Interception

Jörmungandr【GS2022】

This tune was made with KORG Gadget for MAC

Bizarre Dream Girl

and the fire and the cross and the blood and the tear
what we feel and believe what we see what we hear
who we are who we've been how we act and pretend
how we play our role to some dubious end
who we love how we hold onto who shares our life
and the guilt and relieve we depart and arrive
and the wounds and the anguish we recklessly cause
we create we destroy we're behaving like gods

and the carrot and the whip the complaint and the tip
and the tie and the suit, do i stand, do i sit
the impression so important more important than the truth
if the lies are outrageous no one cares about the proof
to convince or divide you are wrong i am right
there is darkness without me providing the light
but i choose what you see and i hide what i want
when you are looking for answers you will find that you can't
so you're looking at me with those hungry big eyes
and you swallow and trust all my selfserving lies
you donate and you chant and you'll fight and you'll kill
for you believe that's your glorious leader's will
and the wounds and the anguish we recklessly cause
we create we destroy we're behaving like gods

like gods

Like Gods

Summertime Sadness 2

The Assignment: Use a building as a filter.

Step 1: You’re going to use a wall in a building, perhaps your workplace or residence, as a filter. Consider these instructions carefully before selecting the appropriate wall. Some trial and error may be required.

Step 2: You’re going to record a track in which the rhythmic element is heard through a wall. That is: you’ll record the rhythm track, and then play it loud from another room (or outside), and record what it sounds like as separated by a wall. Choose a wall.

Step 3: Record the rhythm, track.

Step 4: Re-record the rhythm track from Step 3 by playing it on one side of a wall and recording from the other side of that wall.

Step 5: Record a piece of music using the recording from Step 4 as the foundational rhythm track.

Eight Important Steps When Your Track Is Done:

Step 1: Include “disquiet0583” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0583” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0583-wall-to-wall/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Additional Details:

Length: The length is up to you.

Deadline: Deadline: This project’s deadline is the end of the day Monday, March 6, 2023, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, March 2, 2023.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 583rd weekly Disquiet Junto project, Wall to Wall (The Assignment: The Assignment: Use a building as a filter), at: https://disquiet.com/0583/

More on the Disquiet Junto at: https://disquiet.com/junto/ 1

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0583-wall-to-wall/

You should talk to John - disquiet0583

Nearly imperceptible shifts and trends, all the things that happen when you're not paying attention - and then something from that background noise erupts and changes everything...  

illustration: "Van Gogh's Synthesizer" by Melissa O'Brien

How Did We Get Here ?

@digitallydying on tha rap verse
@2k1wasayear on tha production n singing

contact: 2001wasayear@gmail.com

ONLY U (ft. Death Don Furçon)

Dimitri and Khalid discuss the bizarre 2015 arrest of Kamala Harris's "Masonic Fraternal Police Department" aide, the political machinations of the San Francisco haute bourgeoisie, the history of the Knights Templar, and the curious business connections of SS Haupsturmführer Otto von Bolschwing.

#02 - Kabala Harris and the "World" of the Knights Templar's!

Dimitri and Khalid discuss the transcultural, transhistorical phenomena of Bigfoot/Sasquatch/Yeti, the connection between Bigfoot and end times prophecy, the lost hominid hypothesis, the interdimensional hypothesis, CIA paranoia about Soviet breakthroughs in cryptozoology, Allen Dulles and the “Tibet situation”, Texas oil heir Thomas Slick's Yeti quest, the Klaus Barbie connection, comrade Rock Apes on the Ho Chi Minh Trail, and the Caucasian Almasty who was found guilty of desertion and shot by Red Army Partisans in 1941.

For access to full-length premium episodes and the SJ Discord, subscribe to the Al-Wara’ Frequency at patreon.com/subliminaljihad.

ONLY U (ft. Death Don Furçon)

dani doom

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