Live studio jam, Performed by
Flute (Bobby Rangell, Denver USA)
Percussion (Nico Arnicho, Montevideo Uruguay)
Fretless Bass, arpeggiator (Daniel Diaz, Buenos Aires, Argentina)

Recorded circa 2007 in Paris, mixed and shared for the first time Wednesday 5th January 2022 for this haiku:

A machine gun,
the low moon,
round and resounding.

Poem by Saitō Sanki (1900 – 1962) 
Photo by DD (Malaga, Spain, December 2021)

@naviar-records

round and resounding (naviarhaiku418)

Saitō Sanki (1900 – 1962) was a dentist who discovered his passion for haiku poetry in his mid-thirties, when his colleagues at the hospital in Soto Kanda convinced him to write a haiku for a collection. Later, he became one of the most important exponents of wartime haiku: he was imprisoned in 1940 during the government’s World War II persecution of controversial artists, and was officially forbidden to write until the end of the war.

This haiku is included in The Kobe Hotel, a collection that depicts the author’s wartime experiences in Kobe, the struggles of ordinary people to endure war, defeat and occupation.

The low moon (naviarhaiku418)

More on this 524th weekly Disquiet Junto project — Sunset Waveform (The Assignment: Read a photo like a graphic score) — at: https://disquiet.com/0524/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0524-sunset-waveform/

hatless fun

halF sunseT [disquiet0524]

Part of a new album I've been uploading, featuring compositions written over the last several months of 2021. If anyone can pinpoint what all of these compositions have in common, musically-speaking, put it in the comments - there was a concept tying everything together but I'm not going to reveal what it was unless if someone figures it out on their own, haha.

Cover art created using NeuralBlender.

This album is going to be called "Prohibited Topics," a tribute to the textbook authors and teachers whose work is being disrupted by right wing efforts to stifle education about racial disparity and structural racism in the US.

Prohibited Topics

21 11 23

Another ambient piano piece, this time a lot darker

Gwydrfaen ("Obsidan")

Ian Greaves

Common Flaws 145 BPM

Vaperqvoyr Tubfg Xvatqbz Qbja

Composed, arranged, performed, and produced by
Carlos Vivanco

Harmonic Vertigo

Tesseract

Keyboard / Septembre 22
Photographie : Kodd

Beyond Mari Liis

Atlantis

Révolution en carton (A113m)

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.