin playing music by age 14.) “But then you grow up a bit and it seems less and less likely. So when we put ‘Trojans’ out, we figured it would be a success if maybe a hundred people heard it. We don’t want to force our music onto anyone. Our goal is to write songs that we love and we hope they connect with other people too.”

Trojans

Buy on iTunes

From Playground EP - available now!
Download: http://smarturl.it/Playground-EP
Stream: http://smarturl.it/StreamPlayground

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Deep End (feat. Eastside and Mayer Hawthorne)

Download

FREE DOWNLOAD at http://bit.ly/skindownload

Free Download

Skin

From TOPS' LP "Picture You Staring" 
Order here: tinyurl.com/pqoh8t9
Released September 2nd

TOPS on Twitter: twitter.com/tttopsss
TOPS on Facebook: www.facebook.com/pages/TOPS/335481216473541

outside, you don't know why
tell each other in the middle of the night
talk about it like you really want to know 
what she running around for?

rat-tat the door unlatch
someone here to take you back
outside in the middle of the street
are you getting what you need?

thoughts of you 
running through my mind
open door but it doesn't feel right 
you look at me as if you know what it's like 
in the shadows of the streetlight

now i know 
I can't go back
you're with her and she doesn't deserve that
but when I look into your eyes
you see something I'm trying to hide 

thoughts of you 
running through my mind
open door but it doesn't feel right 
you look at me as if you know what it's like 
in the shadows of the streetlight
shadow, why's it a shame for me to love?

Picture You Staring

Outside

TOPS "Outside"

'Heartstrings' Available October 28th, 2014

Pre-Order on iTunes and Get a Track Now!

iTunes: http://smarturl.it/LMheartstrings

Heartstrings

Too Much Time Together

Download Moving Castle Vol. IV: bit.ly/MCVol4
peep what we're listening to on spotify: http://bit.ly/SpotifyInTheClouds

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Download MCV4

AObeats & Jai Wolf & Manila Killa Ft. Mark Johns - Diamonds For Breakfast

Dana Williams and Leighton Meester live cover of 'A Dream of You' by the Caravelles.

Dana Williams @IAmDanaWilliams - Vocals & Guitar
Leighton Meester @ItsMeLeighton - Vocals & Guitar
Garrett Eaton @GarrettEaton - Bass & Production
Chrystian Kaplan @TarzanTribe - Percussion 
Lincoln Cleary @LincolnCleary - Keys 

Dana Williams and Leighton Meester Cover A Dream of You

Mona Lisa -

If you don’t mind
I might try to see you later
Mamas gone, papas off in Dequatur
You got eyes, you should see that I’m lonely
I’ve got eyes and I concede that you’re comely

Tell me who’s that boy over there
Making eyes, making me stare

Well I don’t know your name, but can I call you
Mona Lisa
Can I put your picture on my wall
I just wanna know, can I be with ya?
Let me take the fall

You got heart, you got soul,
You got everything I know
Wrapped around your finger
You got eyes, you got lip you got hips you got it
It put me through the ringer
I know you had it bad for another
But we all know that we have it bad for eachother

Tell me who’s that boy over there
Making eyes, making me stare

I don’t know your name, but can I call you
Mother nature,
Will you let me fertilize your fields
I just wanna know, we’re basic creatures
Just tell me that it’s real

Can I call you sweet Maria
Can I send you letters in the mail
I just wanna know can I be with ya?
Let me know today
Can I call you sometime soon girl
I just wanna know if that’s alright
I know I must seem awful rude
I’m just blinded by your light


PURCHASE

Mona Lisa [Now on Spotify]

Taste Like -

Well hello, you’ve got a lovely style
And I should know-
I’ve been writing all of your mama’s advice
And if you tell me how ya like it
We can go far
And so far so good yo

When I’m in the mood for it bae
She makes one hour, makes one hour
Out of thin air, then we take a shower afterward
That I can’t get out of
How could I get out of it all?
All the party people in the house!- 
Ya gotta get out
Pretty ladies don’t count
Yall know who to get at

