Ambient-experimental, electro-acoustic collection "Delete, Erase, And Other Solutions" 2015.
Solo and layered cellos over synth and electronica soundscapes, treated acoustic and electric guitars, radio interference and chopped down acoustics.
Photo by James Blackledge

Delete, erase and other solutions

Instrumentals including acoustic/orchestral instruments and electronica/samples.
Some more experimental-world (featuring percussions, charangos, treated ocarinas and clay flutes among other "exotic" sounds) and other more in an ambient-experimental style featuring acoustic instruments (cello, bowed basses, acoustic pianos and guitars, etc)

Experimental - ElectroAcoustic

All submissions to Haiku 173: http://www.naviarrecords.com/2017/04/26/naviarhaiku173-desert-sands/

To participate in the Haiku challenge:

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)

- Upload your song on Soundcloud and message me privately with the track's URL (if you don't have Soundcloud or can't message me, visit www.naviarrecords.com/about/naviar-haiku for more options)

- Include the assignment number in the title of your track, for example “Title of your track (naviarhaiku145)”

Your track will be included in Naviar's weekly podcast and monthly compilation. Please set the track as downloadable on Soundcloud and allow others to remix it by using a Creative Commons License.

Haiku #173: desert sands . . . / I enter the whole / of nothingness

Music for this haiku:
"morning calm
the song that hovers
out of sight"

Sounds performed by DD, Paris 2017. Synths, basses and other instruments.


Poem by Peggy Willis Lyles http://www.worldhaiku.net/poetry/eng/us/p.willis.lyles.htm

Picture by Timothy Meinberg https://unsplash.com/@tmbrg

More:
http://www.naviarrecords.com/2017/04/19/naviarhaiku172-morning-calm/

morning soundscape lies beneath (naviarhaiku172)

Epiphone electric guitar performed by DD in Cordoba, España, December 2015, recorded by @edgar-grau-1 , mixed and treated (samples, delays, field recording) by DD in Paris, April 2017.

Music for this Haiku:

"Desert sands
I enter the whole
of nothingness"

Poem by Kala Ramesh 
Picture by Tim de Groot 


more info @naviar-records
http://www.naviarrecords.com/2017/04/26/naviarhaiku173-desert-sands/

Original track, un-treated and  un-edited here

https://soundcloud.com/daniel-diaz/lost-in-cordoba

Broadcasting From The Desert (naviarhaiku173)

This track was created for the Naviar Haiku group.
173 week haiku
naviarlab.tumblr.com/
Korg Wavedrum,VST,yamaha mx49

2017-04-27

desert sands (Naviarhaiku 173)

For Naviar Haiku 173 http://naviarlab.tumblr.com/post/160011168668/naviarhaiku173-desert-sands

Nothingness (naviarhaiku_173)

From my collection of experimental tracks "DELETE , ERASE, AND OTHER SOLUTIONS"


Synthesisers and samples performed and transformed by DD, Paris 2016-2017


free download

No Cure For It

"Cross the wall Donald, cross the wall!"

Soundscape and upright basses (bowed, several)performed  by Daniel Diaz, Paris 2017.

From  my collection "delete, erase, and other solutions"

Cross The Wall

The very last mixes from a series of Charango takes recorded on the road in Argentina (2015-2016) and mixed, edited, mutilated, treated, developed and completed in Paris, France 2017.
Charango and synths by DD

2nd part:
https://soundcloud.com/daniel-diaz/camino-viejo-norte

More from the same series:
https://soundcloud.com/daniel-diaz/western-guard-towers-naviarhaiku177
https://soundcloud.com/daniel-diaz/aire-de-despedida
https://soundcloud.com/daniel-diaz/pampero-deconstructed-disquiet0277
https://soundcloud.com/daniel-diaz/when-she-faints-in-the-forest-naviarhaiku170

Camino Viejo Sur

Synths and treatments  by DD, Paris 2017

Disquiet Junto Project 0285: Live Barcoding
 
I used different constant delays and skidder FX but changing the setting time/pattern from one measure to the next, so every chord has it’s own repetitive tail. 
In a way  the full track could be read as a barcode interpretation. 
Cheers
DD


More on this 285th weekly Disquiet Junto project — Live Barcoding: Make rhythms from your packaged goods. — at:

https://disquiet.com/0285/3

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

llllllll.co/t/disquiet-junto-project-0285-live-barcoding

when barcoded bipedal mammals are finally extinct (disquiet0285)

New mix 2019
Music for this haiku:

"looping around town
like an unfurled grey ribbon
trucks on the highway"

Composed and performed by DD summer 2017 in Paris, France.
Synthesisers
Ondes Martenot
Crystal Bowls
Bowed Gamelan (sonicouture)


image by Christophe Apatie (c)
poem by Dr Greg Pritchard

More info
@naviar-records
http://www.naviarrecords.com/2017/07/26/naviarhaiku186-looping-around-town/


Download, streaming, choose your service: https://awal.lnk.to/h25qgdwQ

It Is Coming...

Created by DD on August 4th 2017 for:
Disquiet Junto Project 0292: Eclipse Music
In coordination with St. Louis Art Hack Day, make some solar-inspired tunes

Synths and pulses, stratocaster guitars, ebow guitar improv. samples
First eclipse is from 1:00 to 1:15
Second eclipse goes from 1:45 to 2:15

More on the Disquiet Junto at:

https://disquiet.com/junto/

More in this style: 
https://soundcloud.com/daniel-diaz/sets/delete-erase-and-other


free download

Delete The Sun (disquiet0292)

first track for 2019, music for this haiku:

"mountain village
the endless solitude
of a lark's song"

composed and performed by DD
ukuleles (two takes, L/R)
reverse ukulele
muted upright  piano
treated piano (pick and bow)
sine wave monophonic synthesizer
khim (samples)
brass section (albion I)

photo by ricardo gomez angel
poem by  iliyana stoyanova

http://www.naviarrecords.com/2019/01/02/naviarhaiku261-mountain-village/

2019 Single

Buy/Stream

The Endless Solitude of a Mountain Village (naviarhaiku261)

Composed and performed by DD, February 2019.
Reworked and remixed early 2020.

Ukuleles, bowed upright basses, orchestral soundscape, muted piano, voices, synthesizer. celesta, slight percussion groove ( tongue drums and thunder drum). 

Music for this poem:
"Transience
Petal by petal
We let go"

haiku by Debbie Strange http://debbiemstrange.blogspot.com

picture by DD, Kyoto, Japan Oct 2019

http://www.naviarrecords.com/2019/02/20/naviarhaiku268-transience/

@naviarrecords

mix2 april 2019

Transience (Letting Go)

Guitars
Synths
Synth bass

Composed and performed by DD, in quarantine in Paris, April 2020..
Stream, Download: https://ffm.to/thecityandthe

For this haiku:

meandering through the city
cars around
infinite game

haiku by Bartosz Leszczyński 
https://soundcloud.com/oxebe

picture by Julian Hochgesang 
https://unsplash.com/@julianhochgesang

https://www.naviarrecords.com/2020/04/08/naviarhaiku327-meandering-through-the-city/

the city and the infinite game (naviarhaiku327)

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.