Ambient-experimental, electro-acoustic collection "Delete, Erase, And Other Solutions" 2015.
Solo and layered cellos over synth and electronica soundscapes, treated acoustic and electric guitars, radio interference and chopped down acoustics.
Photo by James Blackledge

Delete, erase and other solutions

EDM dance house techno acoustic ambience acid

my tracks for the diquiet junto group/project.

photo by james blackledge

More on the Disquiet Junto at:
http://disquiet.com/junto/

Subscribe to project announcements here:
http://tinyletter.com/disquiet-junto/

disquiet junto projects

More on this 264th weekly Disquiet Junto project, Time Travel: Record a piece of music that plays with the perception of time”:

http://disquiet.com/0264/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

llllllll.co/t/music-for-time-travelers-disquiet-junto-project-0264/6157/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this track is by Heather and used thanks to a Creative Commons license:

flic.kr/p/4fD1HJ

creativecommons.org/licenses/by-nc-nd/2.0/

Disquiet Junto Project 0264: Time Travel

M like music 10

Neermizhi Peeliyil By Job Neha - Music Mojo - Kappa TV

Needwant: 5 Years compilation on iTunes: http://smarturl.it/Needwant5Years 
12” vinyl sampler via Juno: http://smarturl.it/5years12vinyl 
Via Needwant: http://smarturl.it/NW5years12vinyl

To celebrate 5 years of Needwant, we release a brand new 23 track compilation with 11 new remixes and 12 classic Needwant tracks from across the last 5 years representing the sounds of the label, past, present and future.

With this new new remix, FETE return from the wilderness with this refresh of Casino Times classic 'Trust', which featured on their 2012 'I Wanna Know' EP on Needwant.

Needwant: 5 Years
Digital compilation & 12” out 3rd November, 2014.
http://www.needwant.co.uk
http://facebook.com/needwant
http://twitter.com/needwant

Casino Times - Trust (FETE Remix) - OUT NOW

Future Disco Radio providing upfront sounds from the world of disco and house monthly. Presented by @djannawall, featuring music from Hercules & Love Affair, Jacques Renault, Steve Huerta, Death on the Balcony and more plus an exclusive guestmix from @startreeny

Tracklisting: http://bit.ly/1I41SfN

TRAXX Vol. 2 vinyl sampler: http://hyperurl.co/TRAXX12Nw
Pre-order TRAX Vol. 2 here: http://hyperurl.co/TRAXXiTunes

More on Darshan Jesrani
Twitter: @startreeny
FB:  http://www.facebook.com/darshanjesrani
Instagram:  http://www.instagram.com/startreeny

Spotify: spoti.fi/1nYIVEW
Web: www.futuredisco.net
Facebook: www.facebook.com/FutureDisco

Future Disco Radio Show 75 / Darshan Jesrani Guestmix

released on my label steadfast with a remix by SIGHA

echologist - slow burn

Disquiet 0244
This is a remix proposed @ Disquiet Junto Project 0244: Euro Mixin
The Assignment: Combine tracks from three different European netlabels (Portugal, Spain, Switzerland) into one sonic union.
Source tracks (20 first seconds each)
 “The Station and the Underclass,” performed by the Phonetic Orchestra, released on the Insub. netlabel based in Geneva:
“Cloud Scissors” composed by Lo Wei; performed by Cristián Alvear, Santiago Astaburuaga, Gudinni Cortina, and Rolando Hernández, released on the Impulsive Habitat netlabel based in Portugal:
“Zraerza,” performed by Geeksha Beka and Berio Molina, released on the Alg-a netlabel based in Galicia

hard-disquiet0244 by DD
September 2nd 2016; Paris, France.

00:00 zraerza + ebow Strato solo
00:24 zraerza + ebow Strato solo + vox continental (organ) drone
01:04 cloud scissors, + gradually zraerza + ebow Strato solo
01:47 The Station and the Underclass + vox continental (organ) drone 
02:07 zraerza + ebow start solo
02:20 zraerza + ebow start solo + cloud scissors
03:20 I’m done
 
FX used : delay, reverb, filter, comrpession

More on this 244th weekly Disquiet Junto project — “Combine tracks from three different European netlabels (Portugal, Spain, Switzerland) into one sonic union” — at:

http://disquiet.com/0244/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

http://llllllll.co/t/disquiet-junto-project-0244-euro-mixin/4361

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Thomas, used via Flickr and a Creative Commons license:

flic.kr/p/92xKFZ


Hard - disquiet0244

disquiet 0245
Disquiet Junto Project 0245: Practical Music
Write a piece of music for getting things done, suitable for playing on repeat.