Ooh ooh you taste like milk,
You taste like salsa
And the ocean smells like your wynona
Shit i just can’t stop talking
And you knew it all,
All along you knew it all
But you must not know bout me
I’m an award winner
And I taste like whiskey,
I taste like ashes and black coffee
I was naughty, then she caught me,
Now she miss me (heh)
yada yada yada
I don’t wanna bore ya, I wanna bore into ya
Powerful love like God of Corinthians
If the baby in the manger’s the savior
Then I dunno whadda call a cradle at all

At the door you looked so foreign,
But in here you’re so familiar
I was drawn in by the light
But now it’s dark and warm and still and wet
And home is in our roamin hemoglobin
And it’s only beholden to our folded lil note-poems
Fuck the tuck in your elbows, we’re hella in the ozone

When I’m in the mood…

Taste Like [Now on Spotify]

Lester -

I only worry that I’m crazy
Cause if it’s at all true
Then it’s all true
You know i hate lying
Cause I hate wasting time
You said soon we’ll be leaving this place
And the life it defined
And you were lookin hella phased
I was still making up my mind
I put them words in the open and they oxidized

Falling, golden and heavy, in the middle of the room
You were pouring over them, I was pouring over you
Snagged by the glinting of your open, glossy eyes
Tryna decide if it’s clarity, or a reflection
Is it careful tension, or an embarrassing infection?

We can’t get any closer without touching, I said
And I can’t put my hand there
Without going through it
Without us both going through it
And they say the day you die is when you meet your match
So you’re probably hoping that I cut you some slack

And that wouldn’t be so bad
If I didn’t have to eat
But if I catch sleep in the shower
I can maybe get an hour

Cause now I know the difference
Now I know the difference
Between a prayer and a preference
Between desire and a deference

Cause I always leave with love
A new pouch in my pocket
It’s a sweet, slow drip, but in my vice grip
It’s all gone by the morning
Ya know ya man always want more in the morning

You’re the heroine
Good god yeah you feel so smooth
When you come through, I see you 
On the next page in the wreckage of the towers in flames
Handing out blankets to the families praying
Baby I’m a young lover down on my luck
Undercover as a stick in the mud
Yeah I’m a fixer-upper
And if you’re a nip-tucker
Then I can be your partner man
I can be your partner like Chan and Chris Tucker

Without touching, though, no I can’t do without touching
If that’s asking too much we can just close the book
But don’t ya wanna know if you’re supposed to look
I wanna know if ya know my name
Should a ghost, should a ghost say hey?
Should a ghost say hey?

Lester [Now on Spotify]

Bottle You Up [Now on Spotify & Apple]

Fixin' Up Right -

Your feelings are mixed
And our feelings are mixing up
Ain’t nothing fixed
But everything’s fixin up right
Shorty you blowing my mind

Your feelings are neutral
Our feelings are mutual
Don’t know the future but we’ll
Do something unusual tonight
Shorty you blowin my mind

If music is math and math is machines
I think we all know what that means
You never really created
And you ain’t ever really made it much better
If music is math and math is machine
I think we all know what that means
You’re just the sum of your parts
They came in a lil cardboard box
If music is math and math is the weather
Goddamit might as well forget her
Cause it’s never your fault
It’s never ever really your fault

When I come towards you
You make me weak
When it feels like everybody’s terrified of me
Baby you making me mean it
But I’m afraid it might be paraplegic

Shalom shalom, sweet baby
There’s alcohol and we all got good news
Shalom shalom, sugar
Just pass along the time you’re coming through
And shed a lil light

Fixin' Up Right [Now on Spotify & Apple]

OWN IT

Heteroverheels

HOME

blue eyes

a cover of the classic Beatles track commissioned for a short film. 


In My Life (Beatles Cover)

Fire n' Shit

Golden

Money, Honey

Heart Skipped A Beat - XX

MIKKY EKKO - "PULL ME DOWN" (Produced by Clams Casino &amp; Mikky Ekko)
Download for FREE above or purchase on iTunes here: http://smarturl.it/PullMeDown?iqid=sc

www.mikkyekko.com
www.facebook.com/mikkyekko
www.twitter.com/mikkyekko

Pull Me Down

BUY NOW

 Buy on iTunes 

Carousel - Let's Go Home (Sound Remedy Remix)

Frank Ocean - "Super Rich Kids" (feat. Earl Sweatshirt)

 Buy on iTunes

Sound Remedy - Liberation

Listen anywhere at: https://smarturl.it/dananddrum

Contact: danandrum@gmail.com