Kings & Queens (produced by Stellar Sound Productions)

🎙️ Listen to Dshaikh Izuchukwu share the powerful story of Uche Okeke’s art and how the Izuchukwu Centre is making a difference in communities. 💪🏽👨🏿‍🎨

S2EP5 - Coffee & Uche Okeke with Dshaikh Izuchukwu - 2024/07/25

“So called tipping point”…

[preGalia] What started as a long jam session recorded by Tape Lab's 2yng2smpl was hastily exported to be listened to on the way to a Coastal Elite Gala. As is common, albeit obnoxious, 2yng2smpl, in turn, shared the raw 25-minute mess with Brillman. Ever patient and delightfully tolerant, he crafted and honed the sound while retaining the bursts and bounce of the original bop.
[on what should be, but isn’t, a straightforward explanation] Beaten Earth, well-worn and warning. Do you "shhhh" the drowning for interrupting your lunch while you look around for a lifeguard? Is it annoying to announce alarm again and again. It's so fucking hot the water is on fire. Is that a platitude? ARE YOU SCARED?
[beating earth i + ii] Two do too much, twice as many and multiplying. We're on the way to the party, melting into jet fuel, longing to land on long island, along .wav away from just outside Oslo. The method is madness, and it's made, in patchwork in precision. Recycled and downsampled, a tedious task, mastered masterfully.
[visually arrested] The Old Universal, that scion of soft power scratched and scrawled on the sub-conscience. We were born to fly, not drudge the bus. We are the They you can’t put your finger on (we’ve got security). Earth is Obsolete, obl0ng. An Egg and we’re beating it.
Served twice because we don't have to decide. We're already working on new shit, so keep your shirt on about quality control. (Text: Tape Lab)

Heaphones are obligatory to make sense of the chaos:)

Tape Lab & Brillman - Pregalia (beating earth)

"So called tipping point"…


[preGalia] What started as a long jam session recorded by Tape Lab's 2yng2smpl was hastily exported to be listened to on the way to a Coastal Elite Gala. As is common, albeit obnoxious, 2yng2smpl, in turn, shared the raw 25-minute mess with Brillman. Ever patient and delightfully tolerant, he crafted and honed the sound while retaining the bursts and bounce of the original bop.
[on what should be, but isn’t, a straightforward explanation] Beaten Earth, well-worn and warning. Do you "shhhh" the drowning for interrupting your lunch while you look around for a lifeguard? Is it annoying to announce alarm again and again. It's so fucking hot the water is on fire. Is that a platitude? ARE YOU SCARED?
[beating earth i + ii] Two do too much, twice as many and multiplying. We're on the way to the party, melting into jet fuel, longing to land on long island, along .wav away from just outside Oslo. The method is madness, and it's made, in patchwork in precision. Recycled and downsampled, a tedious task, mastered masterfully.
[visually arrested] The Old Universal, that scion of soft power scratched and scrawled on the sub-conscience. We were born to fly, not drudge the bus. We are the They you can’t put your finger on (we’ve got security). Earth is Obsolete, obl0ng. An Egg and we’re beating it.
Served twice because we don't have to decide. We're already working on new shit, so keep your shirt on about quality control. (Text: Tape Lab)

Headphones are obligatory to make sense of the chaos!

Brillman & Tape Lab - Pregalia (beating earth II)

Inspired by Igor Tchaikvsky's Dance Of The Little Swans and my fellow collaborator Qbig.  Catch him at:  https://soundcloud.com/qbig-338728947
 
Compare: https://youtu.be/0GsajWIF3ws

The Dance

Website https://certsgot.com/shop/


Get Your Required Exam Dumps Now!

The Foundation of Every Collaboration CATS CM Certification Exam

FEAR IS MY ARMOR Metal Man -MrDjBigHouse x purpleclaire

Visit us at: https://certpot.com/certifications/

Accelerating Collaboration Everywhere Facilitator Certification Exam

We at #TheCircularCoffeeBreak want to thank you for the fruitful conversations and the 1st half of season 2! We are taking a well-deserved vacation during July but we want to extend our gratitude to you, listeners, and our guests on the show. We are leaving you with a little sneak peek at the upcoming half a year, so make sure to listen to our vacation message!

