great sound on the bass, All fits so well together.

More on this 473rd weekly Disquiet Junto project — Placebo Effect (1 of 3) / The Assignment: Record the second third of a trio that others will complete — at:

https://disquiet.com/0473/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0473-placebo-effect/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Israel Avila, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/5bFGMU

https://creativecommons.org/licenses/by-nc-sa/2.0/

Disquiet Junto Project 0473: Placebo Effect (2 of 3)

Loss of Self

Solo piano cover versions of "Clocks" by Coldplay in a waltz style, inspired by Gibran Alcocer Idea 10

Clocks (Felt Piano Waltz)

Magnolia in full bloom…
But waking I find
a chill November morning

haiku by John Hinks https://soundcloud.com/flownblue
picture by Erda Estremera https://unsplash.com/@erdaest

For more information visit http://www.naviarrecords.com/about/naviar-haiku

flaking haw

halF wakinG [naviarhaiku360]

EDIT: Updated version JAN 26th 2021. After several nice contributions from other junto participants (see disquiet0473) that showed me that actually something could be done (organ, lead guitar, etc)  I decided to "complete" the original take myself just to have something more listenable here. Please refer to the 0473 versions for more interesting take son this original guitar jam..

Originally created for https://llllllll.co/t/disquiet-junto-project-0472-jam-time/4

Hello, glad to be back, hope everybody started 2021 in a happy note.
I went for a fast approach: recorded a very simple idea, quite useless and pointless as it is, the sort of things I just record in 15 minutes and put aside waiting for the right time to do something with it, develop, transform, re-record properly,  expand and finish. Sometimes never happens. 

This one…I can’t think about any further development really, I don’t know what I’d do with it so it’s with a lot of hope that I ask somebody to do something with it, to rescue from oblivion.

It was recorded just now, me playing my Martin acoustic guitar on straight 1/4th notes with a delay on 1/8th notes (no feedback) and a second delay pedal on 1/8th notes with a long feedback to fill the spots where I pause in the middle and ending.
I like the blend of my human acoustic playing and the robotic repetitions of the digital delay. But I imagine it’s not the usual material to work with, hope somebody finds something to do with it.
Cheers
DD

E minor 132bpm

Somebody Do Something - Disquiet0472

A short piano piece, open to collaborations for this disquiet project. I've not done anything too abstract so others can work with it quite quickly. There's a couple of bumps in the timing to get around. I'm really looking forward to seeing what other people do with this.

No. 34 In Am - disquiet0472

Collaboration for the juto challenge 0473
https://llllllll.co/t/disquiet-junto-project-0473-placebo-effect/

Based on an original piano track by @forcedamage
https://soundcloud.com/forcedamage/fifths-just-piano-disquiet0472

I added electric bass guitar and synthesizer

Photo: La Fortuna, Costa Rica by DD 2019.

Fifths Damage 21012021 (disquiet0473)

Collaboration for the junto challenge 0473
https://llllllll.co/t/disquiet-junto-project-0473-placebo-effect/
Based on an original piano track by @ikjoyce
https://soundcloud.com/ikjoyce/disquiet0472-jamtimebacking

I added electric guitar improvisation over the original track, edited and augmented by a pitch shifted version of that same track
Performed on a borrowed Gibson Les Paul through a Hughes & Keltner amp and a Rodemberg 808 pedal..

Photo: La Fortuna, Costa Rica by DD 2019.

Improv Over Joyce 21012021(disquiet0473)

Submission for Disquiet Junto 0473. Added a kemane solo in Gm (? - I think) to vgmrmojo's drum track (https://soundcloud.com/vgmrmojo/disquiet0472-drums-drums-drums).

More on this 473rd weekly Disquiet Junto project — Placebo Effect (2 of 3) / The Assignment: Record the second third of a trio that others will complete — at:

https://disquiet.com/0473/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0473-placebo-effect/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Israel Avila, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/5bFGMU

https://creativecommons.org/licenses/by-nc-sa/2.0/

Drums+Kemane - disquiet0473

track used:new unit (disquiet0472)moduS ponY

Ascension Loop (disquiet0473)

played some bongos over https://llllllll.co/t/disquiet-junto-project-0472-jam-time/40425/37?u=abalone

Geoffroy.bongos(disquiet0473)

Panned version of https://soundcloud.com/winterer/semi-safe-approach-disquiet0473-jamtime2

Semi-safe Approach [disquiet0473] PANNED

More on this 473rd weekly Disquiet Junto project — Placebo Effect (2 of 3) / The Assignment: Record the second third of a trio that others will complete — at:

https://disquiet.com/0473/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0473-placebo-effect/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Israel Avila, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/5bFGMU

https://creativecommons.org/licenses/by-nc-sa/2.0/

Sand Blasted / collaboration with Ryan Scott Mattingly(disquiet0473)

This adds to rhein's track, Safe (https://soundcloud.com/rheinmusic/safe-disquiet0472). And also takes a fairly safe approach. Some piano and later a sequenced Newfangled Audio Gravitate with a little tape effect and some echo and reverb.
---
More on this 473rd weekly Disquiet Junto project — Placebo Effect (2  of 3) / The Assignment: Record the second third of a trio that others  will complete — at:

https://disquiet.com/0473/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0473-placebo-effect/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

safe-ish (disquiet0473)

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

Fifths Damage 21012021 (disquiet0473)

Daniel Diaz

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