Another experiment mixing improvised clarinet with electronics, piano and a bit of noise.

Brian Campbell- Clarinet
JC Mendizabal- keyboards, mixing, composition and deconstruction

Ingenuus 020

tummelplatz

Tummelplatz 14.12.18

劇団Peek-a-Boo武末志朗さんのために書き下ろした曲
空飛ぶタビネズミのテーマ

The Lemming In The Sky

first of a series of experimental tracks combining  a home made instrument constructed of springs rubber bands and various metallic resonant devices processed through a Koma Elektronik field kit with some digital effects processed back through my DAW( Reason) for further effects /time stretching etc.

Hidden

Solo upright bass
Harmonica
Synthesizers and Fx.

Image: Friendship by Agnes Martin.

For this challenge:
Disquiet Junto Project 0456: Line Up
The Assignment: Interpret a painting by Agnes Martin as if it were a graphic score.

Step 1: Look at the work of painter Agnes Martin, best known for her parallel lines.

Step 2: Select an individual work that suggests itself to you as a musical score.

My imagination is not flamboyant today, I just went for some linear playing, both an upright bass linear impro and an harmonica and synth simple straight drone.

DD 25th Sep 2020

Parallel Lines (disquiet0456)

According to art historian Lawrence Alloway, Agnes Martin was one of the principal pioneers of the “Hard-Edge” 1950's painting movement. “Even where forms are not purely represented,” he wrote, “[Hard-Edge] abstract artists have tended toward a compilation of separable elements, treated as discrete entities. Forms are few and the surface immaculate … the whole picture becomes the unit. The result of this sparseness is that the spatial effect of figures on a field is avoided.”

Martin’s work evokes not only austere minimalism but also a cerebral airiness, perhaps gained from when Martin lived in New Mexico while attending university. Her work appears to vibrate off the canvas, the rigor of her craft subtly transformed into a sort of trembly dissonance. Even a simple line appears to breathe; a series of seemingly identical shapes reveal hidden nuances on close inspection.

For this piece written for fake violins, Suss Müsik interpreted Martin’s lovely 1961 work entitled Words (ink and graphic on paper, mounted on canvas) as a graphical score. The parallel lines are represented by sustained, repetitious phrases playing a single note. The triangles are conveyed through a simple 3-note counterpoint performed in consecutive sets of four, four, six, six, six, six, four and four. 

The piece is titled Words and was recorded live with one overdub for piano embellishment.

More on this 456th weekly Disquiet Junto project, Line Up (The Assignment: Interpret a painting by Agnes Martin as if it were a graphic score), at:

https://disquiet.com/0456/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0456-line-up/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Words [Disquiet0456]

Sonopoetry by 
https://soundcloud.com/ilaria_boffa
Music produced & mixed
by P è n i n ș o l a r
https://soundcloud.com/p-e-n-i-n-s-o-l-a-r
Visual : Rika Ryzhykova
Пчёлы:
https://youtu.be/m7cu-NdCdMg

On the threshold, liminality in seclusion. You and I
all species and all objects occupy a sound bandwidth
on a spectrogram, a voice to feel heard.
Ongoing eco-squatting and evacuation under human pressure.
Are we bypassing reciprocity, trivialising wander and mystery?
Decency has a traceable nomenclature, a legacy.

I sense your cavitation
drought, self-imposed.
Then conserve, archive.
Never forget how
insignificant we are
and yet decisive.
Unlearn and de-familiarise.
I won’t set my own frequency
below 500 hertz.

Written by 
https://soundcloud.com/ilaria_boffa

Purchase on Bandcamp

Ilaria Boffa P è n i n ș o l a r - 500Hertz

Performed & Recorded by Matteo Mariano in 2019. http://macrogramma.com
Original cover art by Dario Panzeri (2020). http://dariopanzeri.org

"Metafonia" is the Italian word that identifies the phenomenon known in parapsychology as "electronic voices". Metafonia VI is the first track in order of publication, and the last in order of numbering, of a series of compositions inspired by this phenomenon.
Each piece was made starting from vocal samples recorded and processed in real time with a laptop (and with the addition of some synths). The only voice behind these pieces is mine (at least I think, and above all I hope, even if I can never be completely sure), recorded while I was improvising random phrases, as if I were my own medium.
I waited a long time before deciding to finish and release this series of songs, the gloomy atmosphere of this end of October 2020 made me realize that it was time to let them go.
The project is to release all the tracks, one or two at a time, between today and the evening of October 31st (as per pagan tradition), to collect them in a single album that will be available on Bandcamp ...
---
"Metafonia" è la parola italiana che identifica il fenomeno noto in parapsicologia come "voci elettroniche". Metafonia VI è la prima traccia in ordine di pubblicazione, e l'ultima in ordine di numerazione, di una serie di composizioni ispirate a questo fenomeno. 
Ogni brano stato è realizzato a partire da campioni vocali registrati ed elaborati in tempo reale con un laptop(e con l'aggiunta di un po' di synth). L'unica voce alla base di questi brani è la mia (almeno credo, e soprattutto spero, anche se non potrò mai esserne del tutto certo), registrata mentre improvvisavo frasi casuali, come fossi il medium di me stesso. 
Ho aspettato diverso tempo prima di decidere di terminare e pubblicare questa serie di brani, l'atmosfera cupa di questo fine di ottobre 2020 mi ha fatto capire che era arrivato il momento di lasciarli andare. 
Il progetto è di rilasciare tutte le tracce, una o due per volta, tra oggi e la sera del 31 ottobre (come da tradizione pagana), per raccoglierle in un unico album che sarà disponibile su Bandcamp...

Released October 18, 2020

all rights reserved

Metafonie Volume 1

Metafonia VI

Piano, Synths, Bowed upright basses, filters.
Ambient electro-acoustic soundscape for this haiku:
⠀
Magnolia in full bloom…⠀
But waking I find⠀
a chill November morning⠀
⠀
Poem by John Hinks
Photo by DD (Paris, November 2020)

Composed and performed by Daniel Diaz

@naviar-records
@flownblue
https://www.naviarrecords.com/about/naviar-haiku⠀

Dedicated to Diego Maradona (Oct 30th 1960-Nov 25th 2020)  RIP
⠀

a chill november morning (naviarhaiku360)

FORCE OF NATURE

Old Story

That easy thing

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.