rain rituals -
if the gods are here now
to see the paddies
(Takarai Kikaku)
https://www.naviarrecords.com/naviarhaiku599-rain-rituals/
Komposition1076 FlöteViolineCelloTrio

rice and rain (naviarhaiku599)

#4218 92.99% 318 left): Jul. 2, 2025: and never was piping so sad (again, William Butler Yeats from May 22, 2025) 

*** NEW SELECTION ALBUM 30th JUST RELEASESD ***

Today's pure primal piano music here. Happy if this music makes you feel peaceful.. : )

Looking for absolute natural beauty every day for Piano Ten Thousand Leaves. Target number is 4536:
This piece may might have good 1/f fluctuation characteristic although I stopped investigating it each piece.

######## Latest Album: 30th SELECTION ALBUM JUST RELEASED ########

"wind of mysteriousness" - the 30th selection album of piano ten thousand leaves

youtube: FULL VIDEO with 20 full songs in very high quality sounds
https://youtu.be/tkqms1ZjAEg?si=RlWgQZBbe9z523f_

spotify:
https://open.spotify.com/intl-ja/album/7CiAmnJmm5Wnm3CVfmC234?si=tImTyWj5TT6dUBRhMRXVYg

apple Music:
https://music.apple.com/jp/album/wind-of-mysteriousness/1817351475

amazon music:
https://www.amazon.co.jp/s?k=chair+house+%E4%B8%8D%E6%80%9D%E8%AD%B0%E3%81%AE%E9%A2%A8&i=digital-music&ref=nb_sb_noss_2

all music streaming services:
https://linkco.re/PQ45u0dG?lang=en

and never was piping so sad - #4218 (92R99 percent 318 left) by chair house 250702

for the haiku challenge n. 600 https://www.naviarrecords.com/naviarhaiku600-thinking-of-us/

wind in the pines (naviarhaiku600)

you know the game - but this time it's the 600th haiku challenge by 
Naviar Records

thinking of us
the sound of wind
among the pines

- Andrea Cecon -

wind & pine (naviarhaiku600)

2025-07-08

string theory

For the 601th haiku proposed by Naviar records: 

pulling light from the other world . . . the Milky Way
 
by: Yatsuka Ishihara

Yatsuka Ishihara (1919–1998) was a Japanese poet and co-founder of the journal Aki 秋 with Akira Matsuzawa. He also served as an advisor to the Modern Haiku Association (Gendai Haiku Kyōkai) and the Association of Haiku Poets (Haijin Kyōkai).

https://www.naviarrecords.com/naviarhaiku601-pulling-light/

Pulling light (naviarhaiku601)

Hybrid orchestral soundscape, a simple E major chord progression played on both electronic and acoustic instruments:  4 synthesisers alternating with 4 bowed basses, 2 cellos and a violin.

For this haiku:


pulling light
from the other world . . .
the Milky Way

by: Yatsuka Ishihara

Created by DD in Paris  July 9, 2025
Photo by Alex.

naviarhaiku601  by @naviar-records

Pulling Light (naviarhaiku601 )

10Jul25
My naviarhaiku601 track
https://naviarlab.tumblr.com/post/788601238855073792/naviarhaiku601-pulling-light
:D

pulling light from the other world [naviarhaiku601]

The Missing

If witches did manage to get in the house, sleeping with a Bible, a silver dollar, or a knife beneath your pillow had all been recommended as preventatives. Turning your socks inside out before going to bed was also thought to keep away witches. Mustard seed scattered around the bed was equally effective.

Made entirely with the Dexed app in AUM on IPad.

Apotropaia

Plunge your audience into a chilling world of desolation and decay with 8 haunting tracks from the Infested Lands - Survival Music Collection.

This collection is a tapestry of melancholy and eerie sounds, meticulously crafted to evoke the feeling of a lost civilization, the profound silence of isolation, and the lingering terror of a world reclaimed by a sinister force.

Crafted by a Human for Human Creativity
Made by our producer Pathum with no AI, Infested Lands whispers with:

Sparse and Haunting Compositions: Minimalist musical arrangements that amplify the feeling of emptiness and the struggle for existence in a world overrun.

Melancholy and Somber Melodies: Themes that convey a deep sense of loss and the quiet despair of being the last survivor, surrounded by a corrupted environment.

Eerie and Desolate Soundscapes: Atmospheric textures that paint vivid sonic pictures of crumbling ruins, overgrown cities, and the ever-present, unsettling quiet.

Breathe Life (and Despair) into Your Survival Worlds
Authentically Produced: Experience the unique creative vision of our producer Pathum, ensuring a distinct human touch and a sound that stands out.

Cinematic Immersion: Each track is precisely designed to deliver a powerful emotional impact for crucial moments of exploration, desolate environments, and the introspective sequences of a lone survivor.

Crystal-Clear Audio: High-quality WAV format ensures pristine sound across all platforms and media.

Seamless Integration: Effortlessly weave these evocative tracks into your survival games, post-apocalyptic narratives, videos, streams, and more to create a truly unforgettable and terrifying atmosphere.

Normally $19.99, let the chilling sounds of Infested Lands - Survival Music Collection define the desolate beauty of your next project!

3 - Phat Phrog Studio - Infested Lands - Bleak Horizon

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

Pulling Light (naviarhaiku601 )

Daniel Diaz