Answering Machine

Composed and performed by DD, early 2025
Ukuleles, charango, ronroco, bass pulse

Photo by Andrew Small

for https://llllllll.co/t/disquiet-junto-project-0684-early-bird

Lightness - disquiet0684

More on the 684th weekly Disquiet Junto project, Early Bird — The Assignment: Record not so much an alarm as a guided wakening — at https://disquiet.com/0684/

SONG 70 - DisquietJunto0684 - Early Bird

Recorded, mixed & mastered on 06 Feb 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa. 

Synths, reverb, echo. 

Artwork/Photography - Jim Lemanowicz, 12 Mar 2016, Massapequa, NY, USA

©2025 Jim Lemanowicz

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This original version of “Decaying A Little More Each Day” was submitted as part of Disquiet Junto Project 0684: Early Bird. The Assignment: Record not so much an alarm as a guided wakening.

More on the Disquiet Junto at: disquiet.com/junto/

More on the 684th weekly Disquiet Junto project, Early Bird — The Assignment: Record not so much an alarm as a guided wakening — at https://disquiet.com/0684/

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Decaying A Little More Each Day (disquiet0684)

This was my contribution for Disquiet Junto Project 0684: Early Bird. The Assignment: Record not so much an alarm as a guided wakening.

Here’s a copy of my post on the Disquiet Junto 0684 discussion thread on Lines:

I had a small 48hp modular system setup for a project I did last week, so decided to use the same modules with different parameters for this week’s assignment. Pamela’s Pro Workout was used for master clock, random sample & hold, and quantization. This was then patched into Calsynth Ornament and Crime with Phazerville suite, running the sequential switch applet in both hemispheres. That in turn helped to sequence a Make Noise STO and Calsynth uRings. Desmodus Versio provided in rack reverb. The modules were manually modulated. Some Valhalla Delay and Supermassive were added in Ableton Live.

After a few listens, the overall vibe, and the ending using a dawn chorus sample, seemed a little too new agey to me, but I'm mostly fine with how it turned out. Here’s to restful sleep and positive awakenings to all in the days ahead.

More on the 684th weekly Disquiet Junto project, Early Bird — The Assignment: Record not so much an alarm as a guided wakening — at https://disquiet.com/0684/

Dawn Salutation [disquiet0684]

The track starts off with simulated bird sounds, courtesy of the Wing Pinger. Gradually, a C+ chord emerges, which is then joined by a bouncy sequence and eventually a rather standard techno beat, which will hopefully get one out of bed and onto the sidewalk for a good morning run. 

disquiet0684

Naviarhaïku 579

D'après le haïku de Yosa Buson

Mount Asama
amidst its fumes and ash
fresh young leaves!




Mount Asama (Naviarhaïku579)

noxpox - HOLY POTION

My interpretation of:

Mount Asama
amidst its fumes and ash
fresh young leaves!

Naviar Haiku challenge 579, details here: https://www.naviarrecords.com/haiku-music-challenge

With the exception of the birdsong at the start, which is from this sound pack: https://www.luftrum.com/free-field-recordings sold in aid of WWF Denmark, Everything was created in virtual modular using VCV Rack. As I had a couple of distractions this week I developed the sounds in three separate VCV patches, which rather than combining I performed and recorded sequentially each as a single take.

While doing it this way makes it less of a live experience it does greatly simplify the assignment of physical controls, allows for splitting to more tracks when recording allowing more flexibility in the mixing/mastering process and allowed me to add the birdsong after recording the opening, meaning it was in place when I introduced the sequences.   

Fresh Young Leaves - (naviarhaiku - 579)

naviarhaiku579 – Mount Asama
The event Bosun refers to is the eruption of Mount Asama in 1783, which instantly killed over 1,000 people. The toxic ash traveled 100 miles to Edo, making farmland useless and causing many more people to starve.

Reaktor Kodiak sequencer by Matthias Schaffner
Loops, Drones. Riff in crescendo of pianos and double bass.

Loops on Ashes (naviarhaiku579)

Der Sturm tobt wild

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

Lightness - disquiet0684

Daniel Diaz