Beautiful synth work, emotional cadences, you follow the rubato of the samples perfectly... Wonderful tribute to Vangelis, a unique man with a deeply emotive musicality... Loved it Daniel 👌

oh Vangelis lives on in your wonderful track, Daniel, so lovely and so Vangelis-esque sounds, this really is brilliant

This is just gorgeous. There is a very strong "Vangelis" feel. Wonderful homage!

Truly beautiful and emotive, a fitting tribute!

Working on this for a series called Enchanted Sky cheers and thank you G

Was It Really Love

Baltic Azure

Solace

Les êtres-tambour ont la peau tellement fine qu’elle frémit, 
sensible au moindre souffle de brise.

Les êtres-tambour ont la peau qui se tend et vibre, amplifie les couleurs de la vie sur tous les tons. Sur tous les temps.

Ils ont le cœur qui  palpite, palpite et frissonne, caressé par les ondes des tendresses vagabondes.
 
Les êtres-tambour tremblent, quand les cris dissonants les transpercent et déchirent jusqu’au profond des tripes. Les êtres-tambour tremblent.

Les êtres-tambour rêvent, silencieux, d’un doux cocon ouaté qui estompe le monde et d’une ombre portée pour prendre le relais et absorber le vent. 

Alors, en attendant, l’impossible ou la fin, ils résonnent et résonnent, et rien, jamais, ne pourra réprimer leur murmure et leur chant. 

les Êtres-Tambour  - musique Vasco Morais

3 Gadgets challenge !! 2023にエントリーします！

① 🎹Helsinki｜ドリーミーシンセ
② 🥁Gladstone｜アコースティックドラム
③ ☠️DeeMax｜音圧爆上げエフェクト

毎回締め切りギリギリなのは仕様です

#3GC2023 
#KORGGadget

brand-new company

a Kompoz collaboration

Stefanie Kisamore -vocals, melody, lyrics
Austin TX USA

Richard Bradley -guitars, production, mix/mastering
Toronto Ontario Canada

Daniele Silvestri -drums/percussion
Roma Italy

Moe Howard -composition, piano, other keys
Hartford Connecticut USA

Mario Licata -bass
https://soundcloud.com/user-972483122
New Jersey USA


Lyrics 
SK - Time Sails

Are you speaking? All around me.
No one hears you, not a sound.
Gentle passing, I'm still standing
Where did time go? Over now.

Wanting more than what you'll ever know.
Still not leaving everything we've known.

Never will be more loved.
Time steals.
Time sails on.

Wanting more than what you'll ever know.
Not leaving everything we've known.

Time steals.
Time sails on.
Oh so long.
Time sails on.

My wind carries you and I am stirred, 
and I feel the embrace of the unheard.

The pulling tide swells you in my song.
Time will heal, what time steals and time sails on.


Photo Credit: https://pixabay.com/illustrations/caribbean-sunset-soap-bubble-bullet-851218/
Download: https://www.soundblend.com/store/release/1281015

Time Sails

work in progress

no fucking Ai were used in this track.

Investigazioni #1

morning glow
buttercups flutter
at the forest’s edge

Catherine LoFrumento lives in Connecticut with her husband and fur babies. Her poetry has been featured or is forthcoming in various journals and anthologies including: Cattails, Modern Haiku, Frogpond, bottle rockets, Chrysanthemum, Hedgerow Journal, Three Line Poetry, and Poetry Quarterly. You can find more of her work on Twitter: @Catherin03 and on Instagram: @Poetrycatt

Haiku by Catherine LoFrumento https://twitter.com/Catherin03

Picture by Alessandro Capuzzi https://unsplash.com/@aleeecap

nawak

Mornings flutter (naviarhaiku491)

Very nice samples to work with.
I unmuted the first 3 (or the last 3?) the more "synth" ones, didn't use the glitchy/noise tracks. Those 3 tracks played back with no added fx or mix sounded full Vangelis for me.
I  miss and I know I will miss Vangelis Papathanassíou for the rest of my life.
This one's for him. 