Clean up, routine, tiding up....that leads me to repetitive stuff.
I played a simple riff on my “diaz custom5”  drake bass guitar, very repetitive and yet variations going from A to D to D/E with no real structure.
Added a synth bass drone, and a Wurlitzer A200 electric piano improvising a bit.
Then some repetitive voices (tah-tah-tah-tah...) in four part harmony/
My usual rhythmic delays played a big role, here in 1/8th and 1/4th notes.
You can loop this, there’s no lead in or lead off.
Love
DD
Recorded in Paris, France September 9th  2016.

More on this 245th weekly Disquiet Junto project — “Write a piece of music for getting things done, suitable for playing on repeat” — at:

http://disquiet.com/0245/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

http://llllllll.co/t/disquiet-junto-project-0243-synth-trial/4288

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by jurek d. and is used thanks to Flicker and a Creative Commons license:

http://flic.kr/p/npLwcU

clean it and loop it - disquiet0245

Disquiet Junto Project 0246: Double, Quadruple, Sextuple
Compose a piece of music that increases speed in stages as it proceeds.

Steve Reich meet Western Spaghetti !
Mostly repetitive and simple guitar parts, nod to Electric Counterpoint perhaps?
Martin J15 acoustic and Schecter 1985 Stratocaster
I added an organ (Arturia’s Vox Continental) to glue everything, perhaps not a good idea?
Time (and you fellas) will tell.

I didn’t quite follow the increase speed in terms of overall tempo but in terms beat subdivision. Both in performance and delay rhythms:

70BPM throughout, always the same little motif: Ab-C-G-Ab-F 
So you have 70 motif notes per minute at the beginning and we reach 420 per minute in the finale.

1st part  is plain 1/4th   notes melody with a large 4 beats delay.
2nd melody enters with delay in 1/8th notes
3rd 4th and 5th parts switches progressively to 1/16th notes delays over the same basic motif performed in quarter and eight notes simultaneously.
6th is performed in 8th notes but delays become triplets (1/8th notes triplets)
7th part is the melody performed in 1/8th notes with delays in 1/8th note triplets.
8th part  is the melody performed in 1/8th note triplets with  delays in 1/16th note triplets (thus multiplying tempo by 6, ie 420BPM on those staccato notes)
9th is the “grand finale” with every delay in 1/16th notes triplets and one Martin and 3 Strats playing simultaneously different versions of the 5 note motif + 2 Matin guitars playing simple chords.

Instrumentation:
00:00 Martin 1 + Strat washes.
00:42 Martin 2 & Martin 3 (left-right) + Strat melody
01:13 Martin 1 + Martin 2 & Martin 3 chords (left-right) + Strat 1 melody + Start 2 staccato.
01:40 Martin 1  + Strat 1 staccato + Start 2 staccato.
02:08 Martin 1 + Martin 2 & Martin 3 (left-right) + Strat 1 melody + Start 2 staccato + Strat 3 staccato
02:35 Triplets: Martin 1 + Strat 1 chords + Start 2 staccato 
03:03 Martin 2 & Martin 3 (left-right) + Strat 1 staccato
03:27 Finale (tutti)

More on this 246th weekly Disquiet Junto project — “Compose a piece of music that increases speed in stages as it proceeds.” — at:

http://disquiet.com/0246/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

http://llllllll.co/t/double-quadruple-sextuple-music-disquiet-junto-project-0246/4549

Western Multipliers - disquiet0246

Waltz Definitely (La Boite A Musique) disquiet 0247

This one was so obvious to me, the illustration reminds me of a silly game we do with my kids, (game that they still love really) where I paint faces on our fingertips with a Sharpie, weird faces, happy faces, angry, surprised faces, etc) and we play roles and fake stories with our finger-tip-marionettes.
That’s the illustration alright, no doubt for me.

Waltz maybe? The idea was to perform a silly waltz with this mechanical toy piano I bought for my kids (but ended up squatted in my studio and finding its way to some major productions, little bastard!)
The piano is the one on the photo I took for this post. Who can resist a red piano?


So I went for a bunch of tracks I recorded with that piano previously and found that 90% where actually waltzes. I choose this one, so I am cheating (am I?) cause this is an existing recording, but couldn’t resist. Sorry.

