[disquiet0548] Purcel

On the field
where evening has died out –
my footsteps

haiku by Ozaki Hōsai https://en.wikipedia.org/wiki/Ozaki_H%C5%8Dsai

picture by Amir Kalhor https://unsplash.com/@amirkalhor

For more information visit http://www.naviarrecords.com/about/naviar-haiku

self footpaths

halF footstepS [naviarhaiku448]

Created using Samplebrain (https://gitlab.com/then-try-this/samplebrain) by feeding it several samples from Freesound: 
https://freesound.org/s/531947/
https://freesound.org/s/243629/
https://freesound.org/s/476202/
https://freesound.org/s/237729/

[disquiet0561] Brainfood

More on this 569th weekly Disquiet Junto project — Think Thank (The Assignment: Make music inspired by something or someone you’re thankful for) — at: https://disquiet.com/0569/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0569-think-thank/

Our House In The Middle Of A Mad House (disquiet0569)

NonDisquiet For Peaches (disquiet0569) by Daniel Burke.
Was reading a piece in a magazine at the end of a long trip up the Oregon River in 1997 about gratitude. The punchline was “the key to contentment is an attitude of gratitude”. Still working that 25 years later but grateful to have come across it, as it was needed and I have found it works. I continue to try to recognize and acknowledge as much as possible. This piece is dedicated to my wonderful wife Laurie who was delivered to my doorstep (literally) by some guardian angels (almost literally) just in the nick of time. Its a great story I won’t bore you with but suffice to say she is the best thing that has happened for me this lifetime and I express that as often as I can.
I started out thinking to make a piece as gentle and kind as she is, with a nod to the magical & beautiful music of the 1988 album Plux Quba by Nuno Canavarro, which we both love. Music that inspired Oval, Microstoria the rest of the A-Music crew in Germany.
https://nunocanavarro.bandcamp.com/album/plux-quba
The piece quickly moved towards the Eno/Budd/Frippery I am increasingly falling into... Started with the Roland Jupiter-6 lovely marimba like patch and developed a theme which was played around with and replicated/altered with another track of digital piano. Added in an Arturia Analog IV Synclavier patch for a few slight synth/stringish swells, finally added 2 guitar overdubs and a few very distant field recordings made in Mexico and Spain.

More on this 569th weekly Disquiet Junto project — Think Thank (The Assignment: Make music inspired by something or someone you’re thankful for) — at: https://disquiet.com/0569/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0569-think-thank/

Nondisquiet For Peaches (disquiet0569)

Inspired by Mizuhara Shuoshi haiku

"From the mist
a boat for cutting reeds in the morning
has begun to emerge"

A dark mournful track to evoke the unknowable darkness of the sea.

Music - Stu King
Gretsch barritone guitar
Digital delay
Reverb
Analog delay
Boss loop station & modified Ebow

Field Recording
Kevp888
Benboncan

Fathomless

Fathomless (naviarhaiku464)

" Record a piece of music that does change keys"

This one I'm sharing is a track I've been working on since July 2022, eventually a week ago I decided to drop this take and start all over with a solo piano version. It has some key changes, not really sections but there's a permanent "unstable key" feel throughout.

Piano
Classical guitar
Drums (brushes)
Acoustic bass guitar
Wine glasses (background sequence)
Celesta (from sample library)
Synth pad
Key changes go like this:
1st bar E minor 
4th bar A minor
5th bar F# minor
8th bar B minor
9th bar G major
and then back to E minor for the coda.
All repeated twice in this version, with an extended coda.

Photo by DD, Carilo, Argentina.

For this @disquiet junto, December 2nd, 2022
https://llllllll.co/t/disquiet-junto-project-0570-key-change/


Second version, January 2023 here:
https://soundcloud.com/daniel-diaz/silencio-version-2

Silencio (first demo version) - disquiet0570

2023-04-30

Eternal Dreamer

ON  THE  LOOKOUT

Meltdown Anticipated

Outward Bound

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

Silencio (first demo version) - disquiet0570

Daniel Diaz