Instalación sonora para cuatro altavoces.

«El oráculo, como modo de decir, ante todo consiste en no dar explicaciones. Explicar es desplegar, y el oráculo es algo plegado»
Jacques-Alain Miller

Instalación sonora inspirada en las practicas oraculares de la Antigua Grecia, en tanto que crean a partir de su propia acción/enunciación; algo que también sucede en un acto performático.
Esta autocreación sempiterna de lo oracular se manifiesta siempre en tiempo presente, dado que tiempo y espacio en el universo oracular son la mismísima cosa.
El presente es la totalidad de todo lo que existe. Y todo lo que existe, existe ahora, existe en este espacio, existe en esta sala donde el sonido se proyecta…

«El pasado no puede recordar el pasado. El futuro no puede generar el futuro. El lado afilado de este instante, de este aquí y ahora, es siempre, ni más ni menos, que la totalidad de todo lo que existe.»


released February 11, 2021
Voices:
Vidente anónima hindú (recorded in New York)
Escritora pakistaní (recorded in Barcelona)
Maia Koenig (recorded by herself in Málaga)

Covert Art: Mariana Gallay

Teatro Oracular, instalación sonora para cuatro altavoces

A subtle atmospheric soundtrack piece.

It's got this peaceful vibe but also a note of anxious urgency underneath. We can perceive 10 million shades of green because we are predators. I wanted to present a more complex pastoral picture, nature as it truly is - an endless recycling of the suns energy. That, I believe, is the true interpretation of the celtic concept of reincarnation. The beauty is the efficiency and strangeness of the system, not some imagined rural ideal. That is my understanding of the divine.

Deg miliwn o arlliwiau o wyrdd ("10 Million Shades Of Green")

Marco Lucchi : vocals, analog synthesizer and tape

playing with "White Daydream" by Mean Flow
https://meanflow.bandcamp.com/track/mean-flow-white-daydream


You are the most extraordinary person
You write the most peculiar kind of tunes
I met you floating as I was boating
One afternoon

Wasn't it the most amazing meeting?
Surrounded by those monsters from the deep
You started telling me a funny story
And I fell asleep

Oh what a dream!
Oh what a dream that was!

We went for a glide across the country
I was hungry after traveling so far
You offered me your one and only sandwich
I said, "How kind you are!"

Wasn't it the most amazing feeling?
Yes, everything was really as it seemed
You are the most extraordinary person
I've ever dreamed

Oh what a dream!
Oh what a dream that was!
Oh what a dream!
Oh what a dream that was!

Wasn't it the most amazing feeling?
Yes, everything was really as it seemed
You are the most extraordinary person
I've ever dreamed

Oh what a dream!
Oh what a dream that was!
Oh what a dream!
Oh what a dream that was!
Oh what a dream!
Oh what a dream that was!

"Oh, what a dream .." w/ Mean Flow

Previously unreleased (and un-mixed) 2006 studio collab with Pajaro Canzani.

Tiple, percussions, bass

For this haiku:

lightning thunder
and rain
all speaking at once

haiku by Elancharan Gunasekaran
picture by Jeremy Thomas

aka Tolteca 1 by Daniel Diaz with Pajaro Canzani

Lightning Thunder (naviarhaiku436)

This is the second track of a new collaboration with my music friend Pete Swinton. I will be re-working some of his tracks from his excellent Project Drone Adzan Maghrib album.
peteswinton.bandcamp.com/album/projec…dzan-maghrib

This track is a re-work of the Project Adzan 3. It was mixed in the AUM app on my iPad and used the excellent apps Mononoke and VHS Synth.

Project Adzan (with Pete Swinton) - 2 - Eternia

Headphones recommended.

Made for Naviar Records' 436th Haiku Challenge, See https://www.naviarrecords.com/2022/05/11/naviarhaiku436-lightning-thunder/ for details.

Voices of the storm [naviarhaiku436]

Exhale

collider .wav

2022-06-27

NLS - 2022 - 06 - 27 - Roli Seaboard Practice

Experimental Origin

Be On Your Mind

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.