Bookings: Sonofapeachyb@gmail.com

https://linktr.ee/Breekomadina

www.instagram.com/DJPeachyB

Bookings: bookings@aerotekrecordings.com
Promos: promos.hodarmuzzikk@gmail.com
Aerotek Demos: demos@aerotekrecordings.com
De-Konstrukt Demos: rolando@de-konstrukt.com

DJ | Producer | Remixer
1/2 of @phaseobjekt
Partner @de-konstrukt-label
Label Owner @Aerotek-Recordings
♫♪♫♫♪♫ All Forms of Techno ♫♪♫♫♪♫

Labels Signed To:
- Dolma Rec (FR) | @dolma-records
- Sleaze Records (UK) | @sleazerecords 
- Naked Lunch (PT) | @nakedlunchrecords
- Unknown Territory (UK) | @unknown-territory
- De-Konstrukt (NYC) | @de-konstrukt-label
- Thatechno (PT) | @that-techno
- Format Recordings (CHI) | @format-recordings
- Yellow Recordings (SE) | @yellowrecordings
- Funk'n Deep (LA) | @funkn-deep
- Frequenza Records (IT) | @frequenza-records
- Reload Black (SP) | @reloadrecordsoffical
- Black Square (BY) | @eclipse_recordings

+ Others

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With around a decade under his belt in the DJ / Production game, RolandøHödar has emerged as a well-known and respected DJ and techno producer from the Southwestern, United States. His style is versatile, but always delivers proper underground techno sounds, as his foundation and preferred tailored sound. 

Not only a DJ, but an accomplished Producer & Remixer, Rolando has released on many national and international labels, including Sleaze Records from the UK, Naked Lunch from Portugal, Unknown Territory, Nihil Young's label 'Frequenza', De-Konstrukt, Black Square Recordings, Reload Black, Funk’n Deep, to name a few. He has DJ'd all over the country at clubs like The Works in Detroit, Beta in Denver, The Electric Pickle in Miami to name a few and has also traveled to various parts of the world to DJ, ranging from his birthplace in Chile, to ADE last year in Amsterdam, and arguably his best moment to date, playing at the famous and world renowned club WOMB in Tokyo. 

Rolando was born in Valparaiso, Chile, South America, and lived the majority of his childhood and early adult life in New York, where most of his inspiration and roots are derived from, by being fortunate enough to witness world renowned DJ's such as Jonathan Peters, Danny Tenaglia, DJ Vibe, Victor Calderone and more play at famous clubs such as Sound Factory NYC, Crobar NYC, Cielo, etc, that inspired him to start DJing, to now producing dark and driving Techno music, which is a fusion of American Techno infused with a European style.  

Currently now he runs and operates his successful techno label AEROTEK RECORDINGS, which was founded in 2013, out of Scottsdale, AZ, as well as a label partner for the successful Dark Techno label De-Konstrukt, working close along sided Syed Raza (Subfractal) from NYC.

Aerotek Recordings, which has hosted some top underground talent such as Luis Flores, Axkan, Anthony Jimenez, Tunnel, Forest People, Andy Notalez, DKult and many more, has been used as a platform and a foundation for himself, as well as for his peers, that has gained notoriety throughout the globe. Rolando also co-hosts the popular Evolve after party in Detroit during Movement festival weekend, alongside labels Sub÷Divizion & Omen, at the famous ‘The Works’ venue, which has gained international notoriety, and has hosted amazing artists such as Neil Landstrumm, Orphx, Subfractal, Axkan, plus others. Rolando also owns and operates his 'Bang' brand, showcasing Techno in Arizona venues throughout. 

Rolando plans on pushing the envelope even further by releasing on bigger labels, and obtaining bigger artists for Aerotek Recordings, and running his event brand called Bang events in Arizona #AlwaysChooseTechno

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INFLUENCES:

Jonathan Peters, Danny Tenaglia, Peace Division, DJ Vibe, Victor Calderone, Deep Dish, Lexicon Avenue, Murk, Eric Prydz, Erick Morillo, Robbie Rivera, Superchumbo

For Booking contact Savaant Ent at booking@savaantent.com

Just as rave culture was making its first waves in the UK in 1988, a mad English kid named Lee Reynolds rode his BMX bike across the Atlantic to Los Angeles, carrying with him dreams of big air and sunny skies. He was as wild then as he is now, it’s just that on two wheels, Reynolds’ lack of abandon resulted in broken bones, not broken beats. In 1992, he limped off the ramp one last time and soon found himself lost to electronic psychedelia, and thusly one of the West Coast’s finest DJs began his path to the Desert Hearts movement and the hysteria he now conjures with every performance. 

Now, a quarter century later, Reynolds has a lifetime’s worth of experience bringing the weird and the wonderful to the dancefloor. He earned his chops up and down the West Coast in the dance scene’s dustier institutions––Moontribe, Moonshake, LiB––That’s where he developed his endlessly wide palate, penchant for mysticism, and an understanding that a dance party should be a spiritual experience. 

“When I DJ, I want people to feel ecstatic, in a zone, in the moment, like the only thing that matters is the dance,” he says. “I don’t want to play music that people can dance to, I want to play music that makes people dance. I want it to sound like aliens are about to land on the dancefloor.”

In 2011, It was an encounter with a plucky bunch of San Diegans barely out of their teens that was the calling Lee Reynolds had spent his whole life working towards. Alongside Mikey Lion, Deep Jesus, Marbs, and Porkchop, Reynolds formed Desert Hearts and the rest is history in motion. Over the past three years of bi-annual renegade ragers and relentless touring, “Papa” Lee Reynolds has developed into the patriarch of the fastest growing and most visible cultural movement in all of stateside dance music.

“My real role in Desert Hearts is more on a spiritual level, making sure we spread a positive message and do the right thing,” says Reynolds. Wise words, maybe, but behind the decks, Reynolds is a maniacal presence as he channels his past lives, tastes, adventures, and perspectives into a dancefloor magic that captures you upon first beat and does not release: House, techno, acid, and breaks, they’re all conjured up in a plume of purple haze and that little mad bastard is at the center of it all. 

Dance music now is so often about fast rises and immediate gratification, but Lee Reynolds’ story is a reminder that some beats taste better when slowly fried over the course of 25 years. “I’ve been obsessed with this shit forever and I’ve always believed the madness was coming,” says Reynolds. Well, the madness has commenced, and it seems like it’s here for good––and Lee Reynolds is conducting the score.
- Jemayel Khäwåja

(Cheeze House Rekordz, Coalesce New Years, The Blackbird Bus, TBBR) 
After 15 years behind the decks, Mylow has a refined taste in dance music. His number 1 rule... The dancefloor rules!!! Whatever is necessary to make poeple move their feet and shake their asses, mylow can and will do!!! Downtempo, House, Minimal, Tech, progressive, Disco, Jazz, DOESNT MATTER! As a sonic author, his goal is to write a new chapter in his msuical book everytime he steps behind the decks!

= e s t . 1 9 9 2 =
|| c o n t a c t . b o o k i n g ||
= bijanbeatsmgmt@gmail.com =

DJ/Producer | | https://linktr.ee/PARTYDECK

Followers of Dangerhouse