Seramind - Ferne Hügel (naviarhaiku478) [Ambient, Chillout, Drone, Electronic]

https://www.naviarrecords.com/2023/03/01/naviarhaiku478-distant-hills/

naviarhaiku478 – distant hills

distant hills …
beyond the gate
winter stillness

Clive is a sometime philosopher, thinker, dreamer, birdwatcher, poet, and occasional writer. Living and writing in beautiful North Wales.

He draws inspiration from nature, especially birds, which he has been watching for as long as he can remember

Clive’s haiku have been published in the Wales Haiku Journal, Presence, Hedgerow, Blo͞o Outlier Journal, ‘Failed Haiku’, tsuri-dōrō journal, and most recently in the Scarlet Dragonfly Journal. He can be found on the Drifting Sands Poets Hub.


Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 8th March 2023

haiku by Clive Bennett https://mobile.twitter.com/birdsinhaiku

picture by Ricardo Gomez Angel https://unsplash.com/@rgaleriacom

Visit my other pages:

Spotify: https://open.spotify.com/artist/22xH66OU00shKM5kcwbAeK
SoundCloud: https://soundcloud.com/seramind
Discogs: https://www.discogs.com/artist/4709745-Seramind
Bandcamp: https://seramind.bandcamp.com
Facebook: https://www.facebook.com/seramind
YouTube: https://www.youtube.com/@seramind

Ferne Hügel (naviarhaiku478)

Inspired by this week's Haiku challenge:

distant hills …
beyond the gate
winter stillness

Clive is a sometime philosopher, thinker, dreamer, birdwatcher, poet, and occasional writer. Living and writing in beautiful North Wales.

He draws inspiration from nature, especially birds, which he has been watching for as long as he can remember

Clive’s haiku have been published in the Wales Haiku Journal, Presence, Hedgerow, Blo͞o Outlier Journal, ‘Failed Haiku’, tsuri-dōrō journal, and most recently in the Scarlet Dragonfly Journal. He can be found on the Drifting Sands Poets Hub.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 8th March 2023

haiku by Clive Bennett https://mobile.twitter.com/birdsinhaiku

Chilled Air (naviarhaiku478)

Instrumental cue, hybrid jazz-rock

Recorded February 2023, mixed Friday 10th march 2023.


Live studio  improvisation with Miguel Yanover on sax (@yanomito), I played a nylon-string electric bass.
We jammed over a pre recorded (by me) drum track and later I overdubbed a Hammond Organ trying to save this one from the trash lid.

Still, even if I love the live sax and bass interplay, this is a great candidate to be a  "forever unused" track. So I'm glad to mix it this morning and share it here.

Cheers
dd


photo by Reynier Carl


shared for this junto 
https://llllllll.co/t/disquiet-junto-project-0584-generations/

Nocturnal Studio Jam Number 2 (disquiet0584)

Counting Fleas (naviarhaiku479)

Beethoven gradually transformed. The original is a 1938 Columbia recording of the Rondo from Piano Quartet in E flat major, op 16, performed by Robert Schmitz & the Roth Quartet, chosen at random & downloaded from the Internet Archive.

More on this 584th weekly Disquiet Junto project, Generations (The Assignment: Bridge a gap in your musical taste), at: https://disquiet.com/0584/

More on the Disquiet Junto at: Disquiet Junto F.A.Q. – Disquiet

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0584-generations/

Deromanticizing (disquiet0584)

More on this 585th weekly Disquiet Junto project, Generations (The Assignment: Fast forward an old track to make a new one), at: https://disquiet.com/0585/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0585-f9/

Disquiet Junto | F9 - disquiet0585

Disquiet Junto Project 0585: F9
The Assignment: Fast forward an old track to make a new one.

I used VLC and BlackHole, it worked mostly fine. After a handful of tracks I took "On Spiritual Mission" https://krakenkraft.bandcamp.com/track/on-spiritual-mission and ffwded it. I cut out a loop and looped it warped in Live. For me it still sounded like the original. So I mixed parts of the original into. I liked that it now had some kind of fractal self-similarity. The title plays on the fact that you need some time to get into the groove of the loop and I think after the lenght of the track one could get into it.

--

More on this 585th weekly Disquiet Junto project, Generations (The Assignment: Fast forward an old track to make a new one), at: https://disquiet.com/0585/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0585-f9/

disquiet23

it takes time to get into the groove [disquiet0585]

An improvised track developed over the background noises of a washing-machine recorded with Sanyo Talkbook dictaphones, replayed at half speed.

This track was inspired by the Disquiet Junto Project 0587 (details see below), which invited to let a composition get out of tune. This unintentionally happened here when the guitars joined in...

More on this 587th weekly Disquiet Junto project, Sour Mash (The Assignment: Let something go out of tune), at: https://disquiet.com/0587/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0587-sour-mash/

Tone on Tone (Disquiet0587)

video @ https://youtu.be/ZnmfVBkzXnc

misty daydream
Vikings land on the shore
of my childhood

haiku by Michael Dudley http://michaeljdudley.com

For more information visit http://www.naviarrecords.com/about/naviar-haiku

visuals (YouTube)

halF daydreaM [naviarhaiku484]

haiku by Michael Dudley http://michaeljdudley.com

picture by frame harirak https://unsplash.com/@framemily

Nawak

Misty Viking (naviarhaiku484)

Sandy B Day

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

Nocturnal Studio Jam Number 2 (disquiet0584)

Daniel Diaz