the right music for these crazy, sad, dangerous days.... 

claro....a todos nos gustaría vivir en la zona de confort.... pero somos vagabundos expulsados del paraíso, viviendo en un mundo hostil... hoy, la inexplicable reelección de Trump refuerza una tendencia perversa. sigue le pen? 

YCBA

Disconnection

Another collection of loose tracks I've made over the years, some were made over a decade ago. Several of these are from films I've worked on. Others are pieces I've never found a home for. Throughout the project you will hear a lot of piano. Some from virtual instruments, and several are actual recording of me playing on my father's Samick. I also used his Tascam 388 on a few tracks to gain some hiss and warmt. Many imperfections in this project, and I like that. I think this is probably my most vulnerable release, and feels the most like myself. Hope you enjoy something from this offering.

Opi MST 2

Henrik has been an integral part of the Ambientologist family from the beginning, and it’s with great pride that his work be showcased as an early member of the label family, and more still in offering a rare full length album.

Själ ties everything the Stockholm based cellist has been doing into a consolidated, coherent and above all magnificent work, filled with rich emotion and, in keeping with its namesake, beguiling soul. As one of the most expressive instruments at a composer’s disposal, Henrik allows the cello to do the talking. Slow and deeply stirring arcs, married with sweeter taps of piano, cello plucks and subtle electronics.

You can support the man himself buy purchasing here: bit.ly/34mDmaE

The evocative capacity of television or film scores pervades the album, each track painting up vivid imagery of both the real and the transcendent. Sväva takes the listener on a journey above a rolling desert, while Ren Och Fin paints a pensive picture of medieval Europe that would give Ramin Djawardi a run for his money. Master of atmosphere, anthéne, provides the epilogue with his expansive deconstruction of Kraft.

Above all, Själ is as elegant as it is grounded in immersive feeling and deep, resonant imagery. And in his own words:

The soul communicating with the nervous system.
It gives you thoughts and images in your inner mind.
It can be memories or diffuse pictures. It takes you away from reality.
A musical-tonal floating away of the mind.

If you fancy keeping up with future releases, or even just dive into the mixes and musical meditations/talks, take a peek at the links below:

IG: @ambientologist_yt
Spotify: spoti.fi/2BadMtU
YouTube: bit.ly/2zaNfee
Facebook: bit.ly/2RrZZbA
Bandcamp: bit.ly/2m0t8fd

Släppt av:
Ambientologist
Releasedatum för album:
2019 December 4

Växt

Initially a recording of my noisy fridge and the street outside, hoping to draw a beat from the rain and passing cars. Cheated with edits, phasers and tremolo.

Melody by telecaster, fretless bass and grand piano.
--

More on this 401st weekly Disquiet Junto project — Noise Pacing / Use background noise as a beat, as a rhythm — at: https://disquiet.com/0401/

This project is the third and final of a series being done in collaboration with Musikfestival Bern, which runs in Switzerland from September 11 – 15, 2019. More details at: https://www.musikfestivalbern.ch/

More on the Disquiet Junto at:
https://disquiet.com/junto/

Subscribe to project announcements here:
http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:
https://llllllll.co/t/disquiet-junto-project-0401-noise-pacing/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Dies ist das dritte und letzte Projekt in Zusammenarbeit mit dem Musikfestival Bern 2019, welches vom 11.-15. September stattfindet. Wir arbeiten auf Einladung von Tobias Reber, einem frühen Junto-Teilnehmer und Verantwortlicher für die Musikvermittlung beim Festival. Ausgewählte Resultate dieser Projekte werden im Rahmen des Festivals im Rauschlabor Schützenmatte (https://www.musikfestivalbern.ch) öffentlich gespielt oder auf dem Festtivalradio, Radio Antenne (www.radioantenne.ch), ausgestrahlt werden. Falls du nicht möchtest, dass dein Stück dafür verwendet wird, dann vermerke dies bitte wenn du es veröffentlichst.

Misericordia (Disquiet0401)

I would like to apologize in advance :)
all songs, instruments(soft synths, moog theremini, korg volca sample and guitars fretted and fretless) & production by me.

3. Strange Attractor

wind tunnel ...
a hummingbird fans
the morning glory

haiku by Kala Ramesh https://livinghaikuanthology.com/index-of-poets/alphabetic-index/72-r-poets/kala-ramesh.html

picture by Wes Hicks https://unsplash.com/@sickhews

Hummingbird [naviarhaiku355]

Composed and performed by DD (Friday 30th October 2020) and Luis Rigou (circa 2015)

for this junto challenge "Record a piece of music that moves back and forth between two inhospitable zones before finding one, à la Goldilocks and the Three Bears, that is just right."


I made a parallel accompaniment for a discarded quena (south-american indian flute) performed years ago by my friend the great Luis Rigou.
Completely removed the old acoustic  tracks/accompaniment and made a "comfort" one ( a tame groove of pizz strings samples and upright bass C minor pentatonic) and an uncomfortably one (C diminished performed on dystopian orchestral samples and a different flute performed on a different key)

The final mix goes back and forth from the comfort and the disturbing track.
Love

dd



https://llllllll.co/t/disquiet-junto-project-0461-goldilocks-zone/3

Looking For The Comfort Zone (disquiet0461)

2020-11-07

story of the night

More on this 470th weekly Disquiet Junto project — Calendar View / The Assignment: Create a sonic diary of the past year with a dozen (or more) super-brief segments — at:

https://disquiet.com/0470/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0470-calendar-view/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Dan Allison, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/3pXRU

https://creativecommons.org/licenses/by-nc/2.0/

handcar fella

halF calendaR [disquiet0470]

Dive

Upstairs

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

Looking For The Comfort Zone (disquiet0461)

Daniel Diaz

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