The music it’s a proper composer’s composition, with chords, melodies, and all that old school stuff I like. 
Structure is A (major)-A (major)-A (major)-B (Major/Minor) - A (major)

But it is performed as if it was a Music Box. 

Now: trying to reproduce the issues, pranks and casualties you find in music boxes with an actual performance was a threat! And a whole lot of fun honestly. Those ridiculous tempo shifts and weird phrasing, took me hours lol.
One toy piano, a microphone and a drunken tempo, this is the antidote for any click based techno music overdose.

Hope you dig it. Love DD


More on this 247th weekly Disquiet Junto project — “Interpret as a graphic score an illustration drawn upon waking by Lark Pien” — at:

http://disquiet.com/0247/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

llllllll.co/t/a-cartoon-graphic-score-disquiet-junto-project-0247/4647

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is the (unintended, but used with approval) graphic score by Lark Pien.

Waltz Definitely (La Boite A Musique) disquiet0247

disquiet 0248
Celebrate the new celestial holiday in music.

Here’s my angry chaotic interstellar trip to this birthday party far out there. A one minute and-a-half journey.

I took some of NASA’s free downloadable files I’ve got( from their Soundcloud account most probably) and that I use a lot.

Here, 16 first seconds of the track is full NASA sounds, including the low stabs in F that set the tonal centre and the amazing 5/8 groove that plays throughout. And astronaut’s (and Houston's) voices and a Saturn noise pad that glues everything, that's all NASA shares..

Then added some synths, played a F minor sequence , translated the 5/8 NASA groove to a distorted to hell midi drum track, and that’s it.

More on this 248th weekly Disquiet Junto project — “Celebrate the new celestial holiday in music” — at:
http://disquiet.com/0248/
More on the Disquiet Junto at:
http://disquiet.com/junto/
Subscribe to project announcements here:
http://tinyletter.com/disquiet-junto/
Project discussion takes place on llllllll.co:
llllllll.co/t/music-for-the-galactic-tick-disquiet-junto-project-0248/4744
There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Vortex Me, Please - disquiet0248

This is my remix of a remix by the talented WÜST (https://soundcloud.com/wust). His track is right here;
https://soundcloud.com/wust/parental-orbit-disquiet0251


Headphones recommended :)

Parents in Orbit - A WÜST / Boson Spin Collaboration

was thinking about space dilating as i imagined speeding through time.

i got some cello samples and put them thru the protoplasm tsm synth, lots of oscillation, then had dimension expander and crystal reverb automated so they'd get bigger throughout. 
pulled into audacity and sliding time stretch applied so gradually speeds up
audition - duplicated track, stereo widened, then crossfaded with previous track to gradually get wider. mastered

....

Disquiet Junto Project 0264: Time Travel
Record a piece of music that plays with the perception of time.

Step 1: Recorded music is, generally speaking, a fixed object. It’s a document. It proceeds linearly, over time. It is, in the terminology of fine art, “time-based.” That said, music has the power to change one’s perception of time. Slowing and speeding tempo alone can alter a listener’s understanding of what is happening. Backward masking, sublimated hints of themes yet to come, the sound of a tape in fast forward mode — those are just a few ways that a composer can suggest that time is not moving linearly. Now, consider for a moment the tools available to give an impression of time doing things other than proceeding in a steady forward motion.

Step 2: Record a short piece of music that takes time travel as its theme, using ideas that resulted from the consideration in Step 1.

Five More Important Steps When Your Track Is Done:

Step 1: If you hosting platform allows for tags, be sure to include the project tag “disquiet0264″ (no spaces) in the name of your track. If you’re posting on SoundCloud in particular, this is essential to my locating the tracks and creating a playlist of them.

Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.

Step 3: In the following discussion thread at llllllll.co please consider posting your track:

http://llllllll.co/t/music-for-time-travelers-disquiet-junto-project-0264/6157/

Step 4: Annotate your track with a brief explanation of your approach and process.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project’s deadline is 11:59pm wherever you are on Monday, January 23, 2017. This project was posted in the morning, California time, on Thursday, January 19, 2017.

Length: The length is up to you, but two to three minutes sounds about right.