3 tracks from Marcus Fischer's sample set, tweaked and slightly edited
3 tracks performed by myself on Friday June the 30th during the morning: one electric piano, 2 synthesisers: Ultra Analog VA2 and Micro Korg


More on this 600th weekly Disquiet Junto project, Reaching Out (The Assignment: This is a shared sample project. Rework a set of seven WAV files provided by Marcus Fischer), at: https://disquiet.com/0600/ 1

So Long Vangelis (disquiet0600)

Vinyl Variation #17

Sonopoem by Ilaria Boffa
Fieldrecording taken by IB using jrf hydrophone and h6 zoom recorder.

On the night of 9th October 1963 at 22.39, a landslide from Monte Toc* fell down into the Vajont artificial lake (Pordenone, Italy) causing a mega-tsunami and a seismic shock twice the power of the atomic bombs dropped on Hiroshima and Nagasaki. The 250 metre wave that overtopped the Vajont Dam with 50 million m3 of water overflowing in total (other two waves were simultaneously produced), killed over 3000 people. 1910 victims and among the 1300 missing, many were dismembered and atomised by the air mass movement blast. The seismic shock and its earth tremors were recorded as far away as Brussels and Vienna. 
The white dam, perfectly built and still intact, is the tallest in Europe and considered by experts, a work of art.
Tina Merlin, journalist and partisan, wrote, denounced and opposed the construction of the Vajont Dam on Monte Toc (geologically unstable) from 1957 till the disaster in 1963. 

In figures:
- 20 seconds for the landslide to reach the water level
- 45 seconds to fill the hole
- 270 million cubic metres of rock slid down from Monte Toc
- 25 million cubic metres of water overtopped the dam
- 250 metres high, the wave overtopping the dam (50 million cubic metres of water overflowed in 3 waves)
- 25 seconds to the impact
- twice the power of the atomic bombs dropped on Hiroshima and Nagasaki
- 1910 victims, half of them impossible to identify
- 1300 missing, many dismembered and atomised by the air mass movement blast

'The Dam, for Tina

Tick-Toc*, Tick-Toc, 
Tick-Toc.
All elements buzzing
the earth first sliding
implacable, unending
and then water 
bursting and collapsing
the air blasting
burning and flaying 
limbs and futures
dismembered and 
atomised.

Tick-Toc, Tick-Toc
Tick-Toc.
Almost history 
kneeled down before
the stone.
Almost a war 
its spectres of trees subsiding 
rocks whirling down into
the hole and howls aborted 
perpetually.
Almost a genesis
new order.

Tick-Toc, Tick-Toc,
Tick-Toc. 
Oh damned dam
you, impassive artefact
double-curved arch
towering above, perfect
tiara embellishing 
human hubris.
You, tragic Niobe
still, tonguing your lake
your concrete womb.
You, work of art.

La Diga, a Tina

Tic-Toc*, Tic-Toc, 
Tic-Toc.
Gli elementi a rumoreggiare
lo scivolare primo della terra
implacabile, interminabile
e poi l’acqua 
che esplode e collassa 
l’aria che detona
ustiona e scortica  
membra e futuro 
dilaniati e 
polverizzati.

Tic-Toc, Tic-Toc
Tic-Toc.
Quasi la storia 
inginocchiata dinanzi
alla pietra.
Quasi una guerra 
i suoi spettri di alberi che sprofondano 
rocce che vorticano giù
nel buco e urla abortite 
in perpetuo.
Quasi una genesi
un ordine nuovo.

Tic-Toc, Tic-Toc,
Tic-Toc. 
Oh dannata diga
tu, artefatto impassibile
arcata che doppia ti curvi
troneggi, perfetta
tiara che adorna 
l’arroganza umana.
Tu, tragica Niobe
immobile, a leccare il tuo lago 
il tuo utero di cemento.
Tu, opera d’arte.'

The Dam, for Tina/ La Diga, a Tina

Improvised music produced entirely on the iOS platform using an iPad Pro.

Debussy In Central Park

multi-instrumentalist & composer.
music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

So Long Vangelis (disquiet0600)

Daniel Diaz

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