Marco Lucchi : piano, synthesizers and tape

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found sounds
https://freesound.org/people/felix.blume/sounds/779909/

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for the current Naviar Haiku challenge
https://www.naviarrecords.com/naviarhaiku616-whenever-we-meet/

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逢ふときはいつも雨なる青胡桃
au toki wa itsumo ame naru aogurumi

Tanaka Hiroaki

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piove sempre
quando ci incontriamo –
noci verdi

Traduzioni dal giapponese di Luca Cenisi

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whenever we meet
it’s raining
green walnuts

It's raining [Naviar Haiku # 616]

This turned out a bit more Hallowe'en than I was expecting, but given the date, maybe that's OK 😁💀🎃

an autumn nightfall
the skeleton of a huge fish
drawn back by the sea.

Saitō Sanki (1900 – 1962) was a dentist who discovered his passion for haiku poetry in his mid-thirties, when his colleagues at the hospital in Soto Kanda convinced him to write a haiku for a collection. Later, he became one of the most important exponents of wartime haiku: he was imprisoned in 1940 during the government’s World War II persecution of controversial artists, and was officially forbidden to write until the end of the war.

haiku by Saitō Sanki: https://www.littermagazine.com/2023/07/review-sanki-saito-selected-haiku.html

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

more halF unusuaL

halF skeletoN [naviarhaiku617]

Musique Concrète  - a mix of electronic and recorded sounds. A track for Haloween.

Nightfall with Skeleton (naviarhaiku617)

This is my keyboard miniature response to this week's @naviar-records haiku challenge. Here's more information about that:

"an autumn nightfall
the skeleton of a huge fish
drawn back by the sea."

Saitō Sanki (1900 – 1962) was a dentist who discovered his passion for haiku poetry in his mid-thirties, when his colleagues at the hospital in Soto Kanda convinced him to write a haiku for a collection. Later, he became one of the most important exponents of wartime haiku: he was imprisoned in 1940 during the government’s World War II persecution of controversial artists, and was officially forbidden to write until the end of the war.

haiku by Saitō Sanki

image extract from a picture by John Jason

Submission deadline: 5th November 2025
To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

the skeleton (naviarhaiku617)

an autumn nightfall
the skeleton of a huge fish
drawn back by the sea.

Saitō Sanki (1900 – 1962) was a dentist who discovered his passion for haiku poetry in his mid-thirties, when his colleagues at the hospital in Soto Kanda convinced him to write a haiku for a collection. Later, he became one of the most important exponents of wartime haiku: he was imprisoned in 1940 during the government’s World War II persecution of controversial artists, and was officially forbidden to write until the end of the war.

haiku by Saitō Sanki

Picture by John Jason

Submission deadline: 5th November 2025
To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

Fishbones (NaviarHaiku617)

Adam Majdecki-Janicki - synthesizer, Michał Sławski - percussion.

Buy:
https://payhip.com/b/9bQEC

"They guard nine rivers; they guard nine mountains"

Naviar Haïku 617

D'après un poème de Saito Sanki (1900-1962)

an autumn nightfall
the skeleton of a huge fish
drawn by the sea


Skeleton on the beach

Authentic Lizard Dancer

TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music

Rec.name : " Rif S3- Fuck off AI Cover Design  "
credit :

date : 9-11-2025
https://soundcloud.com/neoilsomgroup

Discharges V Light

QUIRLY

This one started as a simple electric-guitar-and-bass progression, just a rough idea that wasn’t really going anywhere. This week I expanded it with several synth layers and some floating eBow lines.
Funny enough, the little gimmick in the middle section ended up giving the track its shape — a kind of slow, climatic crescendo that finally brought it to life.

I re-recorded that line as an intro today. The whole track is still a floating, meandering, blurry ambient groove, but there’s a certain beauty in that haze.

Inspired by this naviarhaiku620 poem:

some starlight
spared from being scooped up
four-handed net


Haiku by Kinsha
Picture by NASA


Some Starlight - naviarhaiku620

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

Some Starlight - naviarhaiku620

Daniel Diaz

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