Title/Tag: When posting your track, please include “disquiet0264″ in the title of the track, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, post one finished track with the project tag, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track online, please be sure to include this information:

More on this 264th weekly Disquiet Junto project, Time Travel: Record a piece of music that plays with the perception of time”:

http://disquiet.com/0264/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

llllllll.co/t/music-for-time-travelers-disquiet-junto-project-0264/6157/

temporal pulse (disquiet0264)

This is a tough one to describe.  I knew I couldn't do time travel with just an instrumental.  There had to be a voice involved.  Some kind of narrative.

The voice sample (not me) is altered.  Pitch-shifted up on the left and lowered on the right, but the duration was preserved on both to avoid phasing.  A bit of reverb.  The two samples were panned.  You should really listen to this piece with headphones.

Was the voice recording cut up and re-ordered or is it a continuous rant?

The subject matter does the time traveling in my mind:  Beach Boys, David Lynch movie, minute steaks with sunnyside up eggs, Edgar Winter, Stevie Ray Vaughn, Vyvanse, swinging bachelor pad, dress pants and dress shoes, shaved head, Mannix, Ironside, The White Album, Revolution #9, Long Long Long, Revolution #1, sleep, swagger, "the same feeling that night I drank", "the shield of armor" (which is Ephesians 6:10-18), AA talk, "and then Laura told me to Sit In That Feeling."

Book-ending it with talk about "a David Lynch movie" and "Laura told me to sit in that feeling" was intentional.  Or was it?

Was I trying to make the voice sound like a cheap version of The Man From Another Place, or did it just turn out that way?

Now you're thinking about the Twin Peaks reboot.  This isn't about the Twin Peaks reboot.  Or is it?

Music added includes bits of "We Meet Again" by Ambient Matyk (to be released soon), "Feather Ridge", "Kad", and "Shunting" by me, and some extra sounds.

More on this 264th weekly Disquiet Junto project, Time Travel: Record a piece of music that plays with the perception of time”:

http://disquiet.com/0264/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

llllllll.co/t/music-for-time-travelers-disquiet-junto-project-0264/6157/

Sit In That Feeling (disquiet0264)

One Percent Disjunction [disquiet0264]

I thought I’d approach this by exploring the inside of a stretch, rather than just absorbing the overall drone effect. Not sure if it worked, but it was fun.

I took a 3 second sample from a piece I was working on. I used Audacity’s Sliding Time Scale effect on it. This stretches the sample unevenly, pulling only from one end, as it were. When the result was just over three minutes long, I reversed it. 

I duplicated the track and then pitched it down by 1% - that is by 0.01 of a tone. This helps create the phasing and movement you hear in the track. I also mixed these together and laid the mix as another track, but out of phase by 0.01 of a second.

A reverb version of the mixed tracks was also laid (in phase).

The ending was made by stretching the original sample out 12x using Audacity’s simplified version of Paulstretch.

The track image was made by applying similar principles to Marc’s email image, using paint.net



----------------------------------------------

Disquiet Junto Project 0264: Time Travel

Record a piece of music that plays with the perception of time.

Step 1: Recorded music is, generally speaking, a fixed object. It’s a document. It proceeds linearly, over time. It is, in the terminology of fine art, “time-based.” That said, music has the power to change one’s perception of time. Slowing and speeding tempo alone can alter a listener’s understanding of what is happening. Backward masking, sublimated hints of themes yet to come, the sound of a tape in fast forward mode — those are just a few ways that a composer can suggest that time is not moving linearly. Now, consider for a moment the tools available to give an impression of time doing things other than proceeding in a steady forward motion.

Step 2: Record a short piece of music that takes time travel as its theme, using ideas that resulted from the consideration in Step 1.

Five More Important Steps When Your Track Is Done:

Step 1: If you hosting platform allows for tags, be sure to include the project tag “disquiet0264″ (no spaces) in the name of your track. If you’re posting on SoundCloud in particular, this is essential to my locating the tracks and creating a playlist of them.

Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.

Step 3: In the following discussion thread at llllllll.co please consider posting your track:

http://llllllll.co/t/music-for-time-travelers-disquiet-junto-project-0264/6157/

More on this 264th weekly Disquiet Junto project, Time Travel: Record a piece of music that plays with the perception of time”:

http://disquiet.com/0264/


Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

One Percent Disjunction [disquiet0264]

God: You can never change the future. The past, yes, but not the future.

Lucifer: How do you change the past?

God: Why, the past is always changing—nobody remembers anything. But the future can no more be turned away than the light flowing off the moon.

This bit of dialogue is from Arthur Miller’s underrated play The Creation of the World and Other Business. It comes at a crucial point in the narrative where Lucifer admits to God that he compelled Eve & Adam to partake of the forbidden fruit, an act that ultimately banished God’s children from the Garden of Eden.

Time travel is not impossible; we are always revisiting past events in our efforts to understand the present, and our attempts to predict the future often arise from moments of stagnate contemplation. Anyone who has experienced the feeling of traveling by air or rail understands the dichotomy between moving and not moving, not unlike how a great piece of music rewards the listener’s investment by making time stand still.

For this short piece, Suss Müsik literally went back in time—ten years, to be exact. The source material is an eight-bar guitar phrase played with a Danelectro 12SDC 12-string in 2007. The sample was chopped through a Korg ToneWorks 411X processor and recorded live from a Vox AD30VT. The binaural motion cycles for about two minutes or so before the reverse reverb winds it down, coming almost to a halt. The momentary respite allows for a calming pause before the cymbals announce their arrival.

The piece is entitled Trammel, a word to describe something that restricts or impedes one’s freedom of action.

More on this 264th weekly Disquiet Junto project, Time Travel: Record a piece of music that plays with the perception of time”:

http://disquiet.com/0264/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquietjunto/

Project discussion takes place on llllllll.co:

llllllll.co/t/musicfortimetravelersdisquietjuntoproject0264/6157/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Trammel [Disquiet0264]

Music for Time Travelers (Disquiet Junto Project 0264)
Record a piece of music that plays with the perception of time.

I’m not sure if this arpegiator synth meets acoustic string section does deliver in this week’s junto idea: time travel, but I went  for a musical time lapse idea, fast hysteric synths and soft expressive  strings that seems to come from a different “time” ie a much slower paced tune, so there’s this feeling of being in a place a bit beyond our normal space-time. Harmonic shifts also seem to be a little away from normal/logical tonal flow.
Hope you like it, 
cheers
dd/Paris/21st january 2017



More on this 264th weekly Disquiet Junto project, Time Travel: Record a piece of music that plays with the perception of time”:

disquiet.com/0264/

More on the Disquiet Junto at:

disquiet.com/junto/

Subscribe to project announcements here:

tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

llllllll.co/t/music-for-time-tr…-project-0264/6157/

photo by elena nicolai (c)

Fragmented Time Lapse - disquiet0264

Music for this haiku:
"morning calm
the song that hovers
out of sight"

Sounds performed by DD, Paris 2017. Synths, basses and other instruments.


Poem by Peggy Willis Lyles http://www.worldhaiku.net/poetry/eng/us/p.willis.lyles.htm

Picture by Timothy Meinberg https://unsplash.com/@tmbrg

More:
http://www.naviarrecords.com/2017/04/19/naviarhaiku172-morning-calm/

morning soundscape lies beneath (naviarhaiku172)

From my collection of experimental tracks "DELETE , ERASE, AND OTHER SOLUTIONS"


Synthesisers and samples performed and transformed by DD, Paris 2016-2017


free download

No Cure For It

"Cross the wall Donald, cross the wall!"

Soundscape and upright basses (bowed, several)performed  by Daniel Diaz, Paris 2017.

From  my collection "delete, erase, and other solutions"

Cross The Wall

Synths and treatments  by DD, Paris 2017

Disquiet Junto Project 0285: Live Barcoding
 
I used different constant delays and skidder FX but changing the setting time/pattern from one measure to the next, so every chord has it’s own repetitive tail. 
In a way  the full track could be read as a barcode interpretation. 
Cheers
DD


More on this 285th weekly Disquiet Junto project — Live Barcoding: Make rhythms from your packaged goods. — at:

https://disquiet.com/0285/3

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

llllllll.co/t/disquiet-junto-project-0285-live-barcoding

when barcoded bipedal mammals are finally extinct (disquiet0285)

Created by DD on August 4th 2017 for:
Disquiet Junto Project 0292: Eclipse Music
In coordination with St. Louis Art Hack Day, make some solar-inspired tunes

Synths and pulses, stratocaster guitars, ebow guitar improv. samples
First eclipse is from 1:00 to 1:15
Second eclipse goes from 1:45 to 2:15

More on the Disquiet Junto at:

https://disquiet.com/junto/

More in this style: 
https://soundcloud.com/daniel-diaz/sets/delete-erase-and-other


free download

Delete The Sun (disquiet0292)

Boson Spin - Weancillago [part 2]

echologist - buzz factory

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.