Halftime reflections & outlook 2024

Free Access : PDF Download Leading With Intention: How School Leaders Can Unlock Deeper Collaboration and Drive Results.Happy Reading and Enjoy - Get Now Here 👉 https://zeppyshare12.blogspot.com/?book=1071924419 👈

(@ Leading With Intention: How School Leaders Can Unlock Deeper Collaboration and Drive Results

"You're My Melody" is a heartfelt duet featuring Owen Barker and Isabella Clarke. The song is an ode to a fellow performer, celebrating their musical impact and the connection between them. Owen expresses admiration for their talent, while Isabella acknowledges how their performance has touched her deeply. The chorus highlights their harmonious collaboration, with lyrics that celebrate the performer’s influence as a central melody in their musical journey.

You're My Melody

"You're My Melody" feat. Isabella Clarke

Hey, Welcome to the Track! This is 11 (Rap) Songs over my Ska Hip-Hop Beats & Hip-Hop Beats in Collaboration with Chelsea and a special thanks to Great Rastafarian Singer SENNID on 2 tracks. This mix is Grennan Beats - Volume #38 The Mix is a special lyrical edition (Conscious / Esoteric Rap over Alternative Hip-Hop Ska & Hip Hop instrumentals) #Esoteric #Consciousrap 2023-2024 Album Start. These are some of my projects. MORE MUSIC On YouTube!  https://www.youtube.com/@LifeofJoshChelsea 

 Time Line:
(Time Stamp for separate songs) (Grennan Beats - Volume 38) 
Alternative Hip-Hop Ska (RAP) *Lyrical Edition 2024* 
11 Songs

0:00 - Welcome!
1. 0:38 - J-Premise - "Ambition" (Prod. By Josh Grennan Beats)
2. 5:07 - "Chelsea Momma Sweetheart Tribute" (Prod. By Josh Grennan Beats)
3. 7:34 - J-Premise - "2024 Summer Flow" (Prod. By Josh Grennan Beats)
4. 10:20 - J-Premise - "We In DEEP" (Prod. By Josh Grennan Beats)
5. 11:35 - J-Premise - "No Illusion" (Prod. By Josh Grennan Beats)
6. 13:23 - Josh & Chelsea Music - "ONE HARMONY" Collaboration!! Feat. Rastafarian Singer Sennid (Prod. By Josh Grennan Beats)
7. 15:52 - J-Premise - "Redeem Conscious" (Prod. By Josh Grennan Beats)
8. 18:30 - J-Premise - "What Could It Be" (Prod. By Josh Grennan Beats)
9. 21:18 - J-Premise - 'No Middle-Aged Wasteland" (Prod. By Josh Grennan Beats)
10. 22:55 - J-Premise - "With the Sound Waves" (Prod. By Josh Grennan Beats)
11. 27:12 - Josh Grennan & Sennid -"Take Time" (Prod. by Josh Grennan Beats)
 31:16 -Thank You, everyone!


I am currently working on new tracks. Look out for new music in my videos on YouTube!  https://www.youtube.com/@LifeofJoshChelsea
Also, Check out some of Sennid's Music on his Page!
-Josh

#Esoteric #Consciousrap over #hiphopskainstrumentals #Hiphoprap #Music #collaboration #LifeofJoshandChelseaMUSIC #JoshGrennanBeats  #Indie

Alternative Ska Hip-Hop RAP *Lyrical Edition 2024*

Alternative Hip-Hop Ska (RAP) & Collaboration *Lyrical Edition 2024*  (Indie Music)

Free Access : PDF Download Rethinking Teacher Supervision and Evaluation: How to Work Smart, Build Collaboration, and Close the Achievement Gap.Happy Reading and Enjoy - Get Now Here 👉 https://zeppyshare12.blogspot.com/?book=1118336720 👈

=$ Rethinking Teacher Supervision and Evaluation: How to Work Smart, Build Collaboration, and C

Free Access : PDF Download Collaboration for Career and Technical Education: Teamwork Beyond the Core Content Areas in a PLC at Work® (A guide for collaborative teaching in career and technical education).Happy Reading and Enjoy - Get Now Here 👉 https://zeppyshare12.blogspot.com/?book=1949539679 👈

