Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku

To participate in the Haiku Music challenge::

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku382)”

To submit your track:

- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on X, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want) compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Records store: www.naviarrecords.bandcamp.com

Naviar Records Membership (access to full discography, creative meetups, workshops, and more): https://www.naviarrecords.com/membership-and-services/#membership

all submissions

haiku #580: quiescence! / touching not the blossoms, / temple bell's voice

With best wishes to the laptop class
Video with lyrics: https://www.youtube.com/watch?v=8U1BHWRgbUU

The Dream Reel EP

You Don't Know Where You Are

black lake

Some months ago I was heading to the doctor’s when I heard a voice say “notice the tattoo,” or “ look at the tattoo,” something along those lines, which left me pretty baffled, unsure what this meant or why it suddenly popped into my head. But I made sure I would pay attention to any tattoos I saw at the doctor’s office. When I got there a young nurse admitted me and checked my vitals. She was pretty and had a calming grace about her. When she went to take my blood pressure, I saw on the inside of her wrist was a single tattoo: a red rose. Throughout the day I contemplated what this symbol was meant to mean and why I was supposed to see it but couldn’t really make any connection to it. 
Around this time I had started learning more about the saints. I was reading a book of poetry by St. Thérèse of Lisieux “the Little Flower” that I really loved. In it are the most tender of love poems dedicated to Jesus, other saints and her fellow sisters at her convent. 
But it wasn’t until a couple of days ago I found the novena prayer to St. Thérèse and was shocked and tickled to discover it is apparently common knowledge that she’ll send a rose to those who ask for her prayers. 
Now I can’t remember if I had, at that time, asked, but maybe she went ahead and sent the rose knowing I would catch up down the line. Either way, this beautiful haiku by El Wud evoked in me this memory and the desire to repay her kind gift.

So dear St. Thérèse of Lisieux, this one’s dedicated to you:


Curve of time—
a thought takes flight,
scent of a rose.

by El Wud
Naviar Haiku challenge #577

A Rose from St. Thérèse [naviarhaiku 577]

SONG 68 - DisquietJunto0683 - Space Shot

using 20 resonance tones I recorded on a toy piano and acoustic guitar, I've responded to this week's @naviar-haiku music challenge, of which you can find details about here: https://www.naviarrecords.com/haiku-music-challenge/

quiescence!
touching not the blossoms,
temple bell's voice

Kawakami Fuhaku was a tea master and the founder of the Edosenke, a school of tea ceremony. He was also an accomplished haiku poet.

Haiku by Fuhaku

Extract of picture by Ming Han Low

bell's voice (naviarhaiku580)

Instrumental composed and performed by DD February 2025 using @gforce-software 's Oberheim OB-X, OB-E and DMX exclusively.

for this haiku by Fuhaku
quiescence!
touching not the blossoms,
temple bell's voice

Temple - naviarhauku580

This track was created for the Naviar Haiku group.
580
https://www.naviarrecords.com/naviarhaiku580-quiescence/

2025-02-14

Temple Bell's Voice (Naviarhaiku 580  )

Here's my musical resonance to this week's haiku from @naviar-records. 
A two-note bell ringing above a flowery meadow.

https://www.naviarrecords.com/naviarhaiku580-quiescence/

Thank you NAVIAR RECORDS.

Quiescence (naviarhaiku580)

An electronic composition created using Pure Data with a little added echo and reverb.

Temple Bells (naviarhaiku580)

The past, immutable -
an icicle stabs
directly downward

by: Saitō Sanki

This haiku poem is part of the Naviar haiku music challenge, where artists are invited to make music in response to a weekly assigned haiku poem. Participation is free and there are no limitations in the songs’ length or genre.

You have seven days from the posting of this haiku to submit your track. For information on how to make a submission, visit the Naviar Haiku Music Challenge page.

SONG 84 - Naviarhaiku588

This was my contribution for Disquiet Junto Project 0696: Chain of Layer. The first of three that are being done by the Disquiet Junto in collaboration with the 2025 Musikfestival Bern.  The Assignment: Make music change by altering its layers.

Here’s a copy of my post on the Disquiet Junto 0696 discussion thread on Lines:

Recorded 11 tracks from my modular synth using Make Noise Telharmonic and Verbos HO modules for the voices. Layered them in Ableton Live in the sequence in which they were recorded – fading one into the next. Also inserted 4 samples from field recordings I had and interspersed them between the synth tracks, and also at the end. So this has a total of 15 layers. Some reverb using Valhalla Room and a bit of auto panning using built in devices were the only effects added. Image by Ruido-98 via Unsplash. It's been altered slightly in Photoshop.

More on the 696th weekly Disquiet Junto project, Chain of Layers — The Assignment: Make music change by altering its layers — at https://disquiet.com/0696/

Fifteen Waveforms [disquiet0696]

2025-05-08

solar eclipse

Malnutrition Has Sapped Their Strength...

Made in FL Studio 2025.
Time spent: 4h13m.

Free Memory

Noise Cathedral 852 Hz [Dark Nature Concept]

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

Temple - naviarhauku580

Daniel Diaz

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