beautiful jam! Fantastic production as well :)

All submissions to Haiku 358:

https://www.naviarrecords.com/2020/11/11/naviarhaiku358-i-close-my-eyes/

To participate:

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)

- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku110)”

To submit your track:

- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.

- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram

- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

haiku #358: I close my eyes / and in the void / a black horse prances

Equipment:YAMAHA Reface CP,Cooper Fx Outward V2,Chase Bliss Audio MOOD,Chase Bliss Audio Blooper,Electro Harmonix Analogizer,BOSS RV-5

lukewarm

Uploaded with AudioShare app - http://kymatica.com/audioshare

ukggsr

Shallow Saline

8Oct20

Experimenting with Ingvar's tracks, Project 1 - Octobre - Invitation & Project 2 - Octobre - Invitation
https://soundcloud.com/agnosturaelwar/project-1-octobre-invitation
https://soundcloud.com/agnosturaelwar/project-2-octobre-invitation
:D

Octobre 8th [Agnostura Elwar / Boson Spin Collab]

I close my eyes
and in the void
a black horse prances

haiku by Kakio Tomizawa http://www.big.or.jp/~loupe/links/ehisto/ekakio.shtml

picture by Jakub Kriz https://unsplash.com/@jakubkriz

For more information visit http://www.naviarrecords.com/about/naviar-haiku

dolce flash

halF closeD [naviarhaiku358]

Submission to naviarhaiku 358 https://naviarlab.tumblr.com/
Haiku by Kakio Tomizawa http://www.big.or.jp/~loupe/links/ehisto/ekakio.shtml
Picture by Jakub Kriz https://unsplash.com/@jakubkriz

. . .
I close my eyes
and in the void
a black horse prances
. . .

Naviarhaiku#358 /I close my eyes

Daniel Diaz: Acoustic bass guitar, harmonica and synth overdub.
Pajaro Canzani; Guitars
Nico Arnicho: Percussion.

An old studio live jam, recovered from my vaults, mixed and reworked for this haiku:

I close my eyes
and in the void
a black horse prances

Photo by Lindsey Bidwell
Poem by Kakio Tomizawa 

@naviar-records

Black Horse (naviarhaiku358)

This track was created for the Naviar Haiku group.
358 week haiku
naviarlab.tumblr.com/
one line of Roli Seabord (NLS) and several custom sounds of outdoor recordings

2020-11-12

I Close My Eyes ( Naviarhaiku 358 )

Brandolini's law, also known as the bullshit asymmetry principle, is an internet adage which emphasizes the difficulty of debunking bullshit: "The amount of energy needed to refute bullshit is an order of magnitude bigger than to produce it."

Brandolinis Law (naviarhaiku358)

Electronic composition, sounds created in Pure Data.

Drifting In The Void (naviarhaiku358)

pict free wallpaper
a little experiment with Orba as a midi controller. The main line - free strings from Spitfire Labs in Ableton - Orba as a controller and the alternation of lead and chord positions - controlled by Orba. Then the standard keyboard line of virtual Ventus duduk and bass strings - Laboratory sound work, haha.

2020-11-18

frozen Time

I Closed My Eyes (Naviarhaiku 358)

He_lium - A L'ouest De La Planète En Toc

Padua, Italy - Moscow, Russia (November 2020)

Poem in Italian: Ilaria Boffa @ilaria_boffa
Poem in Russian, field recording & photo (poplars & recorder): Nata Boundariver @CrazyCompass
Music: Sergey Kobzev @Assembly-of-Honey

Traduzioni (Ilaria Boffa)

Una precisa geografia di pioppi bianchi
frassini e aceri circonda quest’area fluviale.
Narrazione di fruscii, conversazioni rumorose.
Traduzioni. Ciò che sentiamo e il linguaggio
udibile implicano indagini
sui modi di ascolto dell’altro.
In dubbio l’affettività, il riverbero degli oggetti
che scontra soggetti oltre noi.
Dentro quei metri cubi di suolo e aria
il suono prende spazio, costruisce e colpisce.
Neuro-trasforma e impatta la plasticità
delle cose.
Abbiamo tradotto le nostre voci in 
riferimenti e formulazioni. Ora, ascoltami.

География (Nata Boundariver)

На свете так много мест, куда я не смогу попасть.
Попасть бы хотя бы туда, где я есть.
Почти нигде и почти никогда.
Забытое слово я.

English versions:

Translations (Ilaria Boffa)

A clear geography of silver poplars 
ashes and maples surrounds this fluvial area.
A narrative of rustles, chatting loudly.
Translations. What we hear and the language
that makes it audible imply investigations 
on others’ listening modes.
We question affectivity, objects’ reverbs 
crashing into beings beyond us.
Inside those cubic metres of soil and air
noise spacialises, builds and hits. 
It neuroshapes and impacts the plasticity 
of things.
We translated our voices into exact
references and wording. Now, hear.

Geography (Nata Boundariver)

There are so many places in the world where I cannot get.
Get at least where I am.
Almost nowhere and almost never.
Forgotten word I am.

Geography Of Translations (Crazy Compass & Ilaria Boffa)

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

Black Horse (naviarhaiku358)

Daniel Diaz

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