A dreamy improvisation over the top of a gentle perlin, pink and brown noise bed.
More on this 531st weekly Disquiet Junto project – Noise Sculpt (The Assignment: Listen for a mirage of your music within white noise) – at: https://disquiet.com/0531/

More on the Disquiet Junto at: https://disquiet.com/junto/ 1

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0531-noise-sculpt/

Perlin, Pink & Brown Improv (disquiet0531)

asynchronous mash-up for  junto project 0533 with tracks by @zedkah , @paul-reiners-1 , @isonomia , @user-130801280

https://llllllll.co/t/disquiet-junto-project-0533-numbers-magik

18/MAR/2022

asynchronous mashup (disquiet0533)

This track was inspired by the Disquiet Junto Project 0533: I created a remix of the @Sternklang track https://soundcloud.com/sternklang/disquiet0527-dead-center-with-dan-simpson-j-benjamin-niemi also incorporating the other two parts of that trio, https://soundcloud.com/user-931021867/january-21-look-again-disquiet0525 by J. Benjamin Niemi and
https://soundcloud.com/dan-simpson-497607106/disquiet0526-jan-21-look-again-2 by Dan Simpson.

Thank you @Sternklang, Dan Simpson and J. Benjamin Niemi for being part of the Junto and providing these great tracks!

I felt "Sternenklang" (the sound of stars) would be a great, poetic title for the resulting music. It reflects the mood to which the creative flow has lead me, and is at the same time a reverence to the creator of the original track.

More on this 533rd weekly Disquiet Junto project – Numbers Magik (The Assignment: Remix a trio — potentially using its subsets and variants) – at: https://disquiet.com/0533/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0533-numbers-magik/

Sternenklang (Disquiet0533)

More on this 534th weekly Disquiet Junto project — Transition Capsule (The Assignment: Record music to help people efficiently reorient between two zones) — at: https://disquiet.com/0534/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0534-transition-capsule/

trash inflation

halF transitioN [disquiet0534]

great assignment!!!

used two things:
lyra 8
Baritone guitar played with e-bow

you understand when you listen

connect/disconnect(disquiet0534)

Choosing fewer musical elements can be like shedding skin.

Recorded, mixed, released Apr 07 2022. 

Synths, effects, skin. 

©2022 Jim Lemanowicz

This original version of "Shedding Skin" was submitted as part of Disquiet Junto Project 0536: Metaphor Play. Take a favorite figure of speech as a  creative prompt.

More on the Disquiet Junto at: disquiet.com/junto/

Project discussion at llllllll.co: https://llllllll.co/t/disquiet-junto-project-0536-metaphor-play/

Originally released under the artist name of "Slant 7"

Shedding Skin (disquiet0536)

My entry to Disquiet Junto project — Penitent Honk. Notes on my entry are at: https://llllllll.co/t/disquiet-junto-project-0537-penitent-honk/54463/6?u=alanholding

This project was proposed by Rob Walker.

More on this 537th weekly Disquiet Junto project — Penitent Honk (The Assignment: Do sound design for "a missing gesture" of vehicular life) — at: https://disquiet.com/0537/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0537-penitent-honk/

disquiet0537 Car Sorry

Disquiet Junto Project 0537: Penitent Honk
The Assignment: Do sound design for “a missing gesture” of vehicular life.

I bought this little pink plastic horn (current picture) at a flea market a few years ago, thinking it might one day be of musical value. And I should be right. For three days now I have tried to create an apologetic sound with the horn, and out of 10387546 samples I have chosen this one as the most convincing. It is slowed down to 0.25%, and for purely scientific reasons and consideration of future noisologist, I have added the original sound at the end. The reverb and the background noise is the ambient noise of my home office/studio, and I think the Mac decided to start it's backup on this very recording. Anyway, I find the sound of the horn sufficiently remorseful and repentant.

Photography: Krakenkraft

This project was proposed by Rob Walker. https://robwalker.substack.com/p/point-of-view-3?s=r

More on this 537th weekly Disquiet Junto project — Penitent Honk (The Assignment: Do sound design for “a missing gesture” of vehicular life) — at: https://disquiet.com/0537/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0537-penitent-honk/

Penitent Honk [disquiet0537]

30 Nov - Umbilical

Feature Track mit @bnd303 aus Bayern!💚🤍🤝💙🤍
Check this mf out!!!
164 bpm

bnd303

CélesteK x bnd303 - Elektrolyte

One take, first take. Recorded 12/12/25
Started this project last night and managed to pull off this recording before shutting it down. Can't wait to go back in and see where else this goes. As always this is a freestyle jam session using the Native Instruments  Maschine MK3. Recorded on Tascam Model 12. Thanks for listening ✌️

Flores Nocturnas

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

asynchronous mashup (disquiet0533)

Daniel Diaz