light blue and pink

アオキ サトル 『 Type ≒ BLUE 』2020年4月28日
Aoki satoru - Type ≒ BLUE : Tokyo, Japan - April 28, 2020 [ TOD 131 ]

It was recorded in Tokyo under the declaration of a state of emergency.
家のベランダから録りました。

Type ≒ BLUE

Equipment:YAMAHA Reface CP,Cooper Fx Outward V2,Chase Bliss Audio MOOD,Chase Bliss Audio Blooper,Electro Harmonix Analogizer,BOSS RV-5

lukewarm

Picture reference: https://www.goodeveca.net/nimrod/bowden.html.

Claudio Ferrari: electronics - percussions - vocal intrusion.
Alessandro Bona: flute - bass flute - sopranino recorder - reeds - electronics - percussions - bunch of keys - tuner.

It may appear that, in trying to make machines play games, we are wasting our time. This is not true as the theory of games is extremely complex and a machine that can play a complex game can also be programmed to carry out very complex practical problems.
(From the pamphlet accompanying the Nimrod, sold to Festival of Britain attendees).

Nimrod

Equipment:Teenage Engineering OP-1,Cooper Fx Outward V2,Chase Bliss Audio MOOD,Chase Bliss Audio Blooper,Cooper Fx Arcades(Generation Loss),BOSS RV-5

unfold

Solo upright bass
Harmonica
Synthesizers and Fx.

Image: Friendship by Agnes Martin.

For this challenge:
Disquiet Junto Project 0456: Line Up
The Assignment: Interpret a painting by Agnes Martin as if it were a graphic score.

Step 1: Look at the work of painter Agnes Martin, best known for her parallel lines.

Step 2: Select an individual work that suggests itself to you as a musical score.

My imagination is not flamboyant today, I just went for some linear playing, both an upright bass linear impro and an harmonica and synth simple straight drone.

DD 25th Sep 2020

Parallel Lines (disquiet0456)

Dararat Chemnasiri: alto sax
Bruno Gussoni: shakuhachi
King Imagine - electronics, bell, tortured piano, strings tutti, violin flagelettes, composition
Dirk Wachtelaer: drums

Any Time

Bobby Rangell: alto sax
Nico Arnicho: percussion
Daniel Diaz: acoustic bass guitar & live synth sparkles

Live in the studio recording, circa 2007 in Paris, reworked and remixed Friday November 27th 2020.

Again, from the  masters I got back some weeks ago and I am rediscovering and reworking some music for there.

This is part of a one day session with these extraordinary musicians  this is the only session with the three of us together in the studio. We recorded tones of music that day, including [junto0463](https://soundcloud.com/daniel-diaz/two-memories-gradient-disquiet0463) and [naviarhaiku358](https://soundcloud.com/daniel-diaz/black-horse-naviarhaiku358) with a 4th element , Pajaro Canzani on guitar)

This is the introduction to an instrumental composition we recorded for a producer (documentary) who accepted the mix but later asked for the introduction to be removed.
So this free form 2 minutes remained unused.
I remixed this today for 27/NOV/2020 thanksgiving  junto challenge
https://llllllll.co/t/disquiet-junto-project-0465-you-thank 
as a thank you note for those excellent musicians.

I spent some time live and i the studio with Bobby since that day, but completely lost track of Nico, 10.000 Km between us...

Going back to these masters is a joy and reminds me how great it is to play together with fellow musicians and how grateful I am that I could do it with such great, talented guys.


Photo by DD: self portrait with blue forms

Happy thanksgiving everybody, love
DD 27/NOV/2020

Deep Blue 01 (Giving Thanks) - disquiet0465

King Imagine: bowed cymbals, metal objects - 
Bruno Gussoni: shakuhachi

King Imagine  &  Bruno  Gussoni  -  Rust

Vanessa Pettendorfer: organ -
Bruno Gussoni: shakuhachi - 
Mastering by Alexey Mikryukov

Vanessa Pettendorfer & Bruno Gussoni - s'immerger en soi-même

morning light
the first blossoms of spring
bloom over-night

haiku by Morikawa Kyoroku http://chevrefeuillescarpediem.blogspot.com/2018/11/carpe-diems-leafless-tree-3-morikawa.html

picture by Jill Dimond https://unsplash.com/@jilldimond

For more information visit http://www.naviarrecords.com/about/naviar-haiku

oval fright hen

halF overnighT [naviarhaiku367]

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.