(* Collaboration for Career and Technical Education: Teamwork Beyond the Core Content Areas in

Let Now Be Our Forever

Diane Rulliere (Beeswing) wrote a fabulous song...Diane Gee Frasca sang the sweetest girl vocal that I could imagine and I did the music and added my meager vocal.  Together we made a beautiful song.
The photo credit of Diane G F and me goes to Garrett Frasca

I never thought I’d find you
It’s a miracle to feel your hand in mine
We only have a while….just a rhyme or two
Let’s make sweet music while we have the time

I know I can’t--replace you
I could never find a sweeter face
I’d rather go hungry ….for the taste of you
Than ever put another in your place

chorus:

Let now be our forever
We will not count the days
A long slow dance together
Before you slip away

I can’t take my eyes off you
And I don’t care about the reasons why
I love you my sweetheart… (and) I can’t lie to you
I’m not sure that I can say goodbye

So let now be our forever
We will not count the days
A long slow dance together
Before you slip away

bridge:

I know you can’t stay with me
Our love is just a drop in the big blue sea of time
But see that drop sparkle, baby?
Hey, can you see how much we shine!

So let now be our forever
We will not count the days
A long slow dance together
And I won’t let you slip away….

No…I won’t let you slip away….

Never let you…slip away……

Let Now Be Our Forever

Cast of characters:
Llanpsych-- @llanpsych -- Tez – rhythm and lead guitar, seed idea
J.J. Terrell-- @j-j-terrell—JJ-- organ and synth
Mistermark-- @user-432503709 -- Mark –  piano, harmonica, VST fiddle, vocals, lyrics, mix, and production
TexMex Shaman– @texmex-shaman –Stephen– layered guitar parts and fills, mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – mandolin and four-string fretless bass
Composition – The Eclectic Collective

This song started as a guitar skeleton that had been a twinkle in Tez's eye several years ago. He'd been hanging on to it in hopes of finding a suitable home for it. When he introduced it to the Eclectic Collective, we all jumped on it. First up was Ken, laying in his dynamic, powerful drums and percussion. Then Stephen laid down some fiery fills as well as a solid comp part on his guitar. Inspired by the Stones sound of the guitars, Mark added some piano, harmonica, and VST fiddle, then got to work on some lyrics and vocal melody. Josh was atypically late to the party, but managed to get his bass in there, too, thus completing the rhythm section. JJ was next up with his splendid organ and synth to fill in the sound. 
  By this time, Mark had written and recorded some throat shredding vocals, which he added to the mix. We all decided that it now had a Rod Stewart/Faces vibe to it, so we tried to amplify that flavor. To this end, Josh dropped in a mandolin part, as well.
  At this point, the song needed a dynamic push to close out the song, so the decision was made to amp up the crescendo at the end. Ken summoned his best Keith Moon energy, and Tez laid down a killer solo, while Stephen added the big Townsend chords. 
  Mark had been editing and mixing the whole time, and did such an excellent job with it, we decided to go with his mix from the group project. Stephen did master it masterfully before we put it out here, too, though.
  This one got done in a really quick turnaround, and we're really proud of it and hope you all enjoy listening to it as much as we enjoyed creating it. Thanks for listening!

--- --- ---
ORIGINAL LYRICS BY MISTERMARK:

Never was one for being sociable
but lordy knows how I tried 
every time I tried to talk to a girl 
she would always run away and hide

Nobody told me 
nobody cared
nobody told me 
the girl was scared

Back at the party you asked me to dance 
but I didn’t know what to do 
my two left feet had me runnin’ round in circles 
so I always came back to you

Been so long since somebody held me 
made me feel i’m gonna win
but drinkin' that jug o’ juice gonna help me 
when I’m takin' it on the chin

Nobody told me 
nobody cared
nobody told me 
they never dared

another party you ask me to dance 
and I don’t know what to do
my two left feet got me runnin’ round in circles 
and I'm still comin’ back to you...

Nobody Told Me (The Eclectic Collective)

Free Access : PDF Download Student-Focused Coaching: The Instructional Coach’s Guide to Supporting Student Success through Teacher Collaboration.Happy Reading and Enjoy - Get Now Here 👉 https://zeppyshare12.blogspot.com/?book=1681254948 👈

%= Student-Focused Coaching: The Instructional Coach’s Guide to Supporting Student Success thro

Terry Martin and Theophilus van Rensburg Lindzter share an exploratory journey through the letter of the Apostle Paul to the church in the city of Philipi some 2000 years ago. They explain the movement, flow in the ancient text showing the emerging idea of collaboration.

Season 1 Episode 3 - Collaboration

Standing Light Blue Mix (featuring: The Windscale Blues Experiment)

I am obsessed with arranging and remixing classical works with 21st century tools and instruments.  I limit my upload count to 15 or fewer, like a rolling album of sorts.

Join Salma Uche-Okeke and Tamzin Lovell as they engage with artists and experts who have been inspired by Uche Okeke and his peers. Explore Okeke’s lasting influence and impact on contemporary art and culture. Hear personal stories and insights that honour and extend the legacy of this pioneering artist.

Owen Barker is a versatile musician who brings a diverse range of styles to life through his music. While he doesn't primarily focus on one genre, his extensive vocal training allows him to master various genres. With a passion for turning raw audio into polished tracks, Owen's music is a testament to his dedication and love for the craft.

Thanks to all the visitors! Enjoy the Page! Check our Videos on YouTube if you want to, and *Subscribe* https://www.youtube.com/@LifeofJoshChelsea. I make music every other day, mostly Beats, Instrumental, and RAPs on occasion.
🎶 🇺🇸 Ska/Hip-Hop Instrumentals and Conscious Rap. Music  #listen
   This Page is intended to be uplifting in music. We appreciate all the folks who take the time to listen! 🎶 
#listen #hear √

Brillman has been an electronic online musician during the last 20 years using many different names: Brillman, Controlfreak, freakcontrol, Red Karma, Atmosphere, Zero Loop, Pan64, Randomcontrol, geometric delay and Superfreak! Brillman mainly creates original sounds from hardware synths but also uses samplers, vocals or even poetry. He primarily utilizes a 4 to the floor approach. The aesthetics behind the music is about finding a balance between minimalism vs. depth & improvisation vs. programmed.

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Influences: Eno, Tangerine Dream, Kraftwerk, The Associates, Joy Division, Roxy Music, Bowie, Chemical Brothers, Frank Zappa, Hendrix, ELP, Polygon Window, G. Mahler, A. Bruckner, L.V. Beethoven, E. Satie, FSOL, The Orb, Laurie Anderson, Vangelis, Underworld, Led Zeppelin, Jeff Beck, Rory Gallagher, Miles Davis, Massive Attack, Black Sabbath, Prince, Sade, Etienne de Crecy, Daft Punk, Plastikman, Monolake, Japan, Pink Floyd, Resistance D, Talking Heads…

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Synthesizers used (past or present):

Kawai K4
Korg Wavestation
Kawai K3m
Kawai K4r
Yamaha AN200
Yamaha DX-7
Yamaha TG-500
Oberheim Matrix 1000
Roland SC-55
Roland JV1010
Roland JV1080
Roland JV2080
Korg M3r
Korg MS-20 mini
Roland D-110
Roland D2
Roland MC-505
Roland MC-09
Roland MC-808
Roland TB3
Korg ER-1
Korg MS2000r
Korg microkorg
Korg Kaossilator
E-MU Mophatt
E-MU Planet Earth
E-MU Proteus 1/2
E-MU Proteus 2000
Vermona DRM-1 mk iv
Waldorf Blofeld
Waldorf Pulse 2
Moog Subharmonicon
Freebass FB-383
Behringer TD3
Behringer Neutron
Behringer model D
Arturia Microbrute
Arturia Minibrute 2s
Arturia Microfreak
Elektron Cycles
Behringer Crave
Novation Mininova
Clavia Micro modular
Clavia Nord rack 2
Access Virus Snow

...idm-Garage, Groove-Laboratory & surreal Drawings from the drowning 
Occident...
                                   ...CyberPunk.

New tracks tagged #collaboration