Composed and performed by DD, early 2025
Ukuleles, charango, ronroco, bass pulse

Photo by Andrew Small

for https://llllllll.co/t/disquiet-junto-project-0684-early-bird

Lightness - disquiet0684

More on the 684th weekly Disquiet Junto project, Early Bird — The Assignment: Record not so much an alarm as a guided wakening — at https://disquiet.com/0684/

SONG 70 - DisquietJunto0684 - Early Bird

Recorded, mixed & mastered on 06 Feb 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa. 

Synths, reverb, echo. 

Artwork/Photography - Jim Lemanowicz, 12 Mar 2016, Massapequa, NY, USA

©2025 Jim Lemanowicz

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This original version of “Decaying A Little More Each Day” was submitted as part of Disquiet Junto Project 0684: Early Bird. The Assignment: Record not so much an alarm as a guided wakening.

More on the Disquiet Junto at: disquiet.com/junto/

More on the 684th weekly Disquiet Junto project, Early Bird — The Assignment: Record not so much an alarm as a guided wakening — at https://disquiet.com/0684/

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Patreon & Soundcloud - blisterpop
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Decaying A Little More Each Day (disquiet0684)

Submission for Disquiet Junto 0684. Synths from Pure Data and Ableton. Field Recordings by me: dawn chorus in Humboldt State park, cottonwood leaves on the Van Duzen river, Cicadas on the Tsitsikamma Trail, South Africa, sounds of the Tilburg Textile Museum artists' workspace.

early birds (disquiet0684)

This week, members of the Disquiet Junto were invited to make a piece of music intended for listening to while awakening from sleep. My first thought was, "I'm going to try really hard to not make this creepy." Was I successful?

The title is an anagram of my full name— how cool is that? My composition is, as Bjork might say, not only musical but scientifical. I'm using binaural mixing to create a 6Hz oscillation that slowly transitions from theta waves to alpha waves, providing neural feedback that guides the listener from a  meditative state to a calmly wakeful one. Note that you can only experience this effect using headphones.

This track features many layers of evolving pads, gentle ebow guitar, and integrated field recordings. You might be surprised at which ones are which. The vocals are organic. 

Please tell me it's not creepy.

More on the 684th weekly Disquiet Junto project, Early Bird — The Assignment: Record not so much an alarm as a guided wakening — at https://disquiet.com/0684/

A Dream Like an Echo (disquiet0684)

This was my contribution for Disquiet Junto Project 0684: Early Bird. The Assignment: Record not so much an alarm as a guided wakening.

Here’s a copy of my post on the Disquiet Junto 0684 discussion thread on Lines:

I had a small 48hp modular system setup for a project I did last week, so decided to use the same modules with different parameters for this week’s assignment. Pamela’s Pro Workout was used for master clock, random sample & hold, and quantization. This was then patched into Calsynth Ornament and Crime with Phazerville suite, running the sequential switch applet in both hemispheres. That in turn helped to sequence a Make Noise STO and Calsynth uRings. Desmodus Versio provided in rack reverb. The modules were manually modulated. Some Valhalla Delay and Supermassive were added in Ableton Live.

After a few listens, the overall vibe, and the ending using a dawn chorus sample, seemed a little too new agey to me, but I'm mostly fine with how it turned out. Here’s to restful sleep and positive awakenings to all in the days ahead.

More on the 684th weekly Disquiet Junto project, Early Bird — The Assignment: Record not so much an alarm as a guided wakening — at https://disquiet.com/0684/

Dawn Salutation [disquiet0684]

The track starts off with simulated bird sounds, courtesy of the Wing Pinger. Gradually, a C+ chord emerges, which is then joined by a bouncy sequence and eventually a rather standard techno beat, which will hopefully get one out of bed and onto the sidewalk for a good morning run. 

disquiet0684

More on the 691st weekly Disquiet Junto project, Un-Ravel — The Assignment: Make a recording of a string quartet fall apart — at https://disquiet.com/0691/

Un-Ravel

Disquiet Junto| Un-Ravel - disquiet0691

VOICES

Disquiet Junto Project 0697: First Third
The Assignment: Record the first third of a trio.

I made a simple sequence, that should leave a lot of room for two musicians. It should be Fminor with 70bpm in 6/4.

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Duets here:
https://soundcloud.com/daniel-diaz/alpha-crucis-with-krakenkraft
https://soundcloud.com/boundaryobjects/song-95-disquietjunto0698

Trios here:
https://soundcloud.com/lee-evans-722170034/third-third-disquiet0699-w
https://soundcloud.com/hugh-399766637/chef-money-junto-trio-with

Thank you guys!
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More on the 697th weekly Disquiet Junto project, First Third — The Assignment: Record the first third of a trio — at https://disquiet.com/0697/

Diskussion: https://llllllll.co/t/disquiet-junto-project-0697-first-third/71838

[disquiet0697] Crux

Ballet after hours. Lo-fi beats glide under minimalist piano motifs and graceful, dance-inspired rhythms—adagio to allegro, plié to arabesque. Neon-sunset ambience and warm tape texture set a calm, focused mood for stretching, journaling, or late-night choreography notes. Classical elegance, modern groove—Drift Notion’s lo-fi ballet variations.

Sketches of Quiet Streets

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

Lightness - disquiet0684

Daniel